Manchester Venues 110 to 112

When in attendance at the Sounds from the Other City festival (SFTOC) over the years we have found some interesting stops for food because as a Northern chap I view ‘tea breaks’ as hugely important! We have had pastel de nata from Porta Tapas, tasty offerings from Caribbean Flavas and the best ever Chicken Fried Rice and Curry Sauce from the infamous Chungs Chippy. On my first visit in 2012, Uncle George and I headed to a chippy nearby to the Salford Arms, sadly neither the pub nor the chippy are still operational.

As I perched on the windowsill waiting for my food, I started chatting to the lady sat next to me who was also wearing a festival wristband, I looked up and realised I was parlaying with the Salford resident and fine actress Maxine Peake. I have always a lot of respect for our Maxine as in my view she has a sound moral compass and is also a big muso.  She was at the point of time starring in the excellent TV drama Silk and the last I saw that day was her wandering off down the street to the next venue whilst hoovering up a bag of French fries!  

Maxine Peake in Silk. Image Credit BBC.

The venue next door was the Manchester Chapel Street and Hope United Reform Chapel which was built in 1819 and was Class II listed in 1980. I had read recently there are current plans to convert the site into a complex of flats and community centre.

I first visited there in 2012 and you accessed the building around the back before entering the main room. The band on stage was a Brighton duo called Peepholes who created synth led post-punk sounds.

My only other visit was at the 2017 festival where I recall Gill and I first encountered the colourful Cloudwater brewery cans that were on sale. Cult Party are a Manchester collective founded by multi-instrumentalist Leo Robinson and whilst we were watching they announced the next song would be an epic. They were true to the word as 15 minutes later we left the building, and the sprawling track was still meandering its way to its conclusion.

Cloudwater beer can. Image Credit shop.cloudwaterbrew.co.uk

Further down Chapel Street towards the city centre you will find Manchester Black Lion (downstairs venue) pub on the corner with Blackfriars Street, it is located across from the Sacred Trinity Church.  It is a grand old building dating back to 1776.

In 1889, the Van Dwellers Protection Association was formed there with the primary purpose of safeguarding and protecting fairground workers and barge dwellers who were at that stage being targeted by a local evangelist who carried a lot of political clout. This organisation evolved into the Showmans Guild in 1917, which still represents the business to this day. This commendable work was recognised on the centenary in 2017 with the introduction of a plaque on the pub wall.  

Black Lion pub. Image Credit itravelapi.com

In the downstairs area an act called Work Them were playing and in between a DJ set unexpectedly but gloriously played the little heard track ‘I Don’t Want to Be Friends With You’ by the Shop Assistants, containing the brutal line ‘but I don’t want to be civilised, you leave me, and I will scratch your eyes out’.

I went over to congratulate them on this song choice as I have always loved this short lived band, and they remain my favourite C86 combo and the best support act I have ever seen when they surpassed the headliners Jesus and Mary Chain with a stunning shoegazey set at Blackburn King Georges Hall in 1986.  

In that visit in 2012, we attended the other room, Manchester Black Lion (upstairs venue), where we saw a decent three piece shoegaze band from Manchester called The Shinies. They had at that stage only released one single prior to the issue of their one and only album ‘Nothing Like Something Happens Anywhere’ in 2015.  

Preston Venue 41 New Continental – Part 3

Another considerable component contributing to the New Continental’s continuing rebirth was the building of the Preston Guild Wheel in 2012 which runs right past the pub. One of the Preston’s finest ever inventions, the Wheel is a 21-mile dual cycle and walking route around the city, with perhaps 15 miles of it on off-road tracks and river pathways, though its introduction didn’t save another riverside pub the Shaws Arms from going bust.

Me and my pal Steve Banister used to regularly cycle the route after work in the summer before retiring for a well-deserved refreshment in our usual seats in the Conty. The issue that then presented itself was that I had to cycle home and there were some vicious little hills contained within that three-mile journey! My personal best for completion was 1 hour 34 minutes achieved when I was cycling regularly and I have once walked the Wheel in its entirety, a trek of around seven hours.

In August 2013, Wire visited the venue. Formed in London in 1976, they have been cited as hugely influential of subsequent heavyweight acts Big Black, Minutemen and Sonic Youth. In my view, they produced intelligent complex music, and I thoroughly enjoyed them.  

Wire. Image Credit beardedgentlemenmusic.com

Six months later I saw the female fronted art punk band from Amsterdam called Labasheeda, they were supported by India Mill, an interesting band from the local town of Darwen.

In March 2015, I had my first experience of the remarkable Lovely Eggs, the slightly demented two piece from Lancaster. I had previously seen Holly Ross at the Adelphi in Preston when she was in a band called Angelica. It was a very sparse crowd in comparison to them now playing Manchester Apollo. They were quirky and terrific fun; my personal highlight was ‘Have You Ever Heard a Digital Accordion?’ which also has the accolade of having ‘Beef Bourguignon’ as a rhyming couplet! They were supported by Zvilnik.

There was a novel event in February 2017 that piqued Gill and mine’s interest by showcasing an 80’s indie triple bill. First up were The Suncharms from Sheffield who were formed in 1989, recorded a couple of EP’s and undertook the obligatory Peel session before disbanded in 1993. They reformed in 2016 before finally after a very extended gestation period released their debut album in 2021.  

The Suncharms. Image Credit wordpress.com

The middle act was The Chesterf!elds, formed in 1984 in Yeovil. Their debut vinyl release was a joint flexi disc with legendary and much missed Shop Assistants, by heck even just the mention of a flexi disc takes me back! Their members had interplay with bands of that era such as Loft and Blue Aeroplanes. They split in 1989 but were reformed in 2014 following a comeback set at a C86 event at the 92 Club in London. They remain active and have recently issued a new album and played the Talleyrand down the road from me in Levenshulme recently, but I wasn’t available to attend.

The third band was the Orchids, who sprung up from Glasgow in 1985 and their early recordings were on the famous Sarah Records based in Bristol. The label was primarily a C-86 hotbed with other like-minded artists Field Mice and Sunny Day in Glasgow being on their roster. Despite a brief hiatus at the end of the 90’s they remain in play and have recorded new material this year. It was a fine night of indie jingle-jangle with my personal favourite being the Suncharms.  

Later that year I saw a double bill containing White Hills who are a psych rock band from New York, I had seen them before but didn’t enjoy their set as much on this occasion. Also on the bill were a band called Cavalier Song. It was a chaotic end to the night involving cancelled taxis resulting in an absolute soaking when we had to trog back into town through the park.

Since the move to Manchester, I was unsure whether I would have an opportunity to attend the Conty again, but a slot opened in November 22. The previous night to my attendance the noisy monkeys Part Chimp played there who I had seen supporting Mogwai at Amsterdam Melkweg nineteen years earlier.   

On the day of the gig, I watched PNE lose 4-2 to Millwall prior to a chippy tea and a couple of beers before heading down to the venue. It was a punk event and I saw a few old stalwarts down there. On the bill were the P45’s from Blackpool, Preston’s Pike, and the headliners 999 from London with their most famous track ‘Homicide’.   

This unexpected attendance allowed me to reach another random stat landmark. It ensured the Conty became the 20th venue where I have attended at least 10 gigs, with Deaf Institute scheduled to become the 21st venue next year meeting this accolade.