Preston Venue 23 The Mill – Part 3

Located near to the Mill was a track leading to the current starting point of the Preston to Tewitfield canal. The original plan was to continue the canal south of Preston onto Wigan to link up with the Leeds to Liverpool canal but was only ever partially completed.

In July 2005 a group of us went down to see Idlewild on a Monday night and I recall seeing Matty Pope of the Accrington parish prior to the show. It was an odd day as the gig followed my Grandma’s funeral. It was well attended and Idlewild were in very good form, ‘You Held the World in Your Hands’ was the highlight and I recall them also playing a rousing cover of the Ramones ‘I Wanna be Sedated’.

Three months later the ska legends The Beat were in town and they were a good as ever with Rankin Roger and Junior Rankin sharing the vocal duties. There was a plethora of dodgy dad dancing and the highlights were ‘Stand Down Margaret’ and ‘Tears of a Clown’.

In December 2005 I saw Half Man Half Biscuit for the first time and the Birkenhead boys were a revelation. They were one of the tightest bands I have seen honed by constant touring for over 20 years. I recall fondly ‘Trumpton Riots’ being played regularly on the ground level dance floor in Raiders nightclub in the 80’s and they played a belting version of it on the night. Other highlight tracks were ‘F#@k me its Fred Titmus’ and ‘All I want for Christmas is a Dukla Prague Away Kit’.

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Half Man Half Biscuit on stage. Image Credit BBC.

I have saved the biggest one to the last and I cannot overstate the significance of this particular gig as in my view it was the biggest band, I have ever witnessed in the olde fair city of Proud Preston and certainly stands strong in my Top 5 gigs in Preston. Randomly scanning the Friday What’s On page in the Lancashire Evening Post I noticed to my astonishment that Black Rebel Motorcycle Club were going to play the Mill.

Tickets were purchased over the weekend and the date ringed on the calendar. Then disaster struck as due to one of guitarists in the band breaking his thumb the gig was cancelled. A combination of them rising in profile and the size of the venue made me cast serious doubts of it being rearranged. However, to their eternal credit they honoured the booking and a rescheduled date of 11/05/04 appeared on the horizon.

On the gig day I was slightly giddy at work and I sloped off early.  A group of us rendezvoused in the Hogshead and on arrival we caught the last two tracks of a then unknown support band which turned out to be Kasabian.

The venue was packed to the rafters with an exultant crowd. They opened the set with a couple of acoustic tracks, one of which was the delightful ‘Complicated Situation’ subsequently included in the tracklisting for the Howl album released a year later. ‘Whatever Happened to my Rock and Roll’ and ‘Spread Your Love’ from their self-titled debut album were outstanding and their noisy dirty old-fashioned rock and roll was a compelling spectacle and they certainly lived up to my pre-gig expectations.  There were fluffy clouds under my feet as I walked home up the hill afterwards!

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Black Rebel Motorcycle Club. Image Credit saltartists.com

Preston Venue 23 The Mill – Part 2

For the three-year golden period of 2003 -2005 at the Mill, I was living a handy 15-minute stroll away at Lane Ends, and post gig would happily tumble up Tulketh Brow or Shelley Road in a warm glow after a top night of music.

I had a very noisy double bill of gigs at the tail end of 2003, the first being the old influential stalwarts Killing Joke who formed in Notting Hill in 1979. I was in attendance with super fan Tony Dewhurst who has seen them over 100 times. I recall Tony saying he had a chat with lead singer Jaz Coleman that night and there was a possibility Tony could be hired to write his autobiography, but the interesting offer never reached fruition. They produced a very noisy industrial set.

The second was the Irish punk band Therapy? and I recall them playing their cover of Husker Du’s Diana.

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Therapy? Promo picture. Image Credit conversationabouther.net

In between those two gigs, I saw Brighton band Electric Soft Parade who I had picked up on initially from their stellar debut album ‘Holes in the Wall’ which was nominated for the Mercury Music Prize. They were very accomplished and enjoyable on the night.  

Next up in April 2004 was to see Marky Ramone. Originally born Mark Steven Bell he was originally a drummer for Richard Hell and the Voidoids. When Tommy Ramone stopped drumming to become the manager in 1978, he stepped in as the new drummer and changed his name to Marky Ramone. The show consisted of a slide presentation talk with Q&A which was amusing as had a bone-dry wit and there were many Ramones tales to impart. The second part consisted of playing a selection of Ramone songs drumming behind of UK Subs, which was the weaker portion of the evening’s events.  

In April 2004, I saw a Cardiff post-hardcore band called Mclusky led by Andrew Falkous and they produced an urgent slab of noisy rock. After the band split up Falkous created the bands Jarcrew and Future of the Left, I was a fan of the latter band’s off-kilter sound. The support bands on the night were Papa Boon and My Code Name is Milo.

On a very warm Friday night during Euro 2004 we sauntered down to watch Longview, an indie rock band from Manchester. They had formed in 2002 and honed their craft with many gigs at the Night and Day café. They also had the German musician/record producer Ulrich Schnauss in their ranks from 2005 to 2010. Remarkably despite them being in existence for 12 years they only ever produced one album. I recall they were very melodic in the mould of Nada Surf with House of Love tinted vocals and were a perfect summer night band. Just listening to their music now and it still sounds remarkably fresh.

Five months later I saw Hope of the States, a post rock band from Chichester. They were good value and were supported by The Open. When the headline band subsequently disbanded the members ventured into bands such as The Northwestern and Chapel Club.

In March 2005 a group of us went to a multi punk bill and we saw Mere Dead Men (MDM) and Broken Bones who evolved from the band Discharge. Also, on the bill was the local punk legends Pike, one of seven times I have seen them. I recall they played a rarely heard cover of a Naked Prey track, which I think was ‘Train Whistle Blows’ from their lost gem album ‘Under the Blue Marlin’.  Naked Prey were from Tucson, Arizona and in the desert rock genre and subsequently were members of Green on Red and Giant Sand and you can hear distinct similarities in their sounds.  If I have got the name wrong of the covered track, I am sure Pike’s bassist and music encyclopaedist Jez Catlow will graciously correct me!

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Naked Prey ‘Under the Blue Marlin’. Image Credit Amazon.

In the gap between bands, we headed up to the local pub Moss Cottage, known as the Hogshead for an aperitif before returning to see the headliners Conflict, who formed in Eltham in South London in 1981. They were always combative souls and highlighted issues around animal rights, anarchism and class war. During their gigs in the 80’s in the particularly dark days of Thatcherism they regularly stoked up the crowd leading to riots and disturbances post-gig. Even 25 years on, they still cut an aggressive and spiky presence on stage.