Preston Venues 37 to 38

At the tail end of 2005 I read an article in the Friday entertainment section of the Lancashire Evening Post which provided detail of an interesting sounding gig in January 2006. The gig was to take place at Preston St Bede’s Club. I had never heard of the venue and located it on the map to the bottom of Brownley Road off Chorley Old Road in Clayton Le Woods, above five miles outside the centre of town.

I still had limited familiarity of the area so decided to undertake a field trip in the car beforehand to case out the joint and work out feasible travel plans and surrounding hostelries to visit beforehand. I found the building nearby to the Church and attached Presbytery of St Bede’s, the latter sites having been Grade II listed since 1984.

The 125 bus was decided upon as the most practicable commute option. So, on a particularly baltic Friday night I met Uncle George at the main bus station, and we boarded the bus that traversed its meandering way through Bamber Bridge, past Junction 29 off the M6 to our drop off point very near our first watering hole the Halfway House.  The bus continues past Chorley Hospital and eventually arrives at its end destination of Bolton a week on Tuesday!    

The 125 bus with Preston Bus Station in the background. Image Credit flickr.com

We visited a couple of other pubs, but I forget their names, I recall in one the jukebox had Husker Du ‘Don’t Want to Know if You Are Lonely’ on so that was obviously selected. In the other I encountered local comedian and Phoenix Nights star Dave Spikey in the lavatories!  

From there, there was an alley that cut you through to the venue. The concert area was a large, packed room in a social club setting where the audience was very respectful, so you had to tiptoe to the back of the room. George said it resembled folk clubs of old.

The support act was Corb Lund who is a country and western singer from Alberta in Canada. He has been on the scene for many years and a long-standing member of the Corb Lund band. On the night he played a solo set and was very engaging and enjoyable. 

The main act who had originally sparked my attention was Chuck Prophet. The Californian had first crossed my radar as a member of the 80’s desert rock band Green on Red. I used to play their records a lot, especially their debut album ‘Gas Food Lodging’.

I recall an interview at the time with Neil Young on the Old Grey Whistle Test where Andy Kershaw played some of the record to Neil, who listened for a few seconds and then drawled ‘sounds like Crazy Horse’! I got a chance to see them once supported by Steve Earle at Manchester International 1 in March 1987, but they produced a crushingly disappointing set.

Obviously, lessons were not learnt as unfortunately, this was little different as the gig was limp and his banter was surreal and unamusing. We left prior to the end of the set and arrived at the bus stop and prepared to wait more in hope than in anticipation, though the gods were smiling on us as a bus arrived within a couple of minutes to take us back into the city. The evening ended with a late drink in the Roper Hall club.

Nearer town on the same bus route on Preston Road, you would find the Preston Pines Hotel.  The venue was a famous local establishment and had been open for fifty years for cabarets, functions, school proms and weddings and I had personally attended a couple of weddings there myself and stayed overnight in the thirty-five-room hotel. It was owned throughout this period by the Duffin family before eventually closing in February 2017 and making space for 40 apartments and a Lidl supermarket.

Preston Pines Hotel. Image Credit pinkweddingdays.co.uk

They had a large function room where in 2006 Gill and I were roped in to attending a friend’s birthday party. The ‘entertainment’ on the evening was a local Abba tribute band called Mamma Mia.

Preston Venue 23 The Mill – Part 2

For the three-year golden period of 2003 -2005 at the Mill, I was living a handy 15-minute stroll away at Lane Ends, and post gig would happily tumble up Tulketh Brow or Shelley Road in a warm glow after a top night of music.

I had a very noisy double bill of gigs at the tail end of 2003, the first being the old influential stalwarts Killing Joke who formed in Notting Hill in 1979. I was in attendance with super fan Tony Dewhurst who has seen them over 100 times. I recall Tony saying he had a chat with lead singer Jaz Coleman that night and there was a possibility Tony could be hired to write his autobiography, but the interesting offer never reached fruition. They produced a very noisy industrial set.

The second was the Irish punk band Therapy? and I recall them playing their cover of Husker Du’s Diana.

See the source image
Therapy? Promo picture. Image Credit conversationabouther.net

In between those two gigs, I saw Brighton band Electric Soft Parade who I had picked up on initially from their stellar debut album ‘Holes in the Wall’ which was nominated for the Mercury Music Prize. They were very accomplished and enjoyable on the night.  

Next up in April 2004 was to see Marky Ramone. Originally born Mark Steven Bell he was originally a drummer for Richard Hell and the Voidoids. When Tommy Ramone stopped drumming to become the manager in 1978, he stepped in as the new drummer and changed his name to Marky Ramone. The show consisted of a slide presentation talk with Q&A which was amusing as had a bone-dry wit and there were many Ramones tales to impart. The second part consisted of playing a selection of Ramone songs drumming behind of UK Subs, which was the weaker portion of the evening’s events.  

In April 2004, I saw a Cardiff post-hardcore band called Mclusky led by Andrew Falkous and they produced an urgent slab of noisy rock. After the band split up Falkous created the bands Jarcrew and Future of the Left, I was a fan of the latter band’s off-kilter sound. The support bands on the night were Papa Boon and My Code Name is Milo.

On a very warm Friday night during Euro 2004 we sauntered down to watch Longview, an indie rock band from Manchester. They had formed in 2002 and honed their craft with many gigs at the Night and Day café. They also had the German musician/record producer Ulrich Schnauss in their ranks from 2005 to 2010. Remarkably despite them being in existence for 12 years they only ever produced one album. I recall they were very melodic in the mould of Nada Surf with House of Love tinted vocals and were a perfect summer night band. Just listening to their music now and it still sounds remarkably fresh.

Five months later I saw Hope of the States, a post rock band from Chichester. They were good value and were supported by The Open. When the headline band subsequently disbanded the members ventured into bands such as The Northwestern and Chapel Club.

In March 2005 a group of us went to a multi punk bill and we saw Mere Dead Men (MDM) and Broken Bones who evolved from the band Discharge. Also, on the bill was the local punk legends Pike, one of seven times I have seen them. I recall they played a rarely heard cover of a Naked Prey track, which I think was ‘Train Whistle Blows’ from their lost gem album ‘Under the Blue Marlin’.  Naked Prey were from Tucson, Arizona and in the desert rock genre and subsequently were members of Green on Red and Giant Sand and you can hear distinct similarities in their sounds.  If I have got the name wrong of the covered track, I am sure Pike’s bassist and music encyclopaedist Jez Catlow will graciously correct me!

See the source image

Naked Prey ‘Under the Blue Marlin’. Image Credit Amazon.

In the gap between bands, we headed up to the local pub Moss Cottage, known as the Hogshead for an aperitif before returning to see the headliners Conflict, who formed in Eltham in South London in 1981. They were always combative souls and highlighted issues around animal rights, anarchism and class war. During their gigs in the 80’s in the particularly dark days of Thatcherism they regularly stoked up the crowd leading to riots and disturbances post-gig. Even 25 years on, they still cut an aggressive and spiky presence on stage.