Stockport Venues 13 and 14

In March 2024 Gill and I decided to have a gander at the events contained within the Stockport town of Culture Weekender. After some Steel Band action at the Viaduct Park, we continued up the A6 to reach the Stockport War Memorial Art Gallery located on the corner of Wellington Road South and Greek Street.

The gallery is this very year celebrating its centenary as it was initially opened on 15 October 1925 by Prince Henry. At the time, the local residents decided against a singular traditional war memorial and instead built this as a place of reflection and healing and to commemorate those lost in the First World War. They have a constant rotation of events and there is currently a special exhibition to mark the anniversary with items of hope featuring artworks from local artists, and it is titled ‘Beautiful Things’. 

Stockport War Memorial Art Gallery. Image Credit onestockport.co.uk

It is a neo classically designed building with ‘Rocky’ style steps leading up to the entrance and it achieved Grade II listed status in 2007. It has a marble paved hall and fluted Greek columns and contains four individual gallery spaces. There are plaques inscribed with the names of the 2200 World War 1 casualties and further plaques have been added since to include the later 20th century conflicts.

On the day of our visit there was a highly sobering exhibition in place containing health workers testimonials on their reflections of the realities of working on the front line during the recent pandemic, it brought tears to your eyes!

In the memorial hall at the rear there was a local musician with a fine voice called James Holt who was playing some acoustic tunes. I thought he sounded and looked familiar, and I later confirmed that I had seen him previously at the Tribeca venue in Manchester as part of one of the Dot to Dot festivals. Despite a pretty good memory of previous performers, it is an ongoing occupational hazard when witnessing the artists again in a completely different setting from the first time I encountered them.

Just off the M60 and within walking distance of the town centre there is a large retail park called Portwood. It has the usual ‘delightful’ retail outlets but has been enhanced recently with the addition of an M&S Food Hall, though a second mortgage is sometimes required to shop there!

Also, there is a branch of Dunelm where shortly after we relocated I had to navigate the traffic to make two visits in one day, as I had a ‘middle age shout out’ of having to return some curtains as I had measured them incorrectly.

Whilst I was searching through the tsunami of choices the curtains must have read my rare grumpy mood and all decided in unison to collapse on the floor around me, causing me to utter the phrase ‘For F£$%’s Sake’ rather loudly before stomping off in a ‘Piers Morgan leaving the ITV Studio’ style strop to the nearest lavatory to calm down. Not my finest moment, but undoubtedly my finest ‘Dunelm’ moment!

Arden Arms. Image Credit pubgallery.co.uk

As you head back into town, you cross the main drag at what surely has to be the slowest pedestrian crossing in the whole of Cheshire and if you swing a left on Millgate adjacent to Asda you reach Stockport Arden Arms. This Grade II listed olde-worlde pub was built in 1815 as a replacement for Ye Blew Stoops, a coaching inn that dates all the way back to 1650. It is believed to be the oldest hostelry in the centre of Stockport and there used to be five large inns in that vicinity, but the Arden Arms is now the sole survivor.

There must have been some nefarious activities being undertaken there back in the day as it used to have a secret passage that enabled punters to flee from any danger and which led them through a tunnel to the nearby St Mary’s Church. I cannot envisage anyone taking that route would then have stopped a while in the church to repent!

The story goes is that the original builder of the Arden Arms, George Raffald Junior, used to hide in the nearby trees to catch any would-be burglars and the cellar was used to store bodies during influenza outbreaks. The original stables that date back to Ye Blew Stoops days can still be seen in the beer garden.

Arden Arms beer garden which the stage normally located at the end of the room. Image Credit facebook.com

My initial visit there was to grab some lunch, at which point I identified that they stage live music every weekend. Thus, in September 2024 Uncle George and I made a pilgrimage there on a Saturday night and discovered that the small indoor pub opened into an unexpectedly large and very impressive outdoor space, with half of the area being covered in front of the stage. Thankfully it was dry and reasonably mild on our visit, but I did think that the heated sheltered space would be a godsend in the winter months.

On stage were Blues with a Feeling, a Manchester five-piece blues band named after a track of that name performed by Little Walter. They provided a pleasing blast of 1960’s Chicago blues inspired sound.

