Tag: 999

Manchester Venue 205 – Lost Cat

In comparison to previous years, due in part to a short period of ill health, I made a sluggish start to my gig going adventures in 2025. Thus, experiencing some admittedly self-imposed gig scoreboard pressure, (but that is my own personal cross to bear!), I made strides to rectify this anomaly.

So, on a cold Thursday night on January 29th, I sourced a gig in the Northern Quarter area of the city at Manchester Lost Cat on Oldham Street. In 2020, the Lost Cat moved into the space which was previously held by the Eat New York bagel company and sits a couple of doors away from the Castle Hotel. It is under the same ownership as Crazy Pedro’s and is not to be confused with the nearby Mean Eyed Cat bar, perhaps this area should be renamed the Feline Quarter!

Lost Cat. Image Credit manchestersfinest.com

The venue closes at 3am every day and is in essence a cocktail bar in the ground floor area where they provide the obligatory bottomless brunches at weekends. You then head up some steps to the venue space which has a 120 capacity with a bar as you enter and a small stage at the bottom end of the room. They have recently rebadged this upstairs area as a DJ space and renamed it under the banner of FOUND club nights. They also have a rooftop terrace and cinema.  

In late 2024 and into 2025 they linked up with the local Beavertown brewery and Scruff of the Neck promotions to stage a monthly sonic showcase session with upcoming bands on the roster. I picked up one of these events and obtained my free ticket and arrived there reasonably early as the ticket did not absolutely guarantee entry as it was a first come, first served principle. 

Thus, my hand was summarily stamped and a bonus token provided to purchase a Beavertown beer, which I obviously took immediate advantage of. On stage was a singer/songwriter Issy Sutcliffe and she provided an enjoyable fiery fuzzy set. She is now based in Manchester but was brought up in a small Lancashire town called Ribchester.

Issy Sutcliffe. Image Credit live-manchester.co.uk

If you may allow me to deviate to the named latter town where there are three hostelries contained within it, and I have had some fine tucker at the gastropub Ribchester Arms. It is an ancient area and in 1796 they discovered a roman artefact which was in exemplary condition due to the sand protection. This became known as the Ribchester Helmet which now resides in the British Museum.   

More interestingly on a musical angle it contained back in the day an utterly renowned punk venue called the Lodestar Nightclub, which I never visited because I was far too young! I am always entranced by the fact that in those days there appeared to be famous venues that were in such obscure locations where the only option was to drive.

It was open from the 1950’s to the 1990’s and run throughout that period by Margo Grimshaw who was so ingrained in the establishment that she bought the actual building in 1992. It then morphed into the DeTabley restaurant and bar before closing in 2007 and then sadly but predictably turned into housing, though they did endeavour to retain the original features where they could.  

Her son Andy was the promoter and alongside the music, he held comedy nights with Phil Cool, Ken Dodd, Jim Bowen and even actor Peter Adamson (who played Len Fairclough in Coronation Street) on the bill.

On the 18th of September 1976 the Sex Pistols famously performed there prior to any record deal and played two subsequent gigs. In that period there were also shows from Adverts, 999, Rezillos, Sham 69, Lurkers, Slaughter and the Dogs and John Cooper Clarke.

Lodestar Nightclub flyer. Image Credit Analysis.

In May 1977 Boomtown Rats allegedly played their first ever UK gig where the indomitable landlady wasn’t overly impressed with them and demanded her money’s worth by making them play two sets. The 7-piece band were then paid a princely £40 in total as a result and there was apparently around twelve people in attendance, including Paula Yates.

They stayed like many others at the Clitheroe Vic hotel where Mr Geldof later referred to the night and rather ungenerously but somewhat typically called the town a ‘s#£$#*&e’, such a charmer! They returned the following year with ‘I Don’t Like Mondays’ flying high in the charts and generated a significantly larger crowd.    

It had the proper punk ethos, warts and all which is exemplified in the tale of when the London band the Motors played. The story goes that the crowd en masse purchased bags of crisps, urinated in them and then slung them at the band, delightful behaviour! Uncle George attended there a few times but has no recollection of who he saw.

In 2017, rather obscurely a message was displayed on the big screen at a Blackburn Rovers match announcing that Andy Grimshaw was looking to undertake an information gather on the Lodestar and was canvassing for opinions. This subsequently evolved into the Lodestar Project released in 2024 which contained illustrations, poetry, flyers and recollections from the venue’s heyday.     

