Liverpool Venues 33 to 35

I shall return this week to my ongoing review of the 2025 Liverpool Sound City event, with our next port of call being Liverpool Kazimier Stockroom. As I have discovered when writing these scouse based blogs their background stories of the venues never seem to be simple. So, this particular tale commences with the much touted original arty Kazimier venue in Wolstenholme Square.

The venue opened in 2007 in an old mirror-lined club owned by local boxer John Conteh and came complete with an octagonal dancefloor, outdoor space and a top-deck bar and it was the size of the Titanic. It finally bowed out in some particular style on New Years Eve 2015 after a self-created sci-fi themed Escape to Planet Kronos party with one hundred and eighty performers. A mere four months later alongside Nation, the original home of Cream, the whole area was razed to the ground under the banner of gentrification plans.

Kazimier Stockroom. Image Credit liverpooltheatres.com

A regular performer there was the in-house carnival techno act The Krunk Band. They chose not to perform on stage, instead they mingled into the crowd whilst booting out their tunes and included a mishmash of trumpets, percussions, barrel organ and accordions in their sound. Other bands to play there include Sleaford Mods, Blossoms, Buzzcocks, Miles Kane, Michael Head and The Harlequin Dynamite Matching Band.  

Then in 2016 the newly formed Kazimier Collective opened up a new venue on Regent Street near to the Stanley Dock Tobacco Warehouse. The three storey building comprises of two events spaces, the basement one called Substation, and some artist studios. It was named The Invisible Wind Factory and has a 1500 capacity. Fat White Family, Ride and the Orielles have played there, and it has also been used for daytime rollerdisco events, thereby invoking unwelcome memories of Cliff Richard and Frank Spencer!  

The Collective then opened up the Kazimier Stockroom which is a multipurpose small site with a 100 capacity and alongside being an intimate showcase for fledgling local and national bands they also host film screenings and theatre shows. It has an open courtyard area, and its name derives from its location adjacent to Kazimier Gardens.  

Upon our arrival it took us a moment to find the venue which was located just off from the outside area behind an unmarked wooden door, it was a busy enclosed space and was absolutely sweltering. On stage was a young R&B singer called Immi Dash who was born in Scotland to British and Trinidadian parents, raised between California and Slough and now resides in Liverpool, sounds like an eventful journey!  

Arts Club. Image Credit tagvenue.com

We then moved onto the nearby Liverpool Arts Club on Seel Street, a venue that has existed since 1928 and was before that date The Liverpool Royal Institution. Its original remit under the new banner was as a social club before morphing into a live music venue. Prior to its current moniker it was known also as The Barfly, The Masque and East Village Arts Club.

In the early part of 2023, like many other similar establishments it faced closure, but was subsequently thankfully saved from that ignominious fate by the Manchester based Tokyo Industries. That particular company also own Gorilla, The Deaf Institute and Factory 251 and brought that previous expertise and a major regeneration to this venture. Early gigs by The Wombats and Two Door Cinema Club served to cement its reputation back on the live circuit.

The venue has three individual rooms, the first is the lobby which is utilised as a club space with a capacity of 200 punters. The second is Liverpool Arts Club Loft which has a live maximum of 550 people. When we attended there, we saw a Manchester act called Cooper T who are a duo comprising of two producers Kong and TMNMS. They sported brown shell suits and matching balaclavas and were verging on the grime genre, not dissimilar to Sleaford Mods, a band who has always left me cold, though the crowd around me appeared to be lapping it up!

The Florentenes. Image Credit youtube.com

Along a linking corridor brought you to Liverpool Arts Club Theatre, which was my preferred venue of the two and has a capacity of 550 and the space reminded me of the old Preston Polytechnic venue. First up we saw a local singer called Neil Noa and then later in the day Florentenes. The latter three piece were from Manchester and astoundingly young with the two guitarists aged eighteen and the drummer only fifteen. They reminded me in parts of The View, early Strokes and The Vines and they created a very pleasing racket!  

