Tag: Buzzcocks

Liverpool Venues 33 to 35

I shall return this week to my ongoing review of the 2025 Liverpool Sound City event, with our next port of call being Liverpool Kazimier Stockroom. As I have discovered when writing these scouse based blogs their background stories of the venues never seem to be simple. So, this particular tale commences with the much touted original arty Kazimier venue in Wolstenholme Square.

The venue opened in 2007 in an old mirror-lined club owned by local boxer John Conteh and came complete with an octagonal dancefloor, outdoor space and a top-deck bar and it was the size of the Titanic. It finally bowed out in some particular style on New Years Eve 2015 after a self-created sci-fi themed Escape to Planet Kronos party with one hundred and eighty performers. A mere four months later alongside Nation, the original home of Cream, the whole area was razed to the ground under the banner of gentrification plans.

Kazimier Stockroom. Image Credit liverpooltheatres.com

A regular performer there was the in-house carnival techno act The Krunk Band. They chose not to perform on stage, instead they mingled into the crowd whilst booting out their tunes and included a mishmash of trumpets, percussions, barrel organ and accordions in their sound. Other bands to play there include Sleaford Mods, Blossoms, Buzzcocks, Miles Kane, Michael Head and The Harlequin Dynamite Matching Band.  

Then in 2016 the newly formed Kazimier Collective opened up a new venue on Regent Street near to the Stanley Dock Tobacco Warehouse. The three storey building comprises of two events spaces, the basement one called Substation, and some artist studios. It was named The Invisible Wind Factory and has a 1500 capacity. Fat White Family, Ride and the Orielles have played there, and it has also been used for daytime rollerdisco events, thereby invoking unwelcome memories of Cliff Richard and Frank Spencer!  

The Collective then opened up the Kazimier Stockroom which is a multipurpose small site with a 100 capacity and alongside being an intimate showcase for fledgling local and national bands they also host film screenings and theatre shows. It has an open courtyard area, and its name derives from its location adjacent to Kazimier Gardens.  

Upon our arrival it took us a moment to find the venue which was located just off from the outside area behind an unmarked wooden door, it was a busy enclosed space and was absolutely sweltering. On stage was a young R&B singer called Immi Dash who was born in Scotland to British and Trinidadian parents, raised between California and Slough and now resides in Liverpool, sounds like an eventful journey!  

Arts Club. Image Credit tagvenue.com

We then moved onto the nearby Liverpool Arts Club on Seel Street, a venue that has existed since 1928 and was before that date The Liverpool Royal Institution. Its original remit under the new banner was as a social club before morphing into a live music venue. Prior to its current moniker it was known also as The Barfly, The Masque and East Village Arts Club.

In the early part of 2023, like many other similar establishments it faced closure, but was subsequently thankfully saved from that ignominious fate by the Manchester based Tokyo Industries. That particular company also own Gorilla, The Deaf Institute and Factory 251 and brought that previous expertise and a major regeneration to this venture. Early gigs by The Wombats and Two Door Cinema Club served to cement its reputation back on the live circuit.

The venue has three individual rooms, the first is the lobby which is utilised as a club space with a capacity of 200 punters. The second is Liverpool Arts Club Loft which has a live maximum of 550 people. When we attended there, we saw a Manchester act called Cooper T who are a duo comprising of two producers Kong and TMNMS. They sported brown shell suits and matching balaclavas and were verging on the grime genre, not dissimilar to Sleaford Mods, a band who has always left me cold, though the crowd around me appeared to be lapping it up!

The Florentenes. Image Credit youtube.com

Along a linking corridor brought you to Liverpool Arts Club Theatre, which was my preferred venue of the two and has a capacity of 550 and the space reminded me of the old Preston Polytechnic venue. First up we saw a local singer called Neil Noa and then later in the day Florentenes. The latter three piece were from Manchester and astoundingly young with the two guitarists aged eighteen and the drummer only fifteen. They reminded me in parts of The View, early Strokes and The Vines and they created a very pleasing racket!  

Manchester Venue 193 – Castlefield Bowl

The Castlefield area of Manchester has an abundance of historical context within its borders. It was the site of the Roman fort of Mamucium/Mancunium that evolved into the later name of Manchester, and it contained the terminus of the Bridgewater Canal, the world’s first industrial waterway initially built in 1764.