Preston Venue 41 New Continental – Part 3

Another considerable component contributing to the New Continental’s continuing rebirth was the building of the Preston Guild Wheel in 2012 which runs right past the pub. One of the Preston’s finest ever inventions, the Wheel is a 21-mile dual cycle and walking route around the city, with perhaps 15 miles of it on off-road tracks and river pathways, though its introduction didn’t save another riverside pub the Shaws Arms from going bust.

Me and my pal Steve Banister used to regularly cycle the route after work in the summer before retiring for a well-deserved refreshment in our usual seats in the Conty. The issue that then presented itself was that I had to cycle home and there were some vicious little hills contained within that three-mile journey! My personal best for completion was 1 hour 34 minutes achieved when I was cycling regularly and I have once walked the Wheel in its entirety, a trek of around seven hours.

In August 2013, Wire visited the venue. Formed in London in 1976, they have been cited as hugely influential of subsequent heavyweight acts Big Black, Minutemen and Sonic Youth. In my view, they produced intelligent complex music, and I thoroughly enjoyed them.  

Wire. Image Credit beardedgentlemenmusic.com

Six months later I saw the female fronted art punk band from Amsterdam called Labasheeda, they were supported by India Mill, an interesting band from the local town of Darwen.

In March 2015, I had my first experience of the remarkable Lovely Eggs, the slightly demented two piece from Lancaster. I had previously seen Holly Ross at the Adelphi in Preston when she was in a band called Angelica. It was a very sparse crowd in comparison to them now playing Manchester Apollo. They were quirky and terrific fun; my personal highlight was ‘Have You Ever Heard a Digital Accordion?’ which also has the accolade of having ‘Beef Bourguignon’ as a rhyming couplet! They were supported by Zvilnik.

There was a novel event in February 2017 that piqued Gill and mine’s interest by showcasing an 80’s indie triple bill. First up were The Suncharms from Sheffield who were formed in 1989, recorded a couple of EP’s and undertook the obligatory Peel session before disbanded in 1993. They reformed in 2016 before finally after a very extended gestation period released their debut album in 2021.  

The Suncharms. Image Credit wordpress.com

The middle act was The Chesterf!elds, formed in 1984 in Yeovil. Their debut vinyl release was a joint flexi disc with legendary and much missed Shop Assistants, by heck even just the mention of a flexi disc takes me back! Their members had interplay with bands of that era such as Loft and Blue Aeroplanes. They split in 1989 but were reformed in 2014 following a comeback set at a C86 event at the 92 Club in London. They remain active and have recently issued a new album and played the Talleyrand down the road from me in Levenshulme recently, but I wasn’t available to attend.

The third band was the Orchids, who sprung up from Glasgow in 1985 and their early recordings were on the famous Sarah Records based in Bristol. The label was primarily a C-86 hotbed with other like-minded artists Field Mice and Sunny Day in Glasgow being on their roster. Despite a brief hiatus at the end of the 90’s they remain in play and have recorded new material this year. It was a fine night of indie jingle-jangle with my personal favourite being the Suncharms.  

Later that year I saw a double bill containing White Hills who are a psych rock band from New York, I had seen them before but didn’t enjoy their set as much on this occasion. Also on the bill were a band called Cavalier Song. It was a chaotic end to the night involving cancelled taxis resulting in an absolute soaking when we had to trog back into town through the park.

Since the move to Manchester, I was unsure whether I would have an opportunity to attend the Conty again, but a slot opened in November 22. The previous night to my attendance the noisy monkeys Part Chimp played there who I had seen supporting Mogwai at Amsterdam Melkweg nineteen years earlier.   

On the day of the gig, I watched PNE lose 4-2 to Millwall prior to a chippy tea and a couple of beers before heading down to the venue. It was a punk event and I saw a few old stalwarts down there. On the bill were the P45’s from Blackpool, Preston’s Pike, and the headliners 999 from London with their most famous track ‘Homicide’.   

This unexpected attendance allowed me to reach another random stat landmark. It ensured the Conty became the 20th venue where I have attended at least 10 gigs, with Deaf Institute scheduled to become the 21st venue next year meeting this accolade.