Manchester Venues 212 to 215

Last month I returned to the vibrant Sounds From the Other City (SFTOC) festival in Salford for my sixth attendance, with my debut being back in 2012. The ticket collection point at the earlier festivals was Islington Mill, and even though this has now been replaced by Maxwell Hall within Salford University, it remains a central focus point.

The Mill is a Grade II listed, six-storey Georgian building located just off Chapel Street. It was originally purpose-built in 1823 and underwent a structural collapse a year later resulting in eighteen deaths before then being swiftly rebuilt. Like many of the dark satanic cotton mills of that era it was intertwined with the horrific slave trade.

As manufacturing industries declined in the 1960’s it evolved through retail and storage phases before falling into partial disrepair. It then moved into its current bohemian multi-occupancy arts status which has been greatly assisted by ample funding from the National Lottery Heritage Fund, and they now trade under the name Islington Mill Arts Club.

Islington Mill. Image Credit Manchester Evening News.

They are ever expanding and a current example of this is that they own and are regenerating the adjacent Regent Trading Estate with the support of Salford City Council. Bands that have previously played the Mill include Acid Mother Temple, Ariel Pink, Boris and Peaches. There have also been one-off shows from the likes of Elbow, Grimes and Bjork.   

I have previously covered many of the venues in the building but was excited to see a new one on this year’s listing. There was an element of levitation and physical endeavour required to access the gig at Manchester Islington Mill 5th Floor. When I disembarked the metal stairs, I rewarded myself with a cold beverage whilst watching a rapper by the name of Cartier.

Back over on Chapel Street there is a small café originally known as GK Gallery & Tea Room when it first opened its doors in January 2016. As the name implies, they have an Art Gallery within where their mission is to support emerging artists by staging exhibitions. Many of these are graduates based at nearby Salford University. For me however their chief but dangerous pulling power is the ready availability of tasty homemade cakes!

Manchester ‘Beatz’ Cafe. Image Credit tripadvisor.com

More recently they have changed their name to Kith and Kin and for the first time were included in the SFTOC roster under the one day pseudonym Manchester Beatz Café. I saw an artist called Beatz Nails performing there.

As you progress back onto New Bailey Street there is a new bar called Manchester Tangerine which sits directly opposite Salford Central Station. The venue was opened in 2025 after a period of 12 months transformation work on two previously derelict railway arches and is modelled to a degree on other city centre venues, Diecast and Ducie Street Warehouse. It is owned by the existing team behind the Mala hidden garden bar and Want Studios.

It encompasses three individual areas, the first being Platform 1 which is the daytime Canteen Club which utilises seven independent kitchens including a bakery, in-house coffee roastery, florist and wine shop. Platform 2 then contains an art, dance and music performance hall, mainly used in the evenings, and the Grand departures bar is a specialist martini bar with a taproom with 40 taps. The building overall has a 300 person capacity.

Manchester Tangerine. Image Credit themanc.com

It is believed the colour scheme is a nod to Salford FC who are reverting to their original orange and black kit from the upcoming 26/27 season. This was their kit colour until the Manchester United boys of 1992 took over the club in 2014 and in a slightly narcissist touch changed it to red.     

Now, as a Preston North End fan I reacted in an allergic way when I first heard the name of the bar as it is the kit colours of our arch enemies Blackpool FC! But in the interests of ‘new venue’ research I took that on the chin and made an appearance.

I attended prior to heading down to the SFTOC event and my initial observations pertained to its unexpected size and a blazing orange hue everywhere. I had to admit grudgingly that it was quite impressive from a cocktail bar style viewpoint. Whilst I was there an act called Jazzy John was performing in one of the rooms.     

Whilst undertaking a rare foray to the Christmas Markets in 2025 and when traversing between St Anns and Cathedral Square, I noticed there was a pop up stage just to the side of Manchester M&S on Market Street where I saw a full band under the moniker of Dad and Lad playing.

Manchester Venue 211 – Victoria Warehouse

Buried away in the wastelands of Salford on Trafford Wharf Road, by the banks of the Bridgewater Canal, you will find the venue of Manchester Victoria Warehouse. It is situated nearby to both the cricket and football Old Trafford stadiums and the Trafford Centre shopping complex.

