Manchester Venue 211 – Victoria Warehouse

Buried away in the wastelands of Salford on Trafford Wharf Road, by the banks of the Bridgewater Canal, you will find the venue of Manchester Victoria Warehouse. It is situated nearby to both the cricket and football Old Trafford stadiums and the Trafford Centre shopping complex.

I miraculously once found an alternate route home through this area saving me a considerable amount of time when the M60 Barton Road Swing Bridge was completely backed up. Also in that area is the White City retail park which I foolishly visited the one time, and to escape from it you had to cross the most surreal road junction where to turn right you had bear sharp left initially for over 100 metres!  

The Warehouse has a long lineage as it was built originally in 1932. In the heady days of the Manchester textile boom it was utilised by the Liverpool Warehousing Company as a base to store cotton and other fabrics. Many of the unique bespoke spaces, including the Cotton Sheds, Head Office and Skyhook were designed at this time.

Victoria Warehouse with existing signage visible. Image Credit creativetourist.com

Within the bays, which were numbered based on allocation to individual companies, products from Kelloggs, McVities and Cadburys were packed over the intervening five decades. Thus, at any particular point in time you could have had either a bowl of Frosties, a plate of Jaffa Cakes or a Finger of Fudge (which is just enough to give your kids a treat!) at your fingertips.

In 1980 a catastrophic fire scorched through the venue. A couple of years later a rather large mural featuring Trafford Park industries was constructed by a local chap called Walter Kershaw. It was placed on the wall of the Warehouse storage buildings by the side of a busy road, but this positioning then eventually resulted in its downfall in 2007 as it was removed on public safety grounds.  

Trafford Park mural. Image Credit forwallswithtongues.co.uk

In 2005 the building was bought by developers and refurbishments commenced in 2009 with the addition of modern lighting, bars, dressing rooms and media spaces. On the 8th of April 2012 the Warehouse Project was launched and consisted of two storage areas.

It was designed primarily as a dance venue before branching into other directions with fashions shows, the first event being staged by GAP. In 2015 they obtained a civil ceremony licence and subsequently it was utilised to host weddings. Also, that year the then chancellor George Osbourne made his empty rhetoric ‘building a Northern Powerhouse’ speech there. Three years later the name changed to the O2 Victoria Warehouse, and it has a capacity of 3500.   

It first appeared on my radar when Speedo from Rocket from the Crypt hosted a weekend residency with sets from all the bands he has played in. I really wanted to attend but couldn’t make it work due to having alternate plans already in place. I then had tickets to see Mogwai in 2020 but that then became a ‘lost gig’ during the pandemic.

Whenever I parlayed with my musical peers, a theme emerged in that people appeared to actively hate the venue, which was a very rare thing to hear. Their main grouses appeared to be its location and its restrictive layout, especially when busy. I finally managed to arrange my first and only appearance thus far when 6 Music chose it as their main venue for their 2025 festival. They then announced Mogwai on the roster and my fate was sealed.

Thus, on the 28th of March, I met Rick (the nights Mogwai virgin) and Uncle George in the Deansgate pub before we navigated down to the venue. Upon arrival, we weaved our way through the olde world building, however due to misleading stage times we annoyingly only caught the last two tracks of English Teacher’s support set.  We then completed our group by meeting up with Paul and Tim.

Warehouse stage. Image Credit discover.ticketmaster.co.uk

Looking at the main room, I could understand people’s misgivings as there would be two poor visibility doorways at the rear if it was a full capacity event, but thankfully that night it was probably only about 2/3 full. This enabled us to obtain a prime spot about ten rows from the stage.  

Mogwai were introduced onto the stage by the enthusiastic DJ’s Deb Grant and Tom Ravenscroft. It was a decent set with ‘Mogwai Fear Satan’ their penultimate track before a three song encore with the accompaniment of the KNDS Fairey brass band and they completed their show with ‘2 Rights Make 1 Wrong’.

The brass band originally derived from the Fairey Aviation works factory in Stockport in 1937 and over the years they have been national champions for an impressive nine times.   

