Manchester Venues 221 to 222

It has been cited here previously that there were many sections of Manchester in the 1980’s and 1990’s that were still harking back to the Industrial Revolution era. An example of this was the large Spinningfields space located in a square bordered by Bridge Street to the north, Quay Street to the south, Deansgate to the east and River Irwell to the west. It consisted of a suite of grubby back alleys and tenement buildings and even the name was derived from the dark satanic cotton mills heyday.

The Manchester bombing of 1996 resulted in a comprehensive regeneration programme across the city including Spinningfields which went through a £1.5 billion gentrification phase over the next decade and was labelled by the marketeers as the ‘Knightsbridge of the North’. It was loaded up with various bars, restaurants and boutique shops over the 22-acre (89000 square metre) site with 16000 punters employed. The old magistrates court and the Manchester Evening News buildings amongst others were demolished as a result.  

Spinningfields. Image Credit Visit Manchester.

So, if you enter via Deansgate your first landmark is the impressive John Rylands Library which is well worth a visit and beyond there are the Australasia, Hawksmoor and the sorrowfully named Sexy Fish restaurants.

Nearby is a posh cocktail bar called Manchester Dear Sailor with three separate menus and drinks called Pecan Mai Tai Yuzu Meringue Martini if either of those delicacies happens to float your boat! Their blurb outlines they are inspired by the premise of 1930 Tokyo speakeasy bars and there are gentle house rules including that gentlemen cannot approach ladies unless they have already made the first move.  

One afternoon I happened to be trundling past on my way to the train station after work and the doors were wide open and live music assailed my lugs. I hung around for a spell and caught a portion of the Steel Band Boys set and their Caribbean influenced beats.

Dear Sailor. Image Credit spinningfields.co.uk

As you continue your circuit onto Quay Street you roll past Schofields Bar and the Opera House and then reach No 1 Spinningfields. This structure was built in 2014 and gained a highest new entry placing as the fifth highest building in Manchester and they house various accountancy and law firms and also have a large M&S food hall on the ground floor. At the top of the tower block you would find 20 Stories restaurant.  

In the central thoroughfare behind there is the Manchester branch of The Alchemist and The Ivy, the latter which Gill and I attended after her graduation. Further down New Quay Street you reach River Irwell and there is the obligatory branch of Slug and Lettuce.

There is a bridge over the river to the New Bailey estate taking you past the long gone Mark Addy pub and through to Salford Central station. However, the bridge has been closed for a couple of years now whilst awaiting repair thereby making my work commute slightly longer. This is also the location for commencements of tourist boat trips down the River Irwell.  

Onto Bridge Street you then alight outside the award winning People History Museum which after several previous homes settled in its current location in 1994. Artefacts there include Peterloo Massacre memorabilia, ex-Spitting Image puppets and Michael Foot’s inimitable donkey jacket. Last year it was included in the city’s art trail with all 48 of the instruments in the guitar trail exhibited there with additional donations from Oasis, Doves and New Order. Our new prime minister Andy Burnham recently chose the venue to deliver his first major speech after announcing his Labour Party leadership bid.  

You then pass the Civil Justice Centre which opened in 2007 and is known locally as the ‘filing cabinet’ due to its design shape. It was quite a ground breaking venture as it was the first major court complex built in Britain since 1882.  On that main drag there is the grand old freemasons Manchester Hall building and the Indian restaurant Dishoom with their breakfast Bacon Naan Rolls.

The ‘Filing Cabinet’. Image Credit insidehmcts.blog.gov.uk

To the rear of there is Manchester Oast House, which is designed based on a resemblance to an olde-worlde Yorkshire barn and was a brick by brick rebuild of a reclaimed 16th century oast house which was located in Kent, for which its original use was for brewers when roasting hops. It was originally a pop-up temporary location when it opened in 2011 but proved to be so popular it became a permanent venue. I have attended a couple of Christmas do’s there, one in the indoor building and another in the marquees that they install for the winter season.   

Oast House. Image Credit morningadvertiser.co.uk

There is a large outdoor seating space with two alfresco bars and a bespoke bandstand for live music, and they hold monthly festivals that are very well attended. I have seen seven acts there, either on post-work drinks or a cheeky Sunday visit on sunny days and they have all been comprised of cover acts.

