Nottingham Venues 31 to 34

Nottingham Contemporary is an art centre near the Lace Market tram stop which is situated between Market Square and Nottingham train station. The gallery opened in 2009 and the site is allegedly the oldest in the city having originally been a Saxon fort and the building maintains links to its geographical location by being embossed with a traditional Nottingham lace pattern. It is a large structure and with over 3000 square metres of floor space it is one of the largest art centres in the UK housing four galleries and two event spaces where music takes place.

My first visit to the Contemporary Café Bar was during a night out in April 2012 with my brother and few of his friends. So, following a visit to the Old Angel and to a nearby curry house we walked past the local Pitcher and Piano and then upon entering the building we went up two flights of stairs to the café venue.

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Nottingham Contemporary. Image Credit universalworks.co.uk

It was a chilled-out space with the music meeting the same vibe with local loungecore act Magic Myrtle Turtles on stage. I recall us leaving the venue with synchronous timing to catch the last tram from the stop opposite. My other visit occurred the following year where we happened to catch another loungecore act called Umujh.

In June 2012 my brother, Uncle George and I attended a Gringo record label showcase event at the Contemporary Stage. Gringo records being a Nottingham based DIY ethics and experimental rock label founded in 1996. The event was over two nights and featured on the Friday night local legends Grey Hairs. They were supported by Hookworms from West Yorkshire, who have received a lot of radio airplay from Mark Reilly in subsequent years. Also, on the bill that night was That F#**##g Tank.  It was all noisy abrasive fare!

The following night we returned for another dose of industrial sounds with Hiremaka Redux, S’oerza and Polaris providing the entertainment.

The Music Exchange record shop situated nearby at No 2 Stoney Street in the Hockley area is an independent venture with a commendable ethos as it exists under the auspices of the Framework Housing Association charity who staff the shop with volunteers to gain valuable retail experience.

They also very occasionally stage in house bands, thus at 2pm on the Sunday afternoon 01/09/13 they played host to a local melodic band called Crushing Blows. They had formed in 2009 and metamorphosed into Ghost Twins in 2013. It is not a large shop, so they played their 6-song set inside with the windows open and punters scattered on the pavement, thankfully the weather was set fair!

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Nottingham Music Exchange. Image Credit Nottstv.com

Three doors away at No 8 Stoney Street is The Corner venue. It is a small performance and rehearsal theatre and I do not think it had been open that long prior to my one visit in 2013. On stage were a local band called Money who were a keyboard-based band and were unfortunately a somewhat bland proposition. One overriding memory of the gig though was that the venue produced the cleanest sound I have ever encountered, it was absolutely crystal. What would I have given of a band of Mogwai’s stature to be on that sight with the sound system so perfect!  

Wickerman Festivals 4 and 5

Wickerman 4 took place in late July 2005. On the bill were the semi-permanent residents and Castle Douglas’s finest the Dangleberries. There were a couple of punk bands The Zips and the Vibrators and the legendary Stranglers were still strutting their stuff.  Anti-Product returned to provide another chaotic set. Also playing were The Hustlers, Acousticat, Mostly Autumn, Andrew Jackson, Jellybones, Space Ritual and Mercedes.

Alabama 3 who were formed in Brixton in the mid 90’s were in town and produced a decent set of swampy blues including their huge hit ‘Woke up this Morning’ made famous by its choice as the Sopranos theme tune, coincidentally in my view one of the finest TV series out there.  Dreadzone were the headliners after the Wickerman burning on the Saturday.

One there purely to pick up their paycheck was the inexecrable Arthur Brown who from memory seemed to play about 17 different versions of Fire! Perhaps he should have played just before the burning….!

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Arthur Brown. Image Credit Dreamstime

The two best acts of the weekend were from the Specials and Fun Boy Three singer Neville Staple who was excellent in the late afternoon sunshine on the second stage and provided an appropriately excellent version of ‘Too Hot’. The other being the SLF cover band Straw Dogs who were deliciously loud.    

As the festival grew in stature there were different non-music elements added to the mix each year. For a couple of years there was a Circus tent which was a slightly surreal place to visit after you had imbibed a few cold Tennants. There was also for a spell a Cinema Tent where I recall them showing The Shining. One particular year when the music was a bit limp, we ensconced ourselves on the grass inside the tent to watch in full a film called the Wickerman!

There was also one year where right next to the entrance wall they installed a small funfair. Thus, there was an occasion where four full size adults squeezed into one of the little cars and braved the Ghost Train which was great fun. On the drive back on the Sunday we received a text from Tony Dewhurst who was in a separate car informing us that he had just passed the Ghost Train parked in a lay-by somewhere near Dumfries!

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The Ghost Train. Image Credit hcpress.com

Wickerman 5 had of course the Dangleberries and Straw Dogs playing again! On the punk roster were Vice Squad, The Blockheads and Eddie and the Hot Rods reprising their stellar hit ‘Do Anything you Wanna Do’, the rest of the set paled in comparison.

Also on the bill were Spiral Tower, The Hussys, Data Panik, Gin Goblins, Flying Matchstick Men, The Alamo, The Gift, Three Daft Monkeys, Eek A Mouse, Kid Ego, My Latest Novel, The Deadbeats and Sandi Thom.   

Two old troubadours Wilko Johnson and Steve Hillage and System 7 were in residence alongside the Welsh rockers the Alarm.  I caught Marky Ramone again who I had seen at Preston Mill the year before.  

The two standouts of this weekend were Jo Mango a folk band from Glasgow, the lead singer and driving force Katherine Waumsllaying had the adopted name Jo Mango and she had a superb voice that lit up the acoustic tent.  

The other highlight was a band formed in St Helens in 2004 called Tiny Tin Lady who produced a terrific folky set with thrilling harmonies. They have since been championed quite strongly by Mark Reilly.

2006 saw the debut Wickerman attendance by Jez Catlow who camped out before joining us in the Towers for the remaining 9 festivals. The reason for his appearance was naturally a festival slot from New Model Army!

The fly in the ointment was the surreal decision by the promoters to invite Arthur Brown back and he had certainly not improved from his previous years slot!