Milestones Part 1 – Gigs

This week I am launching another new strand relating to the significant milestones I have achieved in my gig-going life thus far and this initial article concentrates solely on the gig numbers. I previously elucidated my interpretation of what constitutes a gig at some length in a blog that I drafted back in the mists of time named ‘Definition of a Gig and a Venue?’  

Thus, I won’t repeat my cogitations from there but will suffice myself with saying that as the years have progressed, my qualifying criteria of a ‘gig’ has softened immensely to allow more gigs to gain entry to the Jimmy Archives. Therefore, as long as I witness someone on a stage nowadays playing music, they can be counted!  

Everyone has a first gig and my contribution to that grand compendium was Slade at Lancaster University back in December 1983. My 50th was to see Wonderstuff and Darlings Buds at the fabulous Manchester International 1 and the 100th was Dinosaur Jr at Manchester Academy 2.

Darling Buds. Image Credit thenewvinylvillain.com

As I have got older, I seem to be attending an increasing number of events and the overall numbers have skyrocketed as a result, so much so that after a few cheeky gigs in Lanzarote, it became apparent that my next show at Manchester Gorilla on 13/05/22 would be my 1000th gig.

I am not going to list all my landmark gigs, but I will pick out some highlights, thus my 250th was my one ear splitting foray to watch My Bloody Valentine at Manchester Apollo on their comeback tour. I don’t think I am unique in saying that this was the loudest show I have ever attended, and I personally have a very high bar in that regard. I know a few readers on here saw their recent shows, but I decreed once was enough mainly because I have never worn ear plugs to gigs, probably to my own detriment, but I am too far down that path to change now!

My 500th was Cymbals down in the basement of Leeds Wardrobe with the 800th being the terrific Belly at Manchester Ritz, Tanya Donelly still having a terrific voice. Number 900 was Helicon at Manchester Peer Hat.

Since then, I have rattled upwards even further with Snuff being number 1200 at Manchester Breadshed, 1300 was Public Service Broadcasting at Manchester Albert Hall. I have also recently gone past the 1500 figure which was at a new venue so I will cover that one in a future article.  

Inadvertently, but somewhat appropriately on the night there was a proper gathering at my ‘chiliad’ (had to look that one up!) and chiliagon is also apparently a term for 1000-sided polygon, now thinking about it I cannot visualise the scale of that diagram and how that might look. Anyway, returning from my digression, Gill and I met Marcus initially for a cold one in the Lass O Gowrie.   

There was then a little breakdown in communication, but we managed to catch up with Tris in the Gorilla bar attached to the venue where she had run into a former colleague Andy and his friend Paul who were also attending the gig. Thankfully Tris had clocked that it was an early show starting at 8.30 so a quick drink, photo shoot and a scoot round to the entrance was in order.

Pre-gig team photo with L-R Tris, Andy, myself, Paul, Marcus and Gill. Image Credit kind anonymous punter.

We accessed the venue, and I was a little giddy as my usual reticence gave way to informing a couple of random punters that this was my 1000th show, either being met with ‘well done, that is a fine achievement’ or on the converse side total bemusement!

The band that night was Mattiel who constitute of singer/songwriter Atina Mattiel Brown and guitarist Jonah Swilley and originated from Atlanta, Georgia in 2015. Mattiel Brown was raised on a self-sustaining farm in a rural setting, which was apparently quite an isolated existence, and she threw herself with gusto into visual arts, which fed into her subsequent music creation.

When we saw them they were promoting their fine third album ‘Georgia Gothic’ and they had strengthened out the band with the addition of a bassist and a drummer, and they produced an enjoyable slab of garage rock. The downside was that the gig was over by 9.45pm and one couldn’t fail to notice many punters being caught out by the early show. I was almost craving gig 1001 to follow it but instead we headed to the hostelry, ending the evening in the Peveril of the Peak. 

Mattiel. Image Credit ATO Records.

Touching briefly on gigs attended with other people, I have individually attended over 500 gigs with both Gill and Uncle George and just under 300 with John Dewhurst. Also, Uncle G, John and I (The three stooges) have very recently just gone past 250 shows together.