Heptonstall Festival

The town of Hebden Bridge in West Yorkshire dates back to the Saxon (not the band!) era and sheep rearing was the main occupation at that stage. When the industrial revolution commenced, there was an increasing need for water-powered weaving mills and the villages proximity to the river presented a considerable advantage. The transportation element was further enhanced with the opening of the Rochdale Canal in 1798 and the Calder Valley rail line in 1841.

In the 1970’s and 1980’s many artists, musicians and bohemians gravitated towards the town thereby increasing the tourism and reliable train links were created into the big cities of Manchester and Leeds. The town obtained fairtrade status in 2003 and was also chosen to be part of the Stage 2 route in the 2014 Tour de France.

On the cultural front the original video of Dream Academy’s 1984 single ‘Life in a Northern Town’ was filmed in the town as was the hugely successful TV series Happy Valley.  A renowned Blues Festival was held there in the early 2010’s and there is also the nationally renowned Trades Club where regular gigs are held, though I have never yet visited as tickets are regularly at a premium.

Dream Academy promo. Image Credit iheart.com

Luminaries such as Patti Smith, Teenage Fanclub, Public Service Broadcasting, Loop and Mark Lanegan have graced the stage there. Peel faves Bogshed were from the town, and I still recall their very lo-fi out there ‘hit’ single ‘Fat Boy Exam Failure’, and I also saw them at Preston Caribbean Club back in 1985.

Above the town lies the hilltop village of Heptonstall where the poet Sylivia Plath is buried. It is a throwback to an archetypal Yorkshire village further embellished by the fact that in the 1980’s the roads were returned to their original stone setts and late 19th century cast-iron gas lamps were installed.

Bogshed. Image Credit pinterest.com

The original church was damaged by a gale in 1847 and now just a shell remains. However, one of the lads in 2015 picked up on a more contemporary usage of the church with the identification of the annual Heptonstall festival where John Bramwell and Lottery Winners have graced the stage there.  

Thus, on the 04/07/15 we sallied over on the train alighting at Hebden Bridge station and after a couple of beers in town we headed up on the bus to the village. When I say up, that is a significant understatement as it is a very steep climb, one I have only yet walked downwards, but hope to rectify that upward trajectory at some stage.

The two pubs in the village and accompanying food stalls were doing a roaring trade and it was a very well organised and q friendly set-up. On the Heptonstall Festival Acoustic Stage we saw a band called Revisit and the Three Valleys Gospel Choir, who perform locally on a regular basis, mainly in the Todmorden area.

Top of the Heptonstall hill. Image Credit screenyorkshire.co.uk

On the Heptonstall Festival Weavers Square I encountered some electro-pop from the Manchester musician Zoe Stirling who is also known under the alias KOHL. The Hebden based eight-piece Owter Zeds who have been on the scene for 30 years followed with their ska covers. Next up was Catfish Skillet who are classed in the hugely niche genre of Pennine Appalachian and incorporate some quick picking bluegrass banjo playing. The final band were a decent post-punk band from Liverpool called Takotsubo Men.

I returned a couple of years later to attend the 2017 edition and on the main stage witnessed local folk band Johnny Powell & The Seasonal Beasts and a jaunty acoustic set from MK and the Escalators. They had set up a further stage in the evocative setting of the remnants of Heptonstall Festival Church where a Scottish influenced folk combo called Outside the Box played some foot tapping tunes.                 

Liverpool Venues 5 to 7

Before I outline the remaining events I have thus far attended in Liverpool, I wanted to provide some detail of all the missed gig opportunities on the other side of the River Mersey from the city centre. The first occurred when I attended my auntie’s wedding somewhere deep in Wallasey territory and there was a pub opposite the wedding reception building, but the name of the establishment evades me now. We visited briefly during the day but only Uncle George grasped the mantle to attend at one point in the evening where there was a band playing.

