Heptonstall Festival

The town of Hebden Bridge in West Yorkshire dates back to the Saxon (not the band!) era and sheep rearing was the main occupation at that stage. When the industrial revolution commenced, there was an increasing need for water-powered weaving mills and the villages proximity to the river presented a considerable advantage. The transportation element was further enhanced with the opening of the Rochdale Canal in 1798 and the Calder Valley rail line in 1841.

In the 1970’s and 1980’s many artists, musicians and bohemians gravitated towards the town thereby increasing the tourism and reliable train links were created into the big cities of Manchester and Leeds. The town obtained fairtrade status in 2003 and was also chosen to be part of the Stage 2 route in the 2014 Tour de France.

On the cultural front the original video of Dream Academy’s 1984 single ‘Life in a Northern Town’ was filmed in the town as was the hugely successful TV series Happy Valley.  A renowned Blues Festival was held there in the early 2010’s and there is also the nationally renowned Trades Club where regular gigs are held, though I have never yet visited as tickets are regularly at a premium.

Dream Academy promo. Image Credit iheart.com

Luminaries such as Patti Smith, Teenage Fanclub, Public Service Broadcasting, Loop and Mark Lanegan have graced the stage there. Peel faves Bogshed were from the town, and I still recall their very lo-fi out there ‘hit’ single ‘Fat Boy Exam Failure’, and I also saw them at Preston Caribbean Club back in 1985.

Above the town lies the hilltop village of Heptonstall where the poet Sylivia Plath is buried. It is a throwback to an archetypal Yorkshire village further embellished by the fact that in the 1980’s the roads were returned to their original stone setts and late 19th century cast-iron gas lamps were installed.

Bogshed. Image Credit pinterest.com

The original church was damaged by a gale in 1847 and now just a shell remains. However, one of the lads in 2015 picked up on a more contemporary usage of the church with the identification of the annual Heptonstall festival where John Bramwell and Lottery Winners have graced the stage there.  

Thus, on the 04/07/15 we sallied over on the train alighting at Hebden Bridge station and after a couple of beers in town we headed up on the bus to the village. When I say up, that is a significant understatement as it is a very steep climb, one I have only yet walked downwards, but hope to rectify that upward trajectory at some stage.

The two pubs in the village and accompanying food stalls were doing a roaring trade and it was a very well organised and q friendly set-up. On the Heptonstall Festival Acoustic Stage we saw a band called Revisit and the Three Valleys Gospel Choir, who perform locally on a regular basis, mainly in the Todmorden area.

Top of the Heptonstall hill. Image Credit screenyorkshire.co.uk

On the Heptonstall Festival Weavers Square I encountered some electro-pop from the Manchester musician Zoe Stirling who is also known under the alias KOHL. The Hebden based eight-piece Owter Zeds who have been on the scene for 30 years followed with their ska covers. Next up was Catfish Skillet who are classed in the hugely niche genre of Pennine Appalachian and incorporate some quick picking bluegrass banjo playing. The final band were a decent post-punk band from Liverpool called Takotsubo Men.

I returned a couple of years later to attend the 2017 edition and on the main stage witnessed local folk band Johnny Powell & The Seasonal Beasts and a jaunty acoustic set from MK and the Escalators. They had set up a further stage in the evocative setting of the remnants of Heptonstall Festival Church where a Scottish influenced folk combo called Outside the Box played some foot tapping tunes.                 

Manchester Venue 113 – Aviva Studios Festival Square

Every couple of years they hold the Manchester International festival with various events dotted around the city. They do however always have a central hub and in 2023 this was based at the new Manchester Aviva Studios. It has been constructed on the former site of Granada TV studios and is located on Water Street which can be accessed either via Liverpool Road from the Deansgate side or New Quay Street from the Spinningfields side.

The germination of the idea occurred following George Osborne’s Northern Powerhouse announcement in 2014, where £78m was pledged to build a purpose-built cultural space in central Manchester. It was remarkably UK’s biggest investment in a culture project since the Tate Modern in 2000.

Manchester Aviva Studios. Image Credit confidentials.com

It is run by Factory International and Aviva paid £35m for the naming privileges. It subsequently opened in June 23, but was somewhat predictably £130m over budget and 4 years behind schedule. Contained within is a 1600 seat flexible theatre and an open industrial 5000 capacity space.

The opening event was the Yayoi Kusuma psychedelic exhibition You, Me and The Balloons and this was latterly followed by a Matrix style dance event directed by Danny Boyle. They will stage sporadic music events with Underworld already having performed there and Richard Thompson and Adrianne Lenker from Big Thief playing later this year. The Studios have had mixed reviews thus far with accusations as to whether it could be classed as white elephant, but I will let others make their judgement on that potential synopsis.

In an adjoining outdoor space, in the first fortnight of July they set up the Manchester Aviva Studios Festival Square overlooking the River Irwell and the shamefully underused Ordsall Chord (Castlefield Curve) which runs between Oxford Road and Victoria train stations.

There was a stage set up and a choice of food outlets and the first ever beer vending machine I have encountered. There were events all day and as it was less than 10 minutes’ walk from the office I filled my boots with bonus gigs every lunchtime and post-work where I could.

I assisted this approach by changing my commute to the metro, to ensure I could head to the nearby Deansgate station for the tram home. The festival programme coincided with the annual Castlefield Bowl events, and I passed the entrance on a couple of occasions where there were hordes of fans gathering for Pulp and Hozier gigs.

Aviva Studios Festival Square. Image Credit prestigeeventsmagazineblog.com

The first act I saw on the lunchtime on 04/07 was Vulva Voce, who are an all-female string quartet but with added improvisation of folk aspects to the mix. They evolved from the nearby Royal National College Music (RNCM) and they were the winners of Nonclassical’s Battle of the Bands in 2023. On the evening visit that day I witnessed a young R&B singer from Wolverhampton called Karis Jade.

The following lunchtime I saw Mabon Jones, Dan Springate and Carmen Snickersgill who were badged under the local Bothy Project who promote chamber music in Manchester. On the teatime jaunt I met Gill, and we grabbed some food there whilst watching Emer (Fat Out) and a R&B artist called Chyrsalid Homo. The best act was Lavender Rodriguez (or alternatively just Lavender) who was born in Hampshire but now Manchester based who provided a pleasing slab of heavy afro-beat sounds.

Lavender Rodriguez. Image Credit aah-magazine.co.uk

The following week I caught K’in Ensemble, a 15-piece fusion collective again deriving from RNCM who combine classical, pop and jazz musicians from Mexico and many European countries. I also witnessed part of a set from Jenna G. There was then another Bothy Project featuring musicians Jenny Dyson, Lady Lamp and Alice Roberts. Krin was the next act I saw who mashed up West African drums with techno. The final act of the festival for me was Nxdia who born in Cairo in Egypt before moving to the UK at the age of eight. She retains the heritage of her youth by singing in both English and Arabic.