I miraculously once found an alternate route home through this area saving me a considerable amount of time when the M60 Barton Road Swing Bridge was completely backed up. Also in that area is the White City retail park which I foolishly visited the one time, and to escape from it you had to cross the most surreal road junction where to turn right you had bear sharp left initially for over 100 metres!  

The Warehouse has a long lineage as it was built originally in 1932. In the heady days of the Manchester textile boom it was utilised by the Liverpool Warehousing Company as a base to store cotton and other fabrics. Many of the unique bespoke spaces, including the Cotton Sheds, Head Office and Skyhook were designed at this time.

Victoria Warehouse with existing signage visible. Image Credit creativetourist.com

Within the bays, which were numbered based on allocation to individual companies, products from Kelloggs, McVities and Cadburys were packed over the intervening five decades. Thus, at any particular point in time you could have had either a bowl of Frosties, a plate of Jaffa Cakes or a Finger of Fudge (which is just enough to give your kids a treat!) at your fingertips.

In 1980 a catastrophic fire scorched through the venue. A couple of years later a rather large mural featuring Trafford Park industries was constructed by a local chap called Walter Kershaw. It was placed on the wall of the Warehouse storage buildings by the side of a busy road, but this positioning then eventually resulted in its downfall in 2007 as it was removed on public safety grounds.  

Trafford Park mural. Image Credit forwallswithtongues.co.uk

In 2005 the building was bought by developers and refurbishments commenced in 2009 with the addition of modern lighting, bars, dressing rooms and media spaces. On the 8th of April 2012 the Warehouse Project was launched and consisted of two storage areas.

It was designed primarily as a dance venue before branching into other directions with fashions shows, the first event being staged by GAP. In 2015 they obtained a civil ceremony licence and subsequently it was utilised to host weddings. Also, that year the then chancellor George Osbourne made his empty rhetoric ‘building a Northern Powerhouse’ speech there. Three years later the name changed to the O2 Victoria Warehouse, and it has a capacity of 3500.   

It first appeared on my radar when Speedo from Rocket from the Crypt hosted a weekend residency with sets from all the bands he has played in. I really wanted to attend but couldn’t make it work due to having alternate plans already in place. I then had tickets to see Mogwai in 2020 but that then became a ‘lost gig’ during the pandemic.

Whenever I parlayed with my musical peers, a theme emerged in that people appeared to actively hate the venue, which was a very rare thing to hear. Their main grouses appeared to be its location and its restrictive layout, especially when busy. I finally managed to arrange my first and only appearance thus far when 6 Music chose it as their main venue for their 2025 festival. They then announced Mogwai on the roster and my fate was sealed.

Thus, on the 28th of March, I met Rick (the nights Mogwai virgin) and Uncle George in the Deansgate pub before we navigated down to the venue. Upon arrival, we weaved our way through the olde world building, however due to misleading stage times we annoyingly only caught the last two tracks of English Teacher’s support set.  We then completed our group by meeting up with Paul and Tim.

Warehouse stage. Image Credit discover.ticketmaster.co.uk

Looking at the main room, I could understand people’s misgivings as there would be two poor visibility doorways at the rear if it was a full capacity event, but thankfully that night it was probably only about 2/3 full. This enabled us to obtain a prime spot about ten rows from the stage.  

Mogwai were introduced onto the stage by the enthusiastic DJ’s Deb Grant and Tom Ravenscroft. It was a decent set with ‘Mogwai Fear Satan’ their penultimate track before a three song encore with the accompaniment of the KNDS Fairey brass band and they completed their show with ‘2 Rights Make 1 Wrong’.

The brass band originally derived from the Fairey Aviation works factory in Stockport in 1937 and over the years they have been national champions for an impressive nine times.   

Post gig, Rick shuffled over to the nearby Trafford Road metro station to enable him to then pick up the last train back to Preston. But what of Uncle George, I don’t hear you ask, we waited and searched but of him there was no sight or sound.  

About an hour later after I returned home, I finally achieved contact with the wandering minstrel. I discovered he was drifting aimlessly down Chester Road and managed to pinpoint his current location on a map and then book an uber under my name to ensure he arrived home safely!