Gigs from Abroad Part 3 – Amsterdam

When I initially set up this blog around two years ago, I had no real concept as to how many articles I may derive from all the gigs I have attended. Thus, to my mild surprise I have managed to reach my centenary 100th article and throughout that period so many people have been supportive and encouraging of my endeavours.    

To celebrate this landmark, I have carefully considered the constitution of this week’s blog. It was a natural step to include Mogwai who I have now seen live 33 times and I thought it would then be appropriate to link that up with the one time I have seen them in a European setting.    

The gang of four, John and Tony Dewhurst, Uncle George and I had for a sustained period yearned to undertake a trip abroad to see the Glasgow post-rock masters. In 2003, we discovered they were on an extensive tour, so I drew up a virtual Venn diagram of the dates matching that against the cost and availability of corresponding flights which pointed to Amsterdam being the most viable option.

This all resulted in us travelling over to Liverpool John Lennon Airport (above us only sky!) on the morning of Thursday 29/05/2003 for the short hop over to Schipol Airport. On arrival at Amsterdam train station we traversed over the road to our nearby hotel.

In the reception, there were a group of lads there with suitcases who had clearly pushed the envelope whilst visiting and were a shadow of their former selves! Let’s just say also the digs we had were not Ritz Hotel quality, with no working light in our bathroom as one of many minus points but at the end of the day it was a bed for the two nights!

Amsterdam is such a vibrant city and covers all criterion with the history, the canals and other more nightly pursuits if that is your predilection! Our frailty was solely in the alcohol beverage domain and there were plenty of options at which to slake our thirst in that regard.

See the source image
Amsterdam Night Time. Image Credit martijnKort-Photography.com

The concert was at the famous venue Amsterdam Melkweg. I scrutinised the map and adopted my traditional sherpa role to find some backstreet bars en route, so much so I was asked for directions even though I had only spent an hour in the city myself!

The Melkweg (Dutch translation is ‘Milky Way’) is located on Lijnbaansgracht, which is a vibrant area at night. It is quantified as a music and cultural centre and was previously a sugar refinery and a milk company before opening in its current format in 1970 as a commendable non-profit organisation. There is a cinema, restaurant, exhibition space alongside the main concert venue we were in named the Max, with a capacity of 1500. It was a terrific atmospheric venue.     

Basing our venue entry time of 9pm on British set times, we discovered quickly that even the support act Part Chimp had not yet landed on stage. They are a five-piece formed in Camberwell, London in 2000 and are on Mogwai’s Rock Action label. They had a chunky sound and were crunchingly loud in parts and I thoroughly enjoyed their performance observing from the upstairs gantry.

See the source image
Amsterdam Melkweg. Image Credit djoybeat.com

We moved down to the pit prior to Mogwai appearing about 11pm and they ran through a stellar set with many of my fave tracks including ‘Hunted by a Freak’, ‘Ex-Cowboy’, ‘New Paths to Helicon Part 2’, ‘Ithica 27-9’ and an epic ‘Mogwai Fear Satan’. They curtailed their pre-encore set with a colossal ‘2 Rights Make 1 Wrong’, where I closed my eyes for a blissed out 9 minutes 32 seconds. It was an outstanding sound quality throughout and remains one of my favourite ever live Mogwai performances.

We headed back to the hotel but were woken later by a group of lads arriving back who sounded like a herd of Wildebeests!

On the Friday we jumped on a train to a local town which name currently escapes me and landed back in the city in the evening. I recall a novel form of transport in one bar where a couple after paying the bill literally stepped into their boat and headed home. After a few jars the canal bridges began to merge, and we eventually bumbled back to the hotel about 4am.

We thought we might be the last residents to arrive back but no, the Slipknot roadies came thundering in an hour later! The following morning, we gathered in reception resembling the lads who were stood in that very spot 48 hours later. It brought instantly to mind the plot of the Terry Gilliam movie 12 Monkeys where everything is permanently on a time loop!   

We trudged our way off to the train station and safe to say I had a very early night that evening but what a glorious weekend we had! 

Manchester Venues 44 to 46

As you traverse down the rather exposed A6 into the City Centre from Salford Crescent station you encounter the Old Pint Pot pub overlooking the River Irwell. It was originally a school and was called Adelphi Riverside in the eighties before obtaining its current moniker in the nineties and has been a regular haunt for Salford University alumni for many years.

It is a Marston’s Brewery pub and apparently has recently gone through an extensive refurbishment with the introduction of a state-of-the-art unique overhead beer dispense system called Palm Pour.  There is also a fine beer garden with a vantage over the river.

My first visit there was for a beer prior to watching AC/DC at MEN Arena in 2001. On another visit whilst meeting Gill after work I arrived first and upon entering the establishment my ears were assailed by the unmistakable sound of Husker Du’s sonic cover of the Byrds ‘Eight Miles High’. This remains one of my favourite ever Huskers track and I have never heard it in a pub environs before or after that day!  

See the source image
The Old Pint Pot. Image Credit scoopergen.co.uk

I have always been fond of this pub, and it remains a focal gathering point within the auspices of Sounds from the Other City festival. At the 2017 festival in the Old Pint Pot Main Bar, we saw a terrific band in an Americana vein called the Roasts, though searching now I cannot find reference of them, but I most certainly saw them! We also saw another act called Lord Kessell and the Drums.

On my first visit there in 2012 we saw a decent local post rock band called Day for Airstrikes, whose first full length album ‘Widows’ released in 2006 (not to be confused with Sennen’s debut album of the same name) through Piccadilly Records.   

There was a more conventional stage in the Old Pint Pot Upstairs and at the same event in 2018 we watched TV AM. At the following years event we saw a brief portion of indie band Pip Blom’s set, they were obviously a draw because we could barely push through the door!   

To exemplify the broad spectrum of venues utilised by the festival, the next one located just down the road is the Angel Centre, a healthy living centre offering free activities to the Salford community including events such as free E-Cig appointments and mental health and horticulture drop ins.

In the main room they had kitted up a small stage in the corner and a pop-up bar to the left. I have witnessed gigs there at each of the three SFTOC festivals I have attended.

See the source image
Angel Centre. Image Credit guerillapocasts.com

On my first foray in 2012 I saw Frazer King, a quirky six-piece band from the local suburb of Wythenshawe who were difficult to quantify but Ennio Morricone punk could be an apposite description of their sound.

In 2017 we saw a terrific band called Golden Dregs, led by driving force Benjamin Woods. They were a welcome blast of garage rock Americana and his vocals resembled Bill Callaghan of Smog; they went down a storm complemented by a cold brew from the bar. I completed the venue trilogy in 2018 by watching a local band called Cattle.