Tag: Husker Du

Manchester Venues 206 to 208

Affleck’s Palace (now simply Affleck’s) is indelibly ingrained into Manchester culture. It first opened in 1982 with the utterly commendable ethos of providing low cost rentals and valuable week by week licences to support local entrepreneurs to take their first precarious steps into business ownership. Affleck’s is embedded in the Northern Quarter and has a unique maze like design set over several floors.

It evolved into a haven for alternative culture and survived two fires and had a golden period in the 1990’s ‘Madchester’ period where you could purchase your latest set of baggy flared jeans for Happy Monday gigs! It nearly closed in 2008, but it is now thriving again and remains busy to this day with all 73 units occupied but has perhaps now fallen into the touristy price trap. I once also had the novelty of watching a noisy garage rock band called Bright Young People in a coffee shop on the top floor as part of the 2016 Dot to Dot festival.

Afflecks Palace. Image Credit hotels.com

In the mid-19th century, a drapery business opened on Oldham Street called Affleck & Brown and was so successful it grew into a full department store and was dubbed ‘the Harrods of the North’. It suffered a downturn in the 1950’s and was bought out by Debenhams before finally closing in 1973. Hilary Mantel, the author of the Wolf Hall trilogy drafted a short story ‘The Third Rising’ which was based on a mother and daughter who were employed at the store.

In 2015, a bar naturally called Manchester Affleck & Brown was opened on Hilton Street in the Smithfield building and located on the original site. I am not a regular visitor but when passing at one point last year, I could hear live tuneage so obviously had to go ‘beyond the threshold’ as Husker Du once stated. Upon entry I discovered they had a little acoustic stage right next to the door and a chap called Johnny was performing.   

In 1989, the Dry Bar nightclub opened and was located next to Night and Day on Oldham Street. The owners were Factory Records and Tony Wilson placed it under the auspices of the Project name FAC 201, and it was a smaller sister to their other most renowned establishment, the Hacienda.

Affleck & Brown. Image Credit useyourlocal.com

The surrounding area was a tad disreputable at that stage but the two door to door venues resulted in sparking the regeneration of the suburb. During its lifetime, it famously barred two lesser known musicians called Shaun Ryder and Liam Gallagher. I recall decamping there in a huff after we had got stung by missing the first portion of an astonishingly early set from Mogwai at nearby Planet K in 2001.   

In 2017, it was sold with planning permission for a boutique hotel which never happened. Then in March 2025, after an eight-year fallow period it morphed into Manchester New Freemount. I have inserted the ‘new’ to distinguish it from the other Freemount branches that exist further down Oldham Street. It contains all the traditional hallmarks of the brand with a large inviting space, open brick interiors and a bonny old fashioned wood panelled bar. They have live music 7 nights a week followed by DJs at the weekends.

After having an excellent meal at the Home Chinese restaurant for Gill’s birthday we gravitated over to the new bar for a couple of drinks. We grabbed some seats and whilst we were in attendance we saw sets from two local musicians, Steph and Gordon. It transpired the timing of our visit was apposite as it got very busy as the evening progressed, even though it was a Sunday and there are regularly queues out of the door on other evenings.  

Nearby Manchester Stevenson Square dates originally back to the 18th century and at that stage it was a waste land with numerous daub holes, which are apparently boggy clay pits. In the latter half of the 19th century, it was hugely popular for open air speakers with its high point being in 1877 when 50,000 people gathered to celebrate the opening of the Town Hall.

Stevenson Square. Image Credit manchesterwire.co.uk

The residential properties surrounding the square were converted to busy commercial units, but that period ended when the city’s main shopping area moved to reside around the new Arndale Centre, which was opened in 1975.  

Nowadays the area contains a plethora of bars and food outlets, many with pedestrianised outdoor al fresco spaces. One night last year I was traversing through there and this is the only time I have witnessed it, but a pop up stage had been erected in one corner and a lass called Vancouver Val was performing.  

Manchester Venue 175 – Night People

Manchester Night People was located on Princess Street about equidistant between China Town and Canal Street, just around the corner from the Satan’s Hollow venue. I can find very scant history online for this establishment, but I think it opened in around 2017, and I believe it closed post-covid for a 6 month refurbishment, but it looks like it never subsequently reopened.

I visited there four times in total, and I know they were included on the Psych Fest roster, an event I have never yet attended but also for the now defunct Dot-to-Dot festival which I was present at for several years.

I recall they used to stage Northern Soul shindigs for the Twisted Wheel events and due to the age now of many of the participants they staged it on a Sunday afternoon. I am sure the intimate downstairs setting would have made it an ideal location for such a gathering, and I recently located a flyer of the legendary Geno Washington and the Ram Jam band playing there in 2018. I would estimate the capacity of the venue would have been somewhere around 200.

 

Night People flyer. Image Credit mdmarchive.co.uk

My first visit was in February 2018 in the company of one of my Northeast correspondents Jamie Young. We were already attending a gig at Night and Day that evening so grabbed the opportunity to undertake an earlier foray to the new venue on the block! We met initially in the iconic Marble Arch public house before sampling some tea at the Mackie Mayors food hall and then headed down to Night People.

The first act was the Mancunian band slowhandclap who appear to play a lot of gigs at the Northern Quarter venues, and they provided a slab on noisy post punk. Also on the bill were Chester two-piece DEH-YEY who like many duos produced a fair old racket of fuzzy dark sounds with the driving force being the guitarist/vocalist Cash Burns. They have released a slew of singles thus far and have garnered a support slot for the much touted Belfast band Enola Gay.  

Three months later as part of Dot to Dot we saw an American singer songwriter called Kyle Craft. He was born in an isolated Mississippi river town in Louisiana and his first introduction to guitar music was a random purchase of a David Bowie compilation at his local Kmart store.

I think we can all attest to our own individual epiphany to hearing music that will go on to change and influence our life. My personal individual ‘journey’ (a much over used reality show phrase nowadays) was via my dad’s Neil Young and my brother’s Husker Du records and also hearing Stiff Little Fingers for the first time as a young pup at an early school disco.

An early 2018 sighting of Fontaines DC at the venue. Image Credit whenthehornblows.com

Kyle subsequently moved to Texas, and he formed a band called Gashcat who then broke up a couple of years later with the slightly bizarre reasoning of ongoing adverse comparison to Neutral Milk Hotel! In 2016, he recorded his debut album ‘Dolls of Highland’ on Sub Pop Records and then gathered together a live band callee Showboat Honey and secured a support slot with Drive-By Truckers.  

On the afternoon I saw him they produced an excellent set of deep fried Southern rock , where I could hear shades of Green on Red, Lone Justice and The Band, his strong vocal complemented by a fine backing band was a good combination. My next trip was again linked to Dot-to-Dot and the band on show this time was a local combo called ELM.

My final visit was on 26th February 2020 when the spectre of Covid was just beginning to gather pace. I attended with my pal Paul Wilson who had other Preston folk in tow including Aidy and Janet from Lostock Hall. I recall we met in one of the Wetherspoons before having a bevy at the timeless Lass O Gowry. Throughout the gig between bands there was a DJ set from writer and broadcaster Dave Haslam who is primarily famous for being DJ for over 450 sets at the Hacienda nightclub incorporating a Thursday night residency at the Temperance club night from 1986 to 1990.  

The first act on stage was Mick O Toole and the main support were the Gallowgate Murders, a five-piece Celtic punk band from Edinburgh who had only formed the year before. The headliners were the Rumjacks, a rumbustious combo from Sydney in Australia who were also in the Celtic punk mould. They were formed in 2008 and they were renowned for their energetic live shows and lived up to their billing. Their most famous song ‘An Irish Pub Song’ went viral and has garnered over 85m hits on YouTube.

The Rumjacks. Image Credit iheart.com

I recall a generous chap we had never met buying us a round at the bar before Paul and I entered the thrashing, flailing white hot intensity of the mosh pit. It had been a fair while since I had been in such a vibrant pit and my first since turning 50, and I had to recalibrate instantly to peel off my outer layer of clothing and take my watch off for safe keeping and then dived back in.

It was a very small area not helped by some inopportune bruise inducing shelves around the perimeter, but we were in there for the last hour of the gig, and it was a bloody good sweaty fun, more so in hindsight when the first lockdown kicked in a couple of weeks later!