Gigs Abroad Part 29 Cologne – Part 2

As Cologne was the first German city I had ever visited I always pined to make a return. That trip had also created a chain reaction of visiting many other locations in the country with the current count now at nine cities where I have stayed and with several others visited on our regular days trips when we are away. Thus, it transpired that one sunny day Gill and I were sat foe r we could fit in another cheeky weekend away. Cologne was entered into the possible destinations and was then chosen and subsequently booked.

Now, you may surmise that I manufactured the next part of the story to my advantage but that is genuinely not the case. A few days after we concreted the trip, Gill suggested in passing to check whether there happened to be any interesting gigs taking place when we were there.

My previous experience in this regard on earlier trips is that we always seem to be a week early or late for an interesting band, however that was about to dramatically change. I think I may have muttered the words ‘Ye Gods’ and nearly fell off my chair when I saw that the mighty Mogwai were playing the final date of their current European tour on our first night in the city. It was naturally a ‘Shay’ given that we had to attend and tickets were purchased forthwith.

Bez and Shaun Ryder back in the day. Image Credit etsy.com

Prior to boarding there was a star stop moment with the ubiquitous Shaun Ryder holding court in the circular bar in Terminal 3. It was the first time I had eyeballed him face to face since watching the Happy Mondays in a support slot at Camden Dingwalls in October 1987. He was being regularly approached for selfies before he pottered off for a flight to Nantes.

The only remaining challenge was our scheduled afternoon flight and arrival time on the Saturday created the potential scenario where any delay would put our attendance in doubt. We landed a smidge late and it took us a little while to locate and arrive at our digs, though they were handily placed adjacent to a S-Bahn stop.

The gig was taking place at Cologne Live Music Hall (locally known as ‘LMH’ or just ‘Live), which had a previous life as part of the Heinz Strunck & Co machine factory before morphing into a bespoke music venue in 1990. It retains elements of its industrial heritage, one feature being the use of the old cranes.  

It has a capacity of 1800 and has hosted performances in the past from Pearl Jam, Death Cab for Cutie and Chvrches. Many have been recorded live for the music TV show Rockpalast (Rock Palace), which is a German institution and has been running since October 1974 where the featured band on their first night was ELO.

ELO. Image Credit listal.com

The venue was in the Ehrenfeld area of town and took some finding as it was buried away down a dark back street, a little reminiscent of the White Hotel location in Salford. We had not had time to eat, and the local food options were rather sparse, and we even considered the slightly desperate option of Burger King. I am glad however we did not as we finally located the Music Hall about 20.10, and we were informed that the band were hitting the stage at 20.15!

The gig gods were clearly in a benevolent mood as in the courtyard there was a beer point and a food stall that despite approaching closing time for the night proceeded to throw together a ‘bits and bob’s’ tea for us. Thankfully it was a warm night resulting in the back door of the venue being wide open. This then created the novel scenario of us grazing and imbibing on the picnic benches whilst we could clearly hear the reaction of the crowd and Stuart Braithwaite’s perennial introductory words of ‘Good Evening, we are Mogwai from Glasgow’. We listened to the first three tracks before heading indoors to actually see them as well.  

The Music Hall picnic benches. Image Credit koelntourismus.de

It remains a cash only venue which I find rather refreshing, and again fortuitously I happened to be holding a batch of euros. It was Gill’s second ever Mogwai gig and she thoroughly enjoyed them, much more so than her first one in the cramped environs of Manchester Albert Hall. It was a terrific venue and an appreciative respectful audience, and they finished the set with a thunderous ‘Mogwai Fear Satan’.  Afterwards we headed back into town and sampled some Kolsch in one of the beer houses near the main train station

On the Sunday we visited the Cathedral and walked the city including the river paths. We did at one stage become trapped in an extremely busy children’s fair that seemed to go on for ever, as soon as we had navigated our way past we headed to the hostelry. On the Monday we grabbed a late Schnitzel lunch before which completed a fine trip before we headed off for our flight home.

2024 Gigs – Part 4

In March I made another pilgrimage to Manchester Band on the Wall where I went to see BDRMM for the second time. I will cover the band in more detail when I review my first sighting of them on what turned out to be a chaotic night at Manchester White Hotel.

