Tag: Green on Red

Five Lost Albums

I thought I would mix it up this week and look at some treasured records that in my personal view, and for whatever reason, did not receive the acclaim they deserved. I have listed these in chronological order: –

Squirrel Bait – Skag Heaven 1986

Hailing from Louisville, Kentucky they were quantified in the emo/mathcore genre (1983-1988).  Influenced by peers Black Flag and more distinctly Husker Du who they supported. I discovered  them via a Bob Mould quote in the NME singles review ‘as the finest thing he’d ever heard’

This second and final album contains 10 songs but is only 25.45 in length. Standout track is ‘Kid Dynamite’ with bracing intro and alarming refrain ‘I don’t need no pig stomping on my buzz’ and has muttered unintelligible incantations. Others to note are ‘Choose Your Poison’ with Black Sabbath War Pigs intro and ‘Slake Train Coming’ which thunders along.    

The record is scuzzy and full of youthful vigour and dark lyrics. It sounded utterly vibrant as an 18-year old and still holds up to scrutiny now.

Former members played with the Breeders and Lemonheads and original member Britt Walford subsequently formed semi legendary Slint.  

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Squirrel Bait -‘Skag Heaven’ album cover. Image Credit reddit.

Dumptruck – For the Country – 1987

Formed in 1983 in Boston Massachusetts. This was their third album and they decamped to Rockfield Studio in Wales for some solitude to record it. It is country rock in the finest tradition evoking comparisons to Neil Young, Green on Red and Buffalo Tom.

It has a yearning timeless quality and it is a ‘go to’ album for me. Standout tracks are ‘Friends’ ‘Brush me Back’ ‘Hung Out on the Line’ and ‘Dead Weight’.

Through no fault of their own the band got sucked into a record label contract dispute meaning no new material could be recorded and subsequently disbanded in 1991. Half of the band reformed and recorded new material as recent as 2018, but with diminishing returns.

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Dumptruck – ‘for the country’ album cover. Image Credit you tube – Tony Fivek

Joy Zipper – American Whip – 2002

Dream pop duo from New York, Tabitha Tindale and Vincent Cafiso, who are also a married couple.

Album recorded initially in Glasgow and then co-produced and mixed by Kevin Shields of My Bloody Valentine. It has a wonky sugar-coated beauty with a 60’s vibe and razor-sharp lyrics. Gorgeous sultry vocals complement each other perfectly and it is lovingly recorded. I hear snippets of Mercury Rev, Raveonettes and Velvets in there.  

‘Christmas Song’ could just possibly be the most shimmering gem of a Xmas song ever written. I also like ‘Baby you should know’, ‘33x’ and the fine outro ‘Valley Stream’ book ends the record.

Their last known recorded material was a contribution to a Smith covers album in 2011.

Former Cellmates – Who’s Dead and What’s to Pay 2008

Formed in Sunderland by ex-Leatherface bassist. Leatherface received Husker Du comparisons but I never really saw that link and much prefer this album.

The record could arguably be vaguely derivative at times and I can imagine not to everyone’s tastes but for me it is imbued with a lot of soul and passion and chugs along mercilessly and has a shambolic charm. There is a bit of Buffalo Tom and Springsteen in there and it has a country rock tinge.

Stand out tracks are ‘Always’, ‘Here’s to the Pretty Girls’ and ‘Why would you Pray for Me?’. They recorded 4 albums between 2005 and 2014 and I am not sure whether they are still operational.

Sennen – Where the Light Gets In (2008)

Based in Norwich in 2002 before decamping to London. They are named after a Ride track, and they are the only one of the five listed I have seen live.

I bloody love this band, who have produced five fine albums between 2005 and 2016 and I could have picked any of them but have selected the second album. Strictly in the post-rock shoegazing genre, displaying a hypnotic lush yearning sound, coruscating guitar and whispered harmonies resembling Loop and MBV.

Standouts are ‘Your Hand in Mine’ and ‘A Lifetime Passed’ which are gentler lovely tracks, that recall Teenage Fanclub ‘Grand Prix’ era. Also ‘Just Wanted to Know’ which morphs into a long thunderous outro.

My overall favourite track of theirs is ‘Falling Down’ off third album Age of Denial which builds layer by layer to a tumultuous conclusion, resembling ‘Ithica 27/9’ by Mogwai and ‘Dirge’ by Death in Vegas.

