Gab’s Guest Blog

This week I have the pleasure to introduce my second ever guest blog from my good pal and committed muso Gab (offer remains open to other readers). For the record this kid has a terrific singing voice herself and I will endeavour to see her live whenever she has the time to return to the stage.

So here we go with Gab’s blog…..

When met with the rare and frankly glorious offer of a child-free night, and as a former gig-enthusiast prior to becoming a mother of two under two (thoughts, prayers, and strong coffee welcomed), I jumped at the chance to revisit an old Liverpool stomping ground of mine: the Kazimier Gardens. There is something brilliantly nostalgic about heading back to a venue you once knew so well, especially when it comes with the promise of live music, a proper atmosphere, and the ability to remember, even briefly, that you were once able to leave the house after 7pm.

Being predominantly outdoor is always something I appreciate about this venue. It manages that perfect balance between feeling like a nighttime haunt while still being relaxed, airy, and oddly welcoming. There is a real charm to the place, and it certainly helps, as an ardent smoker, that you can still feel part of the fold whilst succumbing to those dark urges. But the delights did not stop there. Tucked away in the corner of the venue is the Liverpool Kazimier Stockroom, which on this particular night was host to some fantastic local talent.

Turvey. Image Credit happeningnext.com

The headliners of the evening were a relatively new band on the scene, first formed in late 2025, named Turvey. Their catchy sound was reminiscent of the 1980s glam rock era, complete with melodic riffs, echoing staccato lyricism and thumping drums. I almost started to do a boxing montage as I listened. They brought a fun, confident energy to the room and gave a really great performance to experience. I would definitely be keen to hear more from these lads.

The highlight of the night though, for me, was Gunmen of the Apocalypse (G.O.A). Comprised of powerful drums, smooth bass, energetic and impactful guitar, and masterful rich vocals delivered with an authentic Scouse twang, they had the kind of presence that makes you properly take notice. They performed an all-killer, no-filler line-up of their anthemic rock backlog, which had the crowd on their feet and moving from the minute they hit the stage. A real classic rock delight for the ears, G.O.A were definitely not a one trick pony, showing a strong variety of song styles within a short timeslot.

G.O.A. Image Credit goaofficial.bandcamp.com

Their songs “Home” and “She Said” were the most catchy and commercial for me, the type of songs you could easily imagine on an ad, a trailer, or the intro to a prime-time show. I think most of the crowd will have walked away singing them for a while afterwards. But my favourite was “Web of Lies”, which demonstrated their range with a fusion of funk and classic rock, almost like a beautiful song-child of the Arctic Monkeys and Red Hot Chilli Peppers. Though they did perform a ballad, they did not lose momentum or engagement with the crowd, who were left wanting more. I would be keen to watch this space with Gunmen Of the Apocalypse, and I may well see you at their next gig.

Honourable mention must also go to the support acts: Strike and The Rad Lads, both of whom brought something different and memorable to the night. Firstly, I’ll talk about Strike, whose epic solos really were metal personified. If you’re a metal fan, these are absolutely the guys for you, bringing plenty of grit, energy, and head-banging potential to the line-up.

The Rad Lads. Image Credit facebook.com

Last but by no means least, The Rad Lads. This four-piece ensemble can be seen gigging around Liverpool music joints like the Jacaranda and Shipping Forecast, and they never fail to create a lively, enjoyable atmosphere. Their unique mesh of genres, including folk, country and punk rock, creates a wonderfully weird smorgasbord of sound which sets them apart from your generic local bands. Think Buzzcocks meets Mumford & Sons, and they invite Blues into the party.

Luckily for me, all of the bands performing that night are available to listen to on Spotify — what an age we live in. It feels almost rude to have access to such musical righteousness for free, but if you do have a listen and want to show your support, check out their upcoming gigs. Most of them are local to the Northwest and can be found through their Instagram band accounts. If this night proved anything, it is that Liverpool’s live music scene is still bursting with character, talent, and the kind of unpolished magic that makes a gig feel genuinely worth leaving the house for.

Liverpool Venues 8 to 10

The city of Liverpool, much like Manchester excels itself in retaining the grand architecture of vintage buildings. Meeting this particular criteria, Liverpool Old Bank public house on James Street down near the waterfront was originally the National Bank built in 1920. When it reopened as a hostelry it retained the American style ornate grandeur including the original tiled floors and high ceilings. It initially opened under the First National Bar name before morphing into the Old Bank in 2018.

Liverpool Old Bank. Image Credit theoldbankliverpool.co.uk

It contains a large bespoke bar on the ground floor with a smaller mezzanine bar in the upstairs area and it was on this upper deck that a group of us gathered for my pal Joe Glenny’s leaving do in November 2023 as he was jetting off for a career break in Australia. Whilst we were in residence there was a posse of acoustic musicians playing on a small stage downstairs.

I managed to glean one of the performer’s names so can record I saw a singer called Aidan play there. I did subsequently notify Joe a few months later that Mogwai were playing in Sydney when he was in residence there, but he shamefully missed attending the gig, there’s just no helping some people!

On a separate occasion, I was pottering around near Central station, as you do, and on Ranelagh Street chanced upon Liverpool Ranelagh’s Tavern. It is a ten a penny Irish theme bar and there was a singer called Seamus yodelling away in the corner.

Ranelagh’s Tavern. Image Credit ranelaghs.co.uk

Liverpool naturally exploits their hometown history with the Beatles and there are a plethora of bars paying homage to the band down Mathew Street and the most famous of them all is the Cavern Club where they played many of their early gigs.

In fact, between the 9th of February 1961 and the 3rd of August 1963 they performed there 292 times, and they were initially billed as deriving from Hamburg. They were surpassed only by the Hideaways who followed them as the resident house band who played over 400 gigs and were thus rewarded with their name being included on the wall of fame.

The Cavern opened its doors in 1957 as a jazz club with its driving force being a local chap called Alan Synter who found a cellar space which was being used at that stage as a tropical fruit warehouse and prior to that a World War II air raid shelter. It is said that when the club was at full capacity, the heat resulted in a sweet fruity smell emanating from the walls, which then became locally known as the ‘Cavern Perfume’. 

The club then moved on to embrace the mood of the day and rebadged itself as a Merseybeat venue. Bands who played there in that period include Rolling Stones, The Kinks, Black Sabbath, Queen and the Who and the local lass Cilla Black was employed there as a hat-check girl.

The Beatles on stage at the Cavern Club. Image Credit beatlesbible.com

Its history then became a little complicated when it closed in 1973 to make way for a ventilation shaft for the new Merseyrail underground railway. That however was never completed, and the site then turned into a car park. There were plans to reopen it in 1982, but it was identified that it was structurally impossible to do so. Many of the bricks from the original cellar were then sold to raise funds for the Strawberry Fields Children’s home.

At a 90-degree angle across the road, they decided to build a new Cavern which was recreated as much as they could in its original image. The initial owner was the former Liverpool football player Tommy Smith, but it closed again in December 1989 when it lost its licence following a vicious assault on a customer resulting in imprisonment for those involved.  

In July 1991 three friends reopened it and still run the club today. A chap called Paul McCartney returned to play a couple of gigs and secret warm up events were staged there by Arctic Monkeys, Jake Bugg, Travis and Oasis over the years. My one visit to Liverpool Cavern Club took place there in 2013 where I witnessed a singer called Freddie. I walked past recently and noted that they now charge simply for the privilege of entering the establishment, so I may not be visiting again!