Tag: Patti Smith

Heptonstall Festival

The town of Hebden Bridge in West Yorkshire dates back to the Saxon (not the band!) era and sheep rearing was the main occupation at that stage. When the industrial revolution commenced, there was an increasing need for water-powered weaving mills and the villages proximity to the river presented a considerable advantage. The transportation element was further enhanced with the opening of the Rochdale Canal in 1798 and the Calder Valley rail line in 1841.

In the 1970’s and 1980’s many artists, musicians and bohemians gravitated towards the town thereby increasing the tourism and reliable train links were created into the big cities of Manchester and Leeds. The town obtained fairtrade status in 2003 and was also chosen to be part of the Stage 2 route in the 2014 Tour de France.

On the cultural front the original video of Dream Academy’s 1984 single ‘Life in a Northern Town’ was filmed in the town as was the hugely successful TV series Happy Valley.  A renowned Blues Festival was held there in the early 2010’s and there is also the nationally renowned Trades Club where regular gigs are held, though I have never yet visited as tickets are regularly at a premium.

Dream Academy promo. Image Credit iheart.com

Luminaries such as Patti Smith, Teenage Fanclub, Public Service Broadcasting, Loop and Mark Lanegan have graced the stage there. Peel faves Bogshed were from the town, and I still recall their very lo-fi out there ‘hit’ single ‘Fat Boy Exam Failure’, and I also saw them at Preston Caribbean Club back in 1985.

Above the town lies the hilltop village of Heptonstall where the poet Sylivia Plath is buried. It is a throwback to an archetypal Yorkshire village further embellished by the fact that in the 1980’s the roads were returned to their original stone setts and late 19th century cast-iron gas lamps were installed.

Bogshed. Image Credit pinterest.com

The original church was damaged by a gale in 1847 and now just a shell remains. However, one of the lads in 2015 picked up on a more contemporary usage of the church with the identification of the annual Heptonstall festival where John Bramwell and Lottery Winners have graced the stage there.  

Thus, on the 04/07/15 we sallied over on the train alighting at Hebden Bridge station and after a couple of beers in town we headed up on the bus to the village. When I say up, that is a significant understatement as it is a very steep climb, one I have only yet walked downwards, but hope to rectify that upward trajectory at some stage.

The two pubs in the village and accompanying food stalls were doing a roaring trade and it was a very well organised and q friendly set-up. On the Heptonstall Festival Acoustic Stage we saw a band called Revisit and the Three Valleys Gospel Choir, who perform locally on a regular basis, mainly in the Todmorden area.

Top of the Heptonstall hill. Image Credit screenyorkshire.co.uk

On the Heptonstall Festival Weavers Square I encountered some electro-pop from the Manchester musician Zoe Stirling who is also known under the alias KOHL. The Hebden based eight-piece Owter Zeds who have been on the scene for 30 years followed with their ska covers. Next up was Catfish Skillet who are classed in the hugely niche genre of Pennine Appalachian and incorporate some quick picking bluegrass banjo playing. The final band were a decent post-punk band from Liverpool called Takotsubo Men.

I returned a couple of years later to attend the 2017 edition and on the main stage witnessed local folk band Johnny Powell & The Seasonal Beasts and a jaunty acoustic set from MK and the Escalators. They had set up a further stage in the evocative setting of the remnants of Heptonstall Festival Church where a Scottish influenced folk combo called Outside the Box played some foot tapping tunes.                 

London Tenth Trip

A Northern invasion of London is always to be savoured when Mogwai decide to play in the capital city. Thus, when they announced they were to be incorporated in the bill for the Meltdown Festival in 2014 by playing Royal Festival Hall on the South Bank we jumped at the chance to attend.

Uncle George, John and Tony Dewhurst and I headed down on the Virgin express to and dropped our bags across the road at our digs at the handy Premier Inn opposite Euston Station. We met Nigel who had headed in from Brighton at a boozer in Borough Market where we discussed my gig list and the very early germination at that stage of the idea to create this very blog!

We progressed down the river and had a drink at the bar within the Globe Theatre. As we passed London Tate Modern, I witnessed a young singer called Jolie Fox on a makeshift stage. We continued down the river afterwards to then arrive at the London Royal Festival Hall.

Globe Theatre. Image Credit travellousworld.com

The Festival Hall was opened in 1951 after an expenditure of £2m and was built as part of the Festival of Britain which was instigated to provide a boost to the national morale after the Second World War. It sits alongside the Hayward Gallery, The Queen Elizabeth Hall, and the Purcell Room within an 11-acre site all under the auspices of the Southbank Centre, with the main venue having an all seated 2900 capacity.

It has been run as an independent concern since 1988 and the building has Grade 1 listed status. In 2014, their Festival of Love concluded with 70 couples, including 15 same-sex couples marrying on the main stage. On the musical front, Grace Jones and Patti Smith have played there and Brian Wilson premiered his sixth album Smile with a live performance.

Royal Festival Hall. Image Credit circular1.com

We mulched about briefly in the downstairs area and I purchased a new Mogwai t-shirt from the merch stand, Clinic had supported that night, but we had missed their set. We headed upstairs and grabbed our seats and admired the surroundings before Mogwai took the stage. I thought ‘Travel is Dangerous’, and a thunderous ‘Mogwai Fear Satan’ were excellent, with the latter track ending the initial set, before the aural assault continued into the encore with ‘New Paths to Helicon Part 1’ and We’re No Here’.   

Afterwards we jumped on the nearby tube for the commute to the final gig of the evening, but annoyingly I left my newly purchased T-shirt in the carriage when disembarking! Our destination was Chalk Farm station which takes you instantly into another of those innumerable London suburbs with its own high street, bars and community.

The tube station is next to the Roundhouse venue where many fine bands have undertaken residencies there, our next venue was not as highbrow and was namely London Chalk Farm Fiddlers Elbow.

Chalk Farm Fiddlers Elbow. Image Credit londonsubscene.net

It was a filthy rainy night (not in Soho!) and we struggled to locate the pub, but we landed eventually much to our relief. The hostelry was built in the 1840’s and was previously known as The Old Mother Shipton before holding the Fiddler’s name since the 1970’s. It is a Grade II listed building and a homely venue with Chesterfield sofas and a music room with a 150 capacity.

It is an independently run concern and they host alternate event such as poetry readings and book signings, but their main pursuit is live music, with both the Vibrators and The Damned having played there back in the day.

On the night of our visit, the band on stage were the MOBBS, who billed themselves as ‘garage punk rock ‘n’ roll at one hundred miles per hour’ but unfortunately, they did not quite live up to that rather enticing preamble!