Other British Gigs Part 7 – York

There is archaeological evidence that gives weight to the theory that the area of York existed as far back as 8000BC. As you cross over into an AD timeline the town was owned by the Romans and the Vikings, and it was subsequently significantly damaged in the Norman conquest of 1066. In later times, it prospered as the urban centre of Yorkshire and remarkably in 1660, it was the third-largest city in England behind London and Norwich.

Famous York folk include Judi Dench, Frankie Howard, former England manager Steve McClaren, composer John Barry and the bands Shed Seven and the 1980’s ‘anarchists’ The Redskins who once famously in 1984 brought a striking miner onto stage on Channel 4’s The Tube to make a speech during their song but his microphone was switched off! They also must have a sweet tooth in the area as the chocolatiers Joseph Rowntree and Joseph Terry (latterly of Chocolate Orange fame) were born there. 

The Redskins. Image Credit Pinterest

York is literally stacked with history and remarkably contains 34 conservation areas, 2084 listed buildings, 22 ancient monuments and a plethora of olde worlde atmospheric old boozers! I have very fond memories of visiting York as a child and tromping along the remnants of the city walls.

We reacquainted about 20 years ago with some old friends that Gill trained with back in the day and geographically York was a mutually agreeable meeting place to have a rendezvous. We had three annual trips and, on each occasion, coupled it with a jaunt to the nearby Wetherby races and I recall one drunken night visiting the local branch of Popworld! On one of those forays, I also remember being in a boozer there watching Michael Owen score two late goals for England to win a terrific match 3-2 against old rivals Argentina.  

The small downsides are that the city can be a tad touristy and has a rather complex one-way traffic system. To mitigate this, we now choose to travel there on the train and tend to stay at the nearby Premier Inn. As a train enthusiast I always try and make a pilgrimage to the terrific and heartily recommended Railway Museum which first opened its doors in 1975. There are even two public houses encased within the station, namely the Duke of York and the York Tap to whet your whistle before the journey home!     

My favourite ever racecourse is located in the city and the races have taken place since 1731 on the nearby Knavesmire accessed via a short shuttle bus ride from the station. The Knavesmire is a large green space where the gallows were originally located, and Dick Turpin was hanged there in 1739. It is such a good viewing course and exemplifies one of my visualisations of the ‘green and pleasant land’.

York Racecourse. Image Credit webaviation.co.uk

When in attendance in 2018 there was a pop-up stage in the York Races County Stand, where we saw Dr Jazz who are a local 6-piece Great Gatsby band who play songs from the 1920/1930’s era and are bedecked in top hat, waistcoats and bow ties. We saw the same band again at our most recent visit a couple of months ago.

In 2018 they also had another band called Dr Thirsty playing on the York Races Tattersalls Stage, who are a wedding and function band. On our next visit the following year we witnessed Superlicks, a locally based three piece ‘party’ band.  On our latest trip they had then set up a bespoke area thus creating York Races Tattersalls Stage 2 where the Irish Jags were performing some woeful covers. Additionally, by the bus pick up area there was the York Racecourse Stage where a singer called Ed Winchard was playing.  

On the 2024 visit we decided to stay a couple of nights and on the Thursday, we discovered a terrific pub called the Market Cat, a three-storey establishment with views of the market and the archaic streets of the city. They had a comprehensive selection of fine ales and tidy looking pizzas. Best of all, they had a fine indie soundtrack, and I heard tracks by the View, Sea Power and most excitingly Husker Du whilst ensconced there. On our way back to the digs we caught a chap called Barney playing in York Brewdog.

Market Cat viewpoint. Image Credit tripadvisor.co.uk

We braved the chaotic local Wetherspoons for breakfast on race day and had a good sally round the city post -racing including a sly return visit to the Market Cat. On the Saturday we were on York St Helen’s Square, off Stonegate which was the original location for the departure point for stagecoaches to London. On a pop up stage, we saw Malachy playing whilst three years earlier we witnessed local four piece King No-One there. The latter recently played at the Year End Festival I attended in Manchester a couple of weeks ago.