Additionally, there is another world premiere with the first ever passenger railway terminating at Liverpool Road railway station in 1830, which is a Grade I listed building and was sold for a princely sum of £1 and is now part of the impressive Science and Industry Museum.

There is also the Castlefield basin which was where the old coal and yarn wharfs where located and which has gone through a major rejuvenation over the last couple of decades. Luxury flats, pubs and restaurants have appeared including the Wharf with its decent tucker and Dukes 92 with its huge outdoor seating area, the pub being named after Lock 92 where the canals originally merged. Castle Quay there now houses Hits Radio and Greatest Hits Radio.

Castlefield Basin. Image Credit Manchester Evening News

Castlefield was designated as a conservation area in 1980 and then the United Kingdom’s initial designated urban heritage park in 1982. There is the elevated and rather chilly Deansgate-Castlefield tram stop, which was previously named G-Mex. There used to be a direct path that took you past the G-Mex (where 33 years ago I saw Madness) and straight into the Great Northern complex, but that has now been partially blocked off.

If you decline to take the steps down from the station you can then gain access to the Castlefield Viaduct. This was built in 1892 and there has recently been a roof garden created which can be seen from passing trains and trams and is open for visits in the summer months.

From that high vantage point there are a set of circular steps that drops you to a grassy area in front of the aforementioned fort which has been partially rebuilt. When I have traversed that route I have quite often noted that the area is home to a couple of what I shall coin as the ‘Castlefield Swans’ who own that patch. On one particular occasion I witnessed them having a fun day out as they strutted noisily down a busy Deansgate and as a result caused chaos during the peak commuter time!

There are a few more steps down from ‘Swan With Two Necks’ (not ‘Lake’ as there is no water feature!) which brings you into Castlefield Bowl. The site was rebuilt in 1993 by creating an amphitheatre with a semi-cantilever structure which became a natural home to stage gigs and events with a capacity of 8,450.

Castlefield Bowl. Image Credit ilovemanchester.com

The first show there was Ian Brown on Millenium eve 1999. Other bands to play there include Noel Gallagher, Arcade Fire and New Order and the site was utilised as a Fan Park during the 2010 Football World Cup. In 2017 it was decided to set up an annual event of shows across a couple of summer weekends under the banner of the Sounds of the City festival.    

I had always wanted to visit the arena after seeing it regularly when heading into the city on the train, and my first opportunity presented itself at the 2018 shindig. The gig on Friday 6th July was during the sweltering 2018 World Cup summer, and I recall our group watching the second half of the France v Uruguay quarter final in the Footage pub on Oxford Road before grabbing some tea in the nearby Hatch complex.

We then gravitated to nearer to the venue with a visit to the Deansgate pub. Upon arrival, I discovered it to be a well-designed area with a good view of the stage from any vantage point. The spur for purchasing the tickets initially was to catch the old troubadour Elvis Costello for the first time who was the designated support act on the night. However, he became ill shortly before and had to cancel a few dates including ours and he was replaced by the Buzzcocks.

The headline act was Paul Heaton & Jacqui Abbott who most certainly have the tunes including in my view one of the finest ever opening lines of ‘I love you from the bottom of my pencil case’. An entertaining aspect was that as the trains have a panoramic view of the stage, one stopped for a decent length of time on the overlooking bridge as the guard was obviously a fan. He was taking numerous photos resulting in cheers from the crowd alongside some highly bemused punters looking out of the other train windows!  

My other attendance was on the 5th of July 2022 where the pre-drinks and nibbles venue this time was Mackie Mayors. In the bowl, there are some seats set back in front of the stage, and I could hear my name being hollered repeatedly in the style of Dustin Hoffman in the Graduate. It turned out to be none other than my pal Ian ‘Milly’ Millington who was perched on the back row. I then navigated a route through the busy crowd to have a parlay, and my ascent resembled Pat Cash at the Centre Court at Wimbledon. Numerous punters asked me as I passed if I was Jimmy, before chortling to themselves!   

The Pat Cash clamber. Image Credit wimbledon.com

The support band were Slow Readers Club followed by the headliners Pixies. I decided for old times sake to drag my young 54 year old body into the vibrant mosh pit. One of the crew Tim accompanied me wearing his newly purchased Primark trainers that were in a sorry state by the end of the gig. There were appraising looks from one group of young whippersnappers due to my age before mosh pit etiquette was applied, and a respectful nod of the head was provided!