I thoroughly enjoyed their set, but the downside was that it was exceedingly busy with no wriggle room to gravitate from your chosen slot. Uncle George, John Dewhurst and Riggers were in tow, and I recall pre-gig drinks at Northern Monk Refectory MCR and Smithfield Market Tavern and pre-gig tucker at Viet Shack.   

Manchester Northern Monk. Image Credit reeceleung.com

Around the time of the Cheltenham Festival and St Patricks Day I was on the way to another gig, and I happened to catch a portion of the House Band at Manchester Blues Kitchen Bar and a segment of the set of a singer/songwriter named Harriet at Manchester Albert Schloss. Later in the year I saw a couple of other acts at Albert Schloss when they had regular daytime gigs taking place to coincide with the student graduation season.

The gig I was indirectly heading towards was at Manchester Albert Hall and was preceded by imbibing a couple of bevvies in the Sir Ralph Abercromby located in an alley right behind the venue. My Albert Hall attendance was to see the Pixies for the fifth time and my ticket was booked prior to realising that they were playing ‘Trompe Le Monde’ and ‘Bossonova’, my least favourite of their albums as my personal highlight of theirs has always been ‘Surfer Rosa’.

Having said all that, it was beneficial to reappraise these records and there is some belting tunes sporadically dotted about on them including on the night fine versions of ‘Velouria’, ‘Allison’ and ‘Planet of Sound’. I have also just clocked that earlier this year they released a live album of the shows on that tour. They were supported by The Pale White who were a three piece from Newcastle who include in their ranks brothers Adam and Jack Hope. 

A small matter of eight days after I returned to the venue to have my latest sweet fix (Some Candy Talking?) of Jesus and Mary Chain. I have in the last month travelled past the 40th anniversary of my attendance at their legendary gig at Clouds in Preston on the 6th of September 1985.

Preston Clouds attached to Preston Odeon approximately 1981. Image Credit facebook.com.

There was a posse of seven gathered in the afore mentioned Sir Ralph Abercromby prior to the show for beers and badinage. They started with a bang with ‘Jamcod’ and ‘Happy When It Rains’ and completed the main set with a flourish of ‘I Love Rock and Roll’ and ‘Just Like Honey’. I also had the veritable treat of finally catching up with fellow local music aficionado Cath Aubergine at the conclusion of the gig. The night as many before it culminated in the Temple of Convenience bar.    

In October I had my final 2024 visit where I saw Public Service Broadcasting performing. They were as ever at a decent level but was probably my least favourite viewing of them across the four times I have witnessed them so far.

There were two appearances at Manchester Ritz, bringing my total there to 37, which places it in third place on my most attended venue list. The first was the Australian band Jet who formed in 2001 and disbanded in 2012 before two separate reformations, the second one preceding this tour. They were playing their original popular first album ‘Get Born’ and it was around 15 years since I saw them previously in the same venue.   

The other gig was with the stellar company of Rick Clegg and his daughter Charlotte and her pal Laura. We went to the newly reopened and revamped Grosvenor pub on Oxford Road with the obligatory visit to the Umami noodle bar close by. The band playing was English Teacher from Leeds, led by the charismatic singer Lily Fontaine. Their debut album ‘This Could Be Texas’ had recently won the 2024 Mercury Prize, thankfully breaking a nine-year stronghold of London-based musicians winning the award. They were a quirky bunch and very enjoyable.

English Teacher. Image Credit nme.com

The final show of the year to reference was at Manchester Night and Day and came to my attention via some musical gurus on Twitter (now X) before I decided like many others to ditch that poisonous platform. Marcus and I attended, and we watched a portion of that night’s Euros 24 match in the boozer beforehand.

The band was the Reds, Pinks and Purples which is the brainchild of Glenn Donaldson who is also a photographer and record collector. He is a prolific singer/songwriter exemplified by writing 200 songs and releasing seven albums in seven years. When he is playing live, he is part of a five-piece band comprised of musicians from his San Francisco home. He has a soothing evocative voice and was one of my favourite gigs of the year. He was supported by Ryan Davis & The Roadhouse band who hail from Kentucky.