In my humble opinion, they remain the most criminally underrated band I have encountered.

Now, I would be fascinated to know what would be contained on your lost album list, even if you can only think of one.

Manchester Venue 2 – International 1

Aah, let me count the ways I loved this venue: –

  • Low strung roof which assisted greatly with the acoustics and created a fabulously sweaty communal venue when busy
  • Bars either side serving Colt 45 or Schlitz
  • Responsive DJ playing fab tunes when requested and memory tells me or tricks me that they played Long Ryders ‘Looking for Lewis and Clarke’ every visit
  • Loos at the side of the stage to allow you to swiftly rejoin the moshpit
  • Like minded brethren in the audience
  • Main bands rarely came on before 11 and of consistently high calibre
  • Cheeky little food hatch with un nutritious snacks to soak up the ale
  • All in all, what’s not to like?

I visited 20 times between 1985 and 1989, the venue closed around 1992. In my new Manchester pad I live a couple of miles away from the old site. It is now a Turkish deli/supermarket. I always had pretensions if winning the lottery to reopen the venue, but my odd £25 prizes are clearly not enough to achieve that aim.

The hallowed venue now! – Image Credit Jimmy Crossthwaite

My first visit was to see Hüsker Dü with the prior knowledge we wouldn’t get home and involved train and a fair bus ride as it was on the outskirts of town in Longsight. Whilst queueing up lead singer Bob Mould clattered out the doors past us to buy some cigs in the small newsagent next door which was exciting for us avid fans. They were mighty fine in front of a sparsely attended venue. The remainder of the night was trekking back into town to  Victoria and crashing in the waiting room while they loaded the paper trains before catching the first train back at 6am. Being a durable 17 year old I recall a couple of hours kip, on to Preston North End to sell programmes, watch the match and then inevitably out again that night. A few years after I became friends with another chap who was there and also napped on the station prior to a trip back to Blackpool (Spig, if you are reading this).

There was always an obliging driver in the crew to ferry us there before trains became the regular route to Manchester gigs. There was always a couple of aperitifs as we always travelling in via Holts and Boddingtons pubs in Prestwich, I believe the Friendship Inn is still standing and the afore mentioned Holts was 64p a pint (cheapest beer in Britain!).

Some of my favourite early gigs were here, notably astonishing performances from Lone Justice (what a set of pipes Marie McKee has and a fantastic cover of Velvets ‘Sweet Jane’), 10,000 Maniacs (stunning vocal also from Natalie Merchant) , Hüsker Dü again and the first ever gig in England for Meat Puppets in 1987 supported by the Inca Babies.

Picture shows the infamous Lone Justice gig on 20/02/1987. Image Credit radiox.co.uk

There was a dream joint headlining tour from Throwing Muses and Pixies. I read somewhere that it was something like the Pixies 26th ever gig and Black Francis cut a very menacing presence howling like a Banshee with me joyously bouncing round the moshpit despite having at that age an ever present nose bleed!

Other bands seen were Shop Assistants, a polished Robert Cray, That Petrol Emotion, Proclaimers and Rhythm Sisters, joyous Bhundu Boys (twice and once with a compelling hangover after a quiet night at the infamous Strawberry Duck at Entwistle!), Screaming Blue Messiahs and Wild Flowers, Wonderstuff and Darling Buds, Triffids (laconic Aussies) and Waltones, Amayenga and finally a thunderous Loop.

Flyer from 1986 – see Wonderstuff and Voice of The Beehive dates. Image Credit mdm.archive.co.uk

One notable exception was Green on Red and Steve Earle where it was just one of those nights where the gig didn’t work, the set was dull and to top it off the transport home had been vandalised and was bereft of a coat and a back seat window so was bloody freezing all the way home especially for Dave Keane in the back seat!

Two remaining standouts were Voice of the Beehive which was the first gig I attended with my then girlfriend, now wife Gill. The other was a carload of us attending the Stiff Little Fingers comeback tour on 18/12/87 which despite being sub-tropical outside remains one of the hottest gigs I have ever attended with a maximum of two songs in the moshpit before an obligatory rest station on the DJ’s steps.

Despite not attending a gig there in 30 years, and over 900 gigs since it still sits proudly as my 5th most attended venue.