Manchester Venue 16 Academy 3 – Part 2

In totality, I have attended Manchester Academy 3 nineteen times thereby placing it in 6th place on my most populated venues list.  

Early in 2001, I began to become aware of the Strokes who released their terrific first album ‘Is This It’ later that year. I adore the way that record is recorded, sounding like they are in a New York basement, in a good way. I read in the NME they were playing Manchester and was fortunate to obtain four tickets from Piccadilly Records to a much-touted band for a sold-out gig.

John, Uncle George and Gill were in attendance on a filthy Thursday night in June. Walking up the steps to the top floor we passed Damon Gough (aka Badly Drawn Boy). He was later ensconced adjacent to us at the bar where a cliched fanboy approached him with the snappy refrain ‘love your album dude…’

The support band was Moldy Peaches followed by the main act who looked nervous initially, but they were excellent and had such admirable poise beyond the tender years.

I was perfectly content in the mosh pit when out of the blue somebody unseen threw a haymaker catapulting me halfway across the pit. Even the band looked taken aback. The assailant must have had a ring on as I had a proper bruise the next day.

Now I am a very chilled chap, but I was incandescent with rage at the sheer injustice of this unwarranted attack. There are unwritten rules for mosh pit etiquette and they were emphatically breached by this muppet!

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The Strokes. Image Credit NME

In April 2005 John Peel faves 65 Days of Static were in town. They had a couple of entries in the previous year’s Festive fifty and were supported by Sons of Slaughter. They were decent live but a tad Mogwai lite.

A couple of years later we headed over to see Goldblade supported by the punk poet Ted Chippington. Everything about that gig was loud including John Cooper Clarke booming out of the speakers in between acts.

Goldblade were thunderous with John Robb vamping it up in his inimitable style. I had imbibed a few sherbets, so when they offered ‘Iggy Pop’ style for punters to enter the fray I grabbed a rare opportunity and leapt on stage with many other like minded folk.

Implausibly, it was even louder up there, and I found myself next to the drummer so proceeded to assist him by slapping away at the drums for one track which was very exhilarating! Another new nickname was christened – ‘Jimmy the Sticks’.

On 22/11/07 an exceedingly rare event happened, namely me driving to a gig! The reason for this unusual anomaly was that we were driving to Centreparcs at Penrith the following day for the weekend.  

We landed in the venue just to catch the last two songs of a rather poor support act Son of Albion and somewhat cringingly for the band you could hear a pin drop when they finished, not even a polite smattering of applause!

The main band was the Raveonettes, a duo from Copenhagen with their fabulous names of Sune Rose Wagner on guitar and Sharon Foo on bass with the assistance of a drum machine. They excel in fuzzed up Mary Chainesque (made up word but describes it perfectly!) sound with gorgeous harmonies but with the additional bite of razor-sharp lyrics.  

To exemplify those contrast shades, they have in their cannon a sugary sounding track in the vein of Strawberry Switchblade, but it then contains contextually the understandingly brutal title ‘Boys Who Rape Should Be Destroyed’. They have produced a suite of excellent albums across their lineage.

They were a captivating experience in the live setting and were immensely enjoyable.

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The Raveonettes. Image Credit Ents 24.

When approaching my 42nd birthday I fancied attending a gig on the day so instigated a search and found that Against Me, a Florida punk band, were playing that night. Uncle George, Dave Keane and I sallied over on the quick train.  

This remains one of the four gigs I have attended on my actual birthday, Neil Young on my 19th and I saw a band in Liverpool and Manchester respectively on my 43rd and 51st birthdays.

They were one of those bands that seem to instil intense loyalty from their fans and that was evident in the fervent atmosphere at the gig. They had an individual sound and it was a fun night.

Manchester Venue 16 Academy 3 – Part 1

Within the Manchester University complex on the second floor lies Manchester Academy 3. For those with longer memories it was previously known as the Hop and Grape and the venue opened in the 60’s.

The original layout was very cosy with an entrance to the left of the bar, in later years they expanded the venue marginally with an entrance round the back of the bar. The capacity is 470 and it is my favourite of all the four Academy venues as it remains an intimate size and there is a good view from all vantage points.

My first visit in October 99 was to see Guided by Voices. They are a legendary band from Dayton, Ohio and formed in 1983 with the ever-present lead singer Robert Pollard. They are highly prolific recording artists and despite a couple of hiatuses they have just produced their 30th album and they have been known to play 4 hour shows mirroring the length of some Bruce Springsteen and E-Street band gigs.   

They received regular airplay on college radio which was the route REM traversed when progressing into the limelight. They flirted with fame when appearing in the Strokes ‘Someday’ video. Nobody sounds quite like them and ‘Under the Bushes Under the Stars’ is a fabulous album and comes recommended.  

Unfortunately, the sound system in the venue didn’t assist on the night and despite moments of brilliance they struggled to convert their recorded output to the live setting, and it remains the only time I got to see them on stage.

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Guided by Voices ‘Under the Bushes Under the Stars album cover. Image Credit colouredvinylrecords.com

They were ably supported by Beulah from San Francisco who created a sunny West Coast vibe and were excellent. Again, I only saw them once and they disbanded in 2004.

My next appearance was in May 2000 to see Grandaddy. They had first appeared on my radar when I was converted to them by their ‘AM180’ track featured on a Q magazine mixtape.

They had their own unique sound resultant in part by the incorporation of some homemade instruments and their wonky Neil Young beauty was superb live. A good time was had by all to the extent that I was somewhat hungover when performing my ‘Jimmy the Cat’ goalkeeper duties the following afternoon for the works football team.

Four months after that I saw the Melbourne instrumental trio Dirty Three. They were fronted by a charismatic Warren Ellis who had an interesting back story as a classically trained violinist, school teacher and a busker around Europe.

He proceeded to do a rambling but engaging monologue prior to each track and then turned his back at the commencement of each song and the band then created a cacophonous racket in an odd rock/jazz fusion. They were great fun and the nearest loose comparison could be Arcade Fire without any lyrics!  

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Dirty Three in full flow. Image Credit Clash

On 24/03/01 I went to see the Minnesota based Low for the first time. In my opinion, they have produced one of the three best festive songs. Their ‘Just Like Christmas’ sits alongside that lesser heard Pogues track and ‘Christmas Song’ by Joy Zipper.

They are quantified in the ‘slowcore’ genre and can be a tad too maudlin for some, but I loved their hushed plaintive harmonies and the exceedingly quiet respectful audience added to my considerable enjoyment of the gig.  

On 09/06/01 we witnessed Rocket from the Crypt who weren’t as sharp as previous stellar performances. We had some significant train trauma on the return journey and didn’t land home until 4.07am.

In March 2002 we saw a woeful band called Vex Red from Aldershot. I just checked their website and am suitably astonished they are still on the circuit. Paul Bruzzese was at a gig downstairs so we left before the end of the set and endeavoured to shoehorn our way into the Tomahawk gig in the venue downstairs without success!