Gig Miscellaneous – Part 3

The next challenge that presents itself is how you travel to a gig. For the Preston gigs that was very easy and I did periodically jump on buses for gigs on the outskirts of Preston. For early Manchester gigs there was a driver, either my brothers rust buckets or Uncle George’s trusty yellow Vauxhall Cavalier with slidy leather seats. I have driven to a smattering of gigs myself but have always tried to find alternate modes of transport.

Then in the early 90’s following a train transformation there were suddenly decently timed trains so that became the new modus operandi. For about a decade there were airport trains coming through to Preston at 11.30pm, 1.20am and 3.20am, though I never caught the later one. I would badge those as the ghost trains or alternatively my friend Sue Harper used to class them as the ‘Star Wars Bar’ on her way back to Leylandi due to the characters you may stumble upon.  

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Star Wars Bar. Image credit tinatrent.com

I loved the cross pollination of people who had been to different events, so you could have Kylie and Metallica fans alