Preston Venue 41 New Continental – Part 3

Another considerable component contributing to the New Continental’s continuing rebirth was the building of the Preston Guild Wheel in 2012 which runs right past the pub. One of the Preston’s finest ever inventions, the Wheel is a 21-mile dual cycle and walking route around the city, with perhaps 15 miles of it on off-road tracks and river pathways, though its introduction didn’t save another riverside pub the Shaws Arms from going bust.

Me and my pal Steve Banister used to regularly cycle the route after work in the summer before retiring for a well-deserved refreshment in our usual seats in the Conty. The issue that then presented itself was that I had to cycle home and there were some vicious little hills contained within that three-mile journey! My personal best for completion was 1 hour 34 minutes achieved when I was cycling regularly and I have once walked the Wheel in its entirety, a trek of around seven hours.

In August 2013, Wire visited the venue. Formed in London in 1976, they have been cited as hugely influential of subsequent heavyweight acts Big Black, Minutemen and Sonic Youth. In my view, they produced intelligent complex music, and I thoroughly enjoyed them.  

Wire. Image Credit beardedgentlemenmusic.com

Six months later I saw the female fronted art punk band from Amsterdam called Labasheeda, they were supported by India Mill, an interesting band from the local town of Darwen.

In March 2015, I had my first experience of the remarkable Lovely Eggs, the slightly demented two piece from Lancaster. I had previously seen Holly Ross at the Adelphi in Preston when she was in a band called Angelica. It was a very sparse crowd in comparison to them now playing Manchester Apollo. They were quirky and terrific fun; my personal highlight was ‘Have You Ever Heard a Digital Accordion?’ which also has the accolade of having ‘Beef Bourguignon’ as a rhyming couplet! They were supported by Zvilnik.

There was a novel event in February 2017 that piqued Gill and mine’s interest by showcasing an 80’s indie triple bill. First up were The Suncharms from Sheffield who were formed in 1989, recorded a couple of EP’s and undertook the obligatory Peel session before disbanded in 1993. They reformed in 2016 before finally after a very extended gestation period released their debut album in 2021.  

The Suncharms. Image Credit wordpress.com

The middle act was The Chesterf!elds, formed in 1984 in Yeovil. Their debut vinyl release was a joint flexi disc with legendary and much missed Shop Assistants, by heck even just the mention of a flexi disc takes me back! Their members had interplay with bands of that era such as Loft and Blue Aeroplanes. They split in 1989 but were reformed in 2014 following a comeback set at a C86 event at the 92 Club in London. They remain active and have recently issued a new album and played the Talleyrand down the road from me in Levenshulme recently, but I wasn’t available to attend.

The third band was the Orchids, who sprung up from Glasgow in 1985 and their early recordings were on the famous Sarah Records based in Bristol. The label was primarily a C-86 hotbed with other like-minded artists Field Mice and Sunny Day in Glasgow being on their roster. Despite a brief hiatus at the end of the 90’s they remain in play and have recorded new material this year. It was a fine night of indie jingle-jangle with my personal favourite being the Suncharms.  

Later that year I saw a double bill containing White Hills who are a psych rock band from New York, I had seen them before but didn’t enjoy their set as much on this occasion. Also on the bill were a band called Cavalier Song. It was a chaotic end to the night involving cancelled taxis resulting in an absolute soaking when we had to trog back into town through the park.

Since the move to Manchester, I was unsure whether I would have an opportunity to attend the Conty again, but a slot opened in November 22. The previous night to my attendance the noisy monkeys Part Chimp played there who I had seen supporting Mogwai at Amsterdam Melkweg nineteen years earlier.   

On the day of the gig, I watched PNE lose 4-2 to Millwall prior to a chippy tea and a couple of beers before heading down to the venue. It was a punk event and I saw a few old stalwarts down there. On the bill were the P45’s from Blackpool, Preston’s Pike, and the headliners 999 from London with their most famous track ‘Homicide’.   

This unexpected attendance allowed me to reach another random stat landmark. It ensured the Conty became the 20th venue where I have attended at least 10 gigs, with Deaf Institute scheduled to become the 21st venue next year meeting this accolade.  

Gigs from Abroad Part 3 – Amsterdam

When I initially set up this blog around two years ago, I had no real concept as to how many articles I may derive from all the gigs I have attended. Thus, to my mild surprise I have managed to reach my centenary 100th article and throughout that period so many people have been supportive and encouraging of my endeavours.    

To celebrate this landmark, I have carefully considered the constitution of this week’s blog. It was a natural step to include Mogwai who I have now seen live 33 times and I thought it would then be appropriate to link that up with the one time I have seen them in a European setting.    

The gang of four, John and Tony Dewhurst, Uncle George and I had for a sustained period yearned to undertake a trip abroad to see the Glasgow post-rock masters. In 2003, we discovered they were on an extensive tour, so I drew up a virtual Venn diagram of the dates matching that against the cost and availability of corresponding flights which pointed to Amsterdam being the most viable option.

This all resulted in us travelling over to Liverpool John Lennon Airport (above us only sky!) on the morning of Thursday 29/05/2003 for the short hop over to Schipol Airport. On arrival at Amsterdam train station we traversed over the road to our nearby hotel.

In the reception, there were a group of lads there with suitcases who had clearly pushed the envelope whilst visiting and were a shadow of their former selves! Let’s just say also the digs we had were not Ritz Hotel quality, with no working light in our bathroom as one of many minus points but at the end of the day it was a bed for the two nights!

Amsterdam is such a vibrant city and covers all criterion with the history, the canals and other more nightly pursuits if that is your predilection! Our frailty was solely in the alcohol beverage domain and there were plenty of options at which to slake our thirst in that regard.

See the source image
Amsterdam Night Time. Image Credit martijnKort-Photography.com

The concert was at the famous venue Amsterdam Melkweg. I scrutinised the map and adopted my traditional sherpa role to find some backstreet bars en route, so much so I was asked for directions even though I had only spent an hour in the city myself!

The Melkweg (Dutch translation is ‘Milky Way’) is located on Lijnbaansgracht, which is a vibrant area at night. It is quantified as a music and cultural centre and was previously a sugar refinery and a milk company before opening in its current format in 1970 as a commendable non-profit organisation. There is a cinema, restaurant, exhibition space alongside the main concert venue we were in named the Max, with a capacity of 1500. It was a terrific atmospheric venue.     

Basing our venue entry time of 9pm on British set times, we discovered quickly that even the support act Part Chimp had not yet landed on stage. They are a five-piece formed in Camberwell, London in 2000 and are on Mogwai’s Rock Action label. They had a chunky sound and were crunchingly loud in parts and I thoroughly enjoyed their performance observing from the upstairs gantry.

See the source image
Amsterdam Melkweg. Image Credit djoybeat.com

We moved down to the pit prior to Mogwai appearing about 11pm and they ran through a stellar set with many of my fave tracks including ‘Hunted by a Freak’, ‘Ex-Cowboy’, ‘New Paths to Helicon Part 2’, ‘Ithica 27-9’ and an epic ‘Mogwai Fear Satan’. They curtailed their pre-encore set with a colossal ‘2 Rights Make 1 Wrong’, where I closed my eyes for a blissed out 9 minutes 32 seconds. It was an outstanding sound quality throughout and remains one of my favourite ever live Mogwai performances.

We headed back to the hotel but were woken later by a group of lads arriving back who sounded like a herd of Wildebeests!

On the Friday we jumped on a train to a local town which name currently escapes me and landed back in the city in the evening. I recall a novel form of transport in one bar where a couple after paying the bill literally stepped into their boat and headed home. After a few jars the canal bridges began to merge, and we eventually bumbled back to the hotel about 4am.

We thought we might be the last residents to arrive back but no, the Slipknot roadies came thundering in an hour later! The following morning, we gathered in reception resembling the lads who were stood in that very spot 48 hours later. It brought instantly to mind the plot of the Terry Gilliam movie 12 Monkeys where everything is permanently on a time loop!   

We trudged our way off to the train station and safe to say I had a very early night that evening but what a glorious weekend we had!