Tag: Two Door Cinema Club

Liverpool Venues 33 to 35

I shall return this week to my ongoing review of the 2025 Liverpool Sound City event, with our next port of call being Liverpool Kazimier Stockroom. As I have discovered when writing these scouse based blogs their background stories of the venues never seem to be simple. So, this particular tale commences with the much touted original arty Kazimier venue in Wolstenholme Square.

The venue opened in 2007 in an old mirror-lined club owned by local boxer John Conteh and came complete with an octagonal dancefloor, outdoor space and a top-deck bar and it was the size of the Titanic. It finally bowed out in some particular style on New Years Eve 2015 after a self-created sci-fi themed Escape to Planet Kronos party with one hundred and eighty performers. A mere four months later alongside Nation, the original home of Cream, the whole area was razed to the ground under the banner of gentrification plans.

Kazimier Stockroom. Image Credit liverpooltheatres.com

A regular performer there was the in-house carnival techno act The Krunk Band. They chose not to perform on stage, instead they mingled into the crowd whilst booting out their tunes and included a mishmash of trumpets, percussions, barrel organ and accordions in their sound. Other bands to play there include Sleaford Mods, Blossoms, Buzzcocks, Miles Kane, Michael Head and The Harlequin Dynamite Matching Band.  

Then in 2016 the newly formed Kazimier Collective opened up a new venue on Regent Street near to the Stanley Dock Tobacco Warehouse. The three storey building comprises of two events spaces, the basement one called Substation, and some artist studios. It was named The Invisible Wind Factory and has a 1500 capacity. Fat White Family, Ride and the Orielles have played there, and it has also been used for daytime rollerdisco events, thereby invoking unwelcome memories of Cliff Richard and Frank Spencer!  

The Collective then opened up the Kazimier Stockroom which is a multipurpose small site with a 100 capacity and alongside being an intimate showcase for fledgling local and national bands they also host film screenings and theatre shows. It has an open courtyard area, and its name derives from its location adjacent to Kazimier Gardens.  

Upon our arrival it took us a moment to find the venue which was located just off from the outside area behind an unmarked wooden door, it was a busy enclosed space and was absolutely sweltering. On stage was a young R&B singer called Immi Dash who was born in Scotland to British and Trinidadian parents, raised between California and Slough and now resides in Liverpool, sounds like an eventful journey!  

Arts Club. Image Credit tagvenue.com

We then moved onto the nearby Liverpool Arts Club on Seel Street, a venue that has existed since 1928 and was before that date The Liverpool Royal Institution. Its original remit under the new banner was as a social club before morphing into a live music venue. Prior to its current moniker it was known also as The Barfly, The Masque and East Village Arts Club.

In the early part of 2023, like many other similar establishments it faced closure, but was subsequently thankfully saved from that ignominious fate by the Manchester based Tokyo Industries. That particular company also own Gorilla, The Deaf Institute and Factory 251 and brought that previous expertise and a major regeneration to this venture. Early gigs by The Wombats and Two Door Cinema Club served to cement its reputation back on the live circuit.

The venue has three individual rooms, the first is the lobby which is utilised as a club space with a capacity of 200 punters. The second is Liverpool Arts Club Loft which has a live maximum of 550 people. When we attended there, we saw a Manchester act called Cooper T who are a duo comprising of two producers Kong and TMNMS. They sported brown shell suits and matching balaclavas and were verging on the grime genre, not dissimilar to Sleaford Mods, a band who has always left me cold, though the crowd around me appeared to be lapping it up!

The Florentenes. Image Credit youtube.com

Along a linking corridor brought you to Liverpool Arts Club Theatre, which was my preferred venue of the two and has a capacity of 550 and the space reminded me of the old Preston Polytechnic venue. First up we saw a local singer called Neil Noa and then later in the day Florentenes. The latter three piece were from Manchester and astoundingly young with the two guitarists aged eighteen and the drummer only fifteen. They reminded me in parts of The View, early Strokes and The Vines and they created a very pleasing racket!  

Leeds Venues 20 to 22

I am this week returning to and completing the story of my visit to the Live at Leeds festival in 2021. This is a multi-venue wristband event with venues dotted all around the city and we walked and walked that day, covering around 27k steps.

The next site we visited was Leeds HiFi situated on Century Road. The precursor to this venue was the Underground nightclub as when that club closed its doors for the final time in 2000, the three original promoters moved lock stock and barrel into the new basement venue. They transferred all existing staff and retained all the original club nights in the new building.   

Leeds HiFi. Image Credit Ents24.

They hold a suite of DJ and live gig nights and reside mainly in the funk and soul and roots domain. Amongst others Nightmares on Wax, Totally Enormous Extinct Dinosaurs and 6 music’s Giles Peterson have appeared there. They have also held comedy nights with Alan Carr and Reginald D Hunter having graced the stage, and weddings have also taken place there.

It is a small venue that has a nice vibe about it combining a nightclub feel with a traditional downstairs gig room, and this is reflected in its previous local awards for ‘Best Nightclub’ and ‘Best Live Music Venue’. The band on stage at the time of our visit were a local act called Van Houten and they provided a pleasing slab of slightly wonky dream pop, their sound reminiscent of Swim Deep and Fatal Charm. They released their self-titled debut album in 2019 and have just penned a decent new single titled ‘Coming of Age’.

We then sallied over to Leeds Headrow House which has a long previous history as a former textile mill and latterly an Inland Revenue site and is located in one of the oldest parts of the city. It now encompasses four floors housing an award winning restaurant called the Ox Club, a large beer hall, two roof terraces and a 150 capacity gig room.

Leeds Headrow House. Image Credit inyourpocket.com

There is also reputedly a large and probably spooky Civil Defence bunker located underneath the site. On stage that day was a rhythm and blues artist called Mysie from London who has had support slots with Corrine Bailey Rae.

Situated nearby on Cookridge Street is the Leeds Nation of Shopkeepers. Its current moniker provides a clear clue to its previous heritage as during the 1950’s it was known as Harris Grocers. It then morphed into the Corner Shop and the Courtyard Bar until rebadging under its current name in 2009. It has a locally renowned outdoor courtyard area known as ‘The Garden of Earthly Delights’ and the establishment went through a major refurbishment in 2017.

‘Garden of Earthly Delights’. Image Credit tripadvisor.co.uk

They have a regular pub quiz night every Monday and have an all-day ‘foodie’ reputation. They have DJ nights and also live music in the multi-functional 850 capacity arts space. In those early days the likes of Willy Mason, James Blake, Death Grips, Darker My Love (who I sadly never saw) and Two Door Cinema Club played there.

Upon entering I thought it was a tidy eclectic setting, but extremely busy. On stage I could just witness a portion of the set from a London emo band called Sad Boys Club, who last year released their debut album ‘Lullabies From The Lighting Tree’.