Following on from that quarter information tale, in July 21, Gill and I were scheduled to attend the Lets Rock 80’s festival at Wavertree Playing Fields (aka the Mystery). The derivation of the mystery moniker is down to the fact that the 104-acre park was donated to the Liverpool corporation by an anonymous well-wisher who subsequently transpired to be a shipping magnet. We were planning to commute in from the local nattily named Wavertree Technology Park train station but in the end, circumstances dictated we could not attend resulting in missing out of the dubious privilege of watching Sister Sledge, Odyssey, Wet Wet Wet and Adam Ant!  

Adam Ant. Image Credit thecurrent.org

I have previously attended gigs at library venues in Lancaster and Wigan and was hoping to tick Birkenhead off this list when we obtained tickets to see the French band Juniore for a chilled Sunday afternoon set, but it was subsequently cancelled and not rearranged due to issues with post-Brexit visa issues and Covid.

Another interesting sounding venue in that area is the Future Yard in Birkenhead. One of my favourite ever bands Sennen were undertaking a very rare tour and had added a date at that very venue. Unfortunately, I had a fixture clash and could not attend, and despite my exhortations to the band they didn’t add a Manchester date, so I have not yet added to my sole sighting of them at Manchester Night and Day in 2010.

Thus, I shall now move away from the hard luck stories onto actual gigs attended. One day in December 2019 I was working out of the Liverpool office and gravitating back down Liverpool Church Street to Lime Street station for my train home. I heard the unmistakable sound of a full band playing a street gig, the combo in question was Keywest.

Keywest band. Image Credit wordpress.com

Keywest are a four-piece folk band from Ireland and their route to success is an unusual one as they learnt and honed their craft by years of busking in the hot bed area of Grafton Street in Dublin. They had obviously decided to take a trip down memory lane by performing on a busy shopping street, I don’t whether that proceeded a gig in a more standard venue that evening.

On Matthew Street, you will find Liverpool Sgt Pepper’s Bar, like many in the area a Beatles themed establishment and the website informs that improbably and in fact impossibly they have music on ‘8 days a week’! In 2017 I caught a chap called John McDonna playing a set there.

In December 2021, I was over in Liverpool for an overnight work event and therefore naturally had to have a gander at the Ents 24 website to see if there were any musical events of note that coincided with my stay, thus discovering there was an interesting act on that very night at Liverpool EBGBS.

After work, we grabbed some tea in the Silk Road tapas and after a couple of drinks persuaded my colleague David Taylor to also attend the gig. David had previously pleasantly surprised me when he stated unexpectedly that he had not only heard of Mogwai but had actually seen them live which was good enough for me!

Heebies Jeebies (known locally as Heebies) has been a popular venue on Seel Street since it first incarnation as a jazz bar in the mid 90’s. In 2016 they opened the 250-year-old basement room as a live and club night venue and named it EBGBS.  Upon entering the establishment, I noted they had nailed the intended vibe as a dingy downstairs biker bar, in a good way! It reminded me of the Merchants pub near Lancaster train station.

EBGB’s dungeon setting! Image Credit architectural-emporium.co.uk

The venue has a capacity of 300 but there cannot have been more than fifty people in attendance that night, I can imagine when the place is full the view of the stage may be impaired due to the numerous pillars in place.

The support band was a post punk band from Oslo in Norway called Mayflower Madame, the main act was New Candys from Venice in Italy. Since their formation in 2008, their singer Fernando Nuti remains their ever-present member. In their early days they had support slots with the likes of Jon Spencer Blues Explosion and Crystal Stilts.

Their second album was recorded by John Willis, producer, and drummer of legendary psych rock band Loop, who coincidentally I am off to see today (21/05/23) on their comeback tour, 33.33 years since I last saw them at Manchester International 1 in January 1990. New Candys provided an enjoyable slab of gentle shoegaze before we headed back down the vibrant Seel Street, which looked worthy of further investigation at some future stage.