2021 Gigs – Part 2

I am continuing to look at the post-apocalypse year of 2021 where I somehow managed to attend 33 gigs. There is a suite of new venues in this year which will be featured in future blogs, however I am going to focus on the venues already visited and covered in previous articles.

On the 21st of August, I managed to finally return over to Preston and have my first night out there for 18 months. After watching PNE in the afternoon, Uncle George and I met up with John Dewhurst and we had a sally down the pubs on Friargate. This included a visit to the ever-unchanged Preston Olde Black Bull, where there was a thunderously loud band called Law and Order playing in the main room. It was low quality fare, and its only relevant significance was the fact that it was my 200th gig in Preston.

We also headed up to Preston Market where they have now put in place a deserved tribute bench to commemorate Preston’s very own Nick Park, the abundantly imaginative creator of Wallace and Gromit and Shaun the Sheep, now I have mentioned it please try and stop yourself humming the theme tune to Wallace & Gromit. He also coincidentally attended the same secondary school as myself though he was a few years above me.

Nick Park bench with the chap himself. Image Credit wallaceandgromit.com

As we walked up Orchard Street, we could hear the unmistakeable rumble of a live band, and therefore bonus gig said I! As it was a balmy August evening, they had erected a stage at the Lancaster Road end of the covered outdoor market just beyond the Orchard Bar. After purchasing a cold craft beer, we witnessed a young local band called the Avenhams, named after one of the main parks in the city. They had an enthusiastic friends and family crowd supporting them and despite veering into lad rock at times they were enjoyable.

On the 7th September I attended my first indoor pay gig at Manchester Academy 2, the venue now clearly rattling into second place on my most visited venue list. Prior to the event and as it was a pleasant Tuesday evening, we purloined some outdoor seats at a pub that remarkably I had never visited before, which was the Ducie Arms buried behind the Manchester University campus.  

The gig was a sell-out, but I surmise that post-pandemic sold out capacities are less than previous restrictions as it clearly felt there was room to breathe in the venue, and that appears to be a sensible continuing ongoing action in my experience of the gigs I have attended since. They operated one-way systems and there was a very civilised queue at the bar, and everyone was understandably noticeably considerate of others and their own personal space. 

The band on stage was the timeless Teenage Fanclub who were in peerless form and Norman Blake had a manic grin throughout, no doubt as relieved as all of us to be back on the tour schedule. Many travelled from far and wide including Stephanie (@peripixie on twitter) who travelled in from America prior to her watching them at their spiritual home Glasgow Barrowland the following week.

Teenage Fanclub. Image Credit Tiny Mix Tapes

Post gig we went for a cold one at Big Hands further down Oxford Road. Whilst Marcus and Gill were ensconced in the roof top beer garden upstairs, I was at the bar waiting for a lengthy beer barrel change when one lad at the bar inadvertently came out to his mate, which was a slightly surreal occurrence to witness.

A month later I headed into town on the No 50 bus to Manchester Club Academy to see the scouse band Red Rum Club. It was a gentle foray as I was departing the next day for a family gathering at a large house we had rented in Matlock. I had seen them three years earlier at Peer Hat and I thought they were excellent there as the sound was so crisp. They didn’t quite scale those heights this time, and I do think seeing a band for a second time is a tester of their ability and potential longevity, much like the second viewing of a movie.

Manchester Venue 26 – Club Academy

The fourth and final venue within the Academy complex is Club Academy. The venue is located downstairs with stairs heading down to the venue to the right of the ground floor bar. In the 90’s the venue was called the Cellar nightclub before turning into a singular music venue in the early 2000’s.

I wish we had known of the existence of the nightclub at that time as we were often searching for a late bar before catching the 1.24am train home. I had seen those stairs many times but thought they headed down to another non-public area of the building complex.

At the point in time across the road was the now disappeared Jabez Clegg pub which we frequented regularly. I was unaware that they used to have the odd gig upstairs. I recall Gordon Gibson, proprietor of Preston’s legendary Action Records telling me that he once was very fortunate to catch a private set in that very room by Natalie Merchant, 10000 Maniacs lead singer.

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Jabez Clegg Pub. Image Credit manchesterhistory.net

The capacity of Club Academy is 650, slightly larger than Academy 3 and is the most academic type venue of the four with their school reminiscent corridors leading to the loos. The stage is at the bottom and bars to the left and it has been expanded since my first visit there.      

I have attended five gigs there in total and that brings the total across all of Academy venues to 88.About five years ago I thought it would be an absolute shoo in to achieve the century however despite a huge increase in my gig attendance my visits to the Academies have been sporadic due to so many other competing venues constantly opening in the city.

My first visit was on 26/04/07 was to see the mercurial Marie McKee, previously lead singer of Lone Justice. There was always a hint of the diva about her, but she has the most electrifying voice. She wandered on with her backing band including her husband and early in the set launched briefly into singing acapella which was compelling. Her recent recordings had a country tint about them, and it was an enjoyable gig.

On 09/12/11 Death in Vegas were back in town for their first tour for a few years. The pubs were extremely busy with Christmas do’s in full flow.

Around the time of their two seminal albums the Contino Sessions and Scorpio Rising at the turn of the century they were an utterly absorbing live act. Unfortunately, they didn’t quite kick it that night as they concentrated heavily on their more dance-oriented material. It was a sold-out gig and it had attracted many that I would quantify in the ‘undesirable’ category.    

There was a breakdown in communication post gig which resulted in us catching the late choo-choo which I think must qualify as the busiest train I have ever encountered and as a result we were very relieved to arrive home that night.

In 2015 I witnessed the young scamps from Dundee, The View. They were in equal parts frenetic, chaotic but always engaging and ‘Superstar Tradesmen’ was as ever the highlight. There are elements of their lyrics in that track that mirror the story in my most loved Iain Banks novel ‘Espedair Street’ which relates to a rock star making it big and the corresponding impact on his childhood sweetheart. He remains my favourite author with his stunning imagination and caustic wit and it was the cruel hand of cancer that took him from us far too soon.

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Iain Banks Espedair Street novel. Image Credit Wikipedia

The following year we saw Electric Six on their annual winter tour. They had their moments, but it was a diminishing return from the startingly good impression they made the first time I witnessed them.   

My last appearance was to see the old punk stalwarts Slaughter and the Dogs from down the road in Wythenshawe, who supported Sex Pistols at their famous Lesser Free Trade Hill gig in 1976. It was unfortunately a rather limp performance from them on the night that I saw them.