Manchester Venues 206 to 208

Affleck’s Palace (now simply Affleck’s) is indelibly ingrained into Manchester culture. It first opened in 1982 with the utterly commendable ethos of providing low cost rentals and valuable week by week licences to support local entrepreneurs to take their first precarious steps into business ownership. Affleck’s is embedded in the Northern Quarter and has a unique maze like design set over several floors.

It evolved into a haven for alternative culture and survived two fires and had a golden period in the 1990’s ‘Madchester’ period where you could purchase your latest set of baggy flared jeans for Happy Monday gigs! It nearly closed in 2008, but it is now thriving again and remains busy to this day with all 73 units occupied but has perhaps now fallen into the touristy price trap. I once also had the novelty of watching a noisy garage rock band called Bright Young People in a coffee shop on the top floor as part of the 2016 Dot to Dot festival.

Afflecks Palace. Image Credit hotels.com

In the mid-19th century, a drapery business opened on Oldham Street called Affleck & Brown and was so successful it grew into a full department store and was dubbed ‘the Harrods of the North’. It suffered a downturn in the 1950’s and was bought out by Debenhams before finally closing in 1973. Hilary Mantel, the author of the Wolf Hall trilogy drafted a short story ‘The Third Rising’ which was based on a mother and daughter who were employed at the store.

In 2015, a bar naturally called Manchester Affleck & Brown was opened on Hilton Street in the Smithfield building and located on the original site. I am not a regular visitor but when passing at one point last year, I could hear live tuneage so obviously had to go ‘beyond the threshold’ as Husker Du once stated. Upon entry I discovered they had a little acoustic stage right next to the door and a chap called Johnny was performing.   

In 1989, the Dry Bar nightclub opened and was located next to Night and Day on Oldham Street. The owners were Factory Records and Tony Wilson placed it under the auspices of the Project name FAC 201, and it was a smaller sister to their other most renowned establishment, the Hacienda.

Affleck & Brown. Image Credit useyourlocal.com

The surrounding area was a tad disreputable at that stage but the two door to door venues resulted in sparking the regeneration of the suburb. During its lifetime, it famously barred two lesser known musicians called Shaun Ryder and Liam Gallagher. I recall decamping there in a huff after we had got stung by missing the first portion of an astonishingly early set from Mogwai at nearby Planet K in 2001.   

In 2017, it was sold with planning permission for a boutique hotel which never happened. Then in March 2025, after an eight-year fallow period it morphed into Manchester New Freemount. I have inserted the ‘new’ to distinguish it from the other Freemount branches that exist further down Oldham Street. It contains all the traditional hallmarks of the brand with a large inviting space, open brick interiors and a bonny old fashioned wood panelled bar. They have live music 7 nights a week followed by DJs at the weekends.

After having an excellent meal at the Home Chinese restaurant for Gill’s birthday we gravitated over to the new bar for a couple of drinks. We grabbed some seats and whilst we were in attendance we saw sets from two local musicians, Steph and Gordon. It transpired the timing of our visit was apposite as it got very busy as the evening progressed, even though it was a Sunday and there are regularly queues out of the door on other evenings.  

Nearby Manchester Stevenson Square dates originally back to the 18th century and at that stage it was a waste land with numerous daub holes, which are apparently boggy clay pits. In the latter half of the 19th century, it was hugely popular for open air speakers with its high point being in 1877 when 50,000 people gathered to celebrate the opening of the Town Hall.

Stevenson Square. Image Credit manchesterwire.co.uk

The residential properties surrounding the square were converted to busy commercial units, but that period ended when the city’s main shopping area moved to reside around the new Arndale Centre, which was opened in 1975.  

Nowadays the area contains a plethora of bars and food outlets, many with pedestrianised outdoor al fresco spaces. One night last year I was traversing through there and this is the only time I have witnessed it, but a pop up stage had been erected in one corner and a lass called Vancouver Val was performing.  

2024 Gigs – Part 4

In March I made another pilgrimage to Manchester Band on the Wall where I went to see BDRMM for the second time. I will cover the band in more detail when I review my first sighting of them on what turned out to be a chaotic night at Manchester White Hotel.

I thoroughly enjoyed their set, but the downside was that it was exceedingly busy with no wriggle room to gravitate from your chosen slot. Uncle George, John Dewhurst and Riggers were in tow, and I recall pre-gig drinks at Northern Monk Refectory MCR and Smithfield Market Tavern and pre-gig tucker at Viet Shack.   

Manchester Northern Monk. Image Credit reeceleung.com

Around the time of the Cheltenham Festival and St Patricks Day I was on the way to another gig, and I happened to catch a portion of the House Band at Manchester Blues Kitchen Bar and a segment of the set of a singer/songwriter named Harriet at Manchester Albert Schloss. Later in the year I saw a couple of other acts at Albert Schloss when they had regular daytime gigs taking place to coincide with the student graduation season.

The gig I was indirectly heading towards was at Manchester Albert Hall and was preceded by imbibing a couple of bevvies in the Sir Ralph Abercromby located in an alley right behind the venue. My Albert Hall attendance was to see the Pixies for the fifth time and my ticket was booked prior to realising that they were playing ‘Trompe Le Monde’ and ‘Bossonova’, my least favourite of their albums as my personal highlight of theirs has always been ‘Surfer Rosa’.

Having said all that, it was beneficial to reappraise these records and there is some belting tunes sporadically dotted about on them including on the night fine versions of ‘Velouria’, ‘Allison’ and ‘Planet of Sound’. I have also just clocked that earlier this year they released a live album of the shows on that tour. They were supported by The Pale White who were a three piece from Newcastle who include in their ranks brothers Adam and Jack Hope. 

A small matter of eight days after I returned to the venue to have my latest sweet fix (Some Candy Talking?) of Jesus and Mary Chain. I have in the last month travelled past the 40th anniversary of my attendance at their legendary gig at Clouds in Preston on the 6th of September 1985.

Preston Clouds attached to Preston Odeon approximately 1981. Image Credit facebook.com.

There was a posse of seven gathered in the afore mentioned Sir Ralph Abercromby prior to the show for beers and badinage. They started with a bang with ‘Jamcod’ and ‘Happy When It Rains’ and completed the main set with a flourish of ‘I Love Rock and Roll’ and ‘Just Like Honey’. I also had the veritable treat of finally catching up with fellow local music aficionado Cath Aubergine at the conclusion of the gig. The night as many before it culminated in the Temple of Convenience bar.    

In October I had my final 2024 visit where I saw Public Service Broadcasting performing. They were as ever at a decent level but was probably my least favourite viewing of them across the four times I have witnessed them so far.

There were two appearances at Manchester Ritz, bringing my total there to 37, which places it in third place on my most attended venue list. The first was the Australian band Jet who formed in 2001 and disbanded in 2012 before two separate reformations, the second one preceding this tour. They were playing their original popular first album ‘Get Born’ and it was around 15 years since I saw them previously in the same venue.   

The other gig was with the stellar company of Rick Clegg and his daughter Charlotte and her pal Laura. We went to the newly reopened and revamped Grosvenor pub on Oxford Road with the obligatory visit to the Umami noodle bar close by. The band playing was English Teacher from Leeds, led by the charismatic singer Lily Fontaine. Their debut album ‘This Could Be Texas’ had recently won the 2024 Mercury Prize, thankfully breaking a nine-year stronghold of London-based musicians winning the award. They were a quirky bunch and very enjoyable.

English Teacher. Image Credit nme.com

The final show of the year to reference was at Manchester Night and Day and came to my attention via some musical gurus on Twitter (now X) before I decided like many others to ditch that poisonous platform. Marcus and I attended, and we watched a portion of that night’s Euros 24 match in the boozer beforehand.

The band was the Reds, Pinks and Purples which is the brainchild of Glenn Donaldson who is also a photographer and record collector. He is a prolific singer/songwriter exemplified by writing 200 songs and releasing seven albums in seven years. When he is playing live, he is part of a five-piece band comprised of musicians from his San Francisco home. He has a soothing evocative voice and was one of my favourite gigs of the year. He was supported by Ryan Davis & The Roadhouse band who hail from Kentucky.