Post gig, Rick shuffled over to the nearby Trafford Road metro station to enable him to then pick up the last train back to Preston. But what of Uncle George, I don’t hear you ask, we waited and searched but of him there was no sight or sound.  

About an hour later after I returned home, I finally achieved contact with the wandering minstrel. I discovered he was drifting aimlessly down Chester Road and managed to pinpoint his current location on a map and then book an uber under my name to ensure he arrived home safely!  

Manchester Venues 209 to 210

Alongside many other likeminded music fans, I have always had a strong affiliation with records shops from an early age. Everyone will have their own tale of how they obtained the latest vinyl that they desired in their formative years, either via a local or national chain or somewhere broader based like the bargain basket at Woolworths.

In my youthful days in Preston there was Bradys and also House of Records on the upper floor of the indoor market, though the jewel in the crown was always Action Records down on Church Street where I spent my ready cash. The shop initially opened in 1981 and remains to this day under the tireless stewardship of Gordon Gibson.

I would also at this stage like to take the opportunity to pay homage to Gordon’s comrade in arms Allan Atkinson (Big Al) who worked with him all throughout that period. He passed away a couple of years ago, and I remember chatting to him at many local gigs, he was a thoroughly decent chap and a gentle giant.      

Big Al. Image Credit blogpreston.co.uk

In relation to Manchester, I have covered Piccadilly Records in extensive detail in previous blogs so in this article will initially concentrate on Manchester Fopp Records. The Fopp story began with an English geezer called Gordon Montgomery opening a one man market stall in Glasgow in 1981 armed with the commendable ethos of competitive pricing.

The name was derived from a 1975 track by funk band The Ohio Players off their third successive platinum selling album ‘Honey’. The bands influence carried forward sufficiently to be sampled/re-recorded by Salt & Pepper, Snoop Dogg and Red Hot Chilli Peppers.  

Fopp’s stature peaked in 2007 with over 100 UK branches after they took over Music Zone. However, soon after they encountered financial difficulties and went into administration before being taken over by HMV but retaining their name. They later moved under the ownership of Canadian record chain Sunrise Records. There are now only six shops remaining in the UK, though a new one was opened in Nottingham in 2024.

Fopp Records Manchester. Image Credit recordshop.directory

The Manchester branch is located on Brown Street, just off the main Market Street shopping area and opposite the Norfolk House blood donor centre. In August 2019 I randomly visited and headed downstairs to purchase the latest Hold Steady release.

Whilst I was perusing their wares, I heard the unmistakeable sound of an electric guitar going through a sound check process. With my interest now piqued I looked around and noticed for the first time that there was a bit of a gather, and it was instantly obvious that there was a band about to play a promo set.

I rapidly checked their website and was pleased to discover the act literally right in front of my eyes was Murder Capital, who I had heard on 6 music radio the previous evening. They are a five piece post punk combo who had formed in Dublin the year before and were promoting their debut album ‘When I Have Fears’ which was only 4 days old.

They had a mean and moody aura about them which I admired, and they could certainly play but their music was admittedly a tad dour for me. The lead singer edged out of the room as the final song began to fade, presumably to prep for the signing session that took place upstairs. They shortly after headed out on a sold out UK and European tour, so I was fortunate to catch them in such a small setting.  

Manchester HMV first opened its doors on Market Street in the 1980’s where it was wedged between Topshop and Thomas Cook with a C&A branch close by. It later moved to its current location within the Arndale Centre. Like many other record shops, they have periodic live acoustic shows, and I attended one there in June 2024.

HMV in 1981. Image Credit manchestereveningnews.co.uk

After queueing up and obtaining my pre-purchased CD with enclosed ticket included, I headed upstairs to where the makeshift stage was located. The band performing was The Mysterines who I had kept a close eye on ever since their excellent debut album ‘Reeling’.

They are Liverpool based and have a powerful lead singer in Lia Metcalfe, who despite having a sore throat belted out the tunes and I very much enjoyed their abbrievated set. Unfortunately, a couple of months later they at very short notice cancelled their headline European tour and have not been heard from since. Hopefully they will reappear at some future point.