Liverpool Venues 33 to 35

I shall return this week to my ongoing review of the 2025 Liverpool Sound City event, with our next port of call being Liverpool Kazimier Stockroom. As I have discovered when writing these scouse based blogs their background stories of the venues never seem to be simple. So, this particular tale commences with the much touted original arty Kazimier venue in Wolstenholme Square.

The venue opened in 2007 in an old mirror-lined club owned by local boxer John Conteh and came complete with an octagonal dancefloor, outdoor space and a top-deck bar and it was the size of the Titanic. It finally bowed out in some particular style on New Years Eve 2015 after a self-created sci-fi themed Escape to Planet Kronos party with one hundred and eighty performers. A mere four months later alongside Nation, the original home of Cream, the whole area was razed to the ground under the banner of gentrification plans.

Kazimier Stockroom. Image Credit liverpooltheatres.com

A regular performer there was the in-house carnival techno act The Krunk Band. They chose not to perform on stage, instead they mingled into the crowd whilst booting out their tunes and included a mishmash of trumpets, percussions, barrel organ and accordions in their sound. Other bands to play there include Sleaford Mods, Blossoms, Buzzcocks, Miles Kane, Michael Head and The Harlequin Dynamite Matching Band.  

Then in 2016 the newly formed Kazimier Collective opened up a new venue on Regent Street near to the Stanley Dock Tobacco Warehouse. The three storey building comprises of two events spaces, the basement one called Substation, and some artist studios. It was named The Invisible Wind Factory and has a 1500 capacity. Fat White Family, Ride and the Orielles have played there, and it has also been used for daytime rollerdisco events, thereby invoking unwelcome memories of Cliff Richard and Frank Spencer!  

The Collective then opened up the Kazimier Stockroom which is a multipurpose small site with a 100 capacity and alongside being an intimate showcase for fledgling local and national bands they also host film screenings and theatre shows. It has an open courtyard area, and its name derives from its location adjacent to Kazimier Gardens.  

Upon our arrival it took us a moment to find the venue which was located just off from the outside area behind an unmarked wooden door, it was a busy enclosed space and was absolutely sweltering. On stage was a young R&B singer called Immi Dash who was born in Scotland to British and Trinidadian parents, raised between California and Slough and now resides in Liverpool, sounds like an eventful journey!  

Arts Club. Image Credit tagvenue.com

We then moved onto the nearby Liverpool Arts Club on Seel Street, a venue that has existed since 1928 and was before that date The Liverpool Royal Institution. Its original remit under the new banner was as a social club before morphing into a live music venue. Prior to its current moniker it was known also as The Barfly, The Masque and East Village Arts Club.

In the early part of 2023, like many other similar establishments it faced closure, but was subsequently thankfully saved from that ignominious fate by the Manchester based Tokyo Industries. That particular company also own Gorilla, The Deaf Institute and Factory 251 and brought that previous expertise and a major regeneration to this venture. Early gigs by The Wombats and Two Door Cinema Club served to cement its reputation back on the live circuit.

The venue has three individual rooms, the first is the lobby which is utilised as a club space with a capacity of 200 punters. The second is Liverpool Arts Club Loft which has a live maximum of 550 people. When we attended there, we saw a Manchester act called Cooper T who are a duo comprising of two producers Kong and TMNMS. They sported brown shell suits and matching balaclavas and were verging on the grime genre, not dissimilar to Sleaford Mods, a band who has always left me cold, though the crowd around me appeared to be lapping it up!

The Florentenes. Image Credit youtube.com

Along a linking corridor brought you to Liverpool Arts Club Theatre, which was my preferred venue of the two and has a capacity of 550 and the space reminded me of the old Preston Polytechnic venue. First up we saw a local singer called Neil Noa and then later in the day Florentenes. The latter three piece were from Manchester and astoundingly young with the two guitarists aged eighteen and the drummer only fifteen. They reminded me in parts of The View, early Strokes and The Vines and they created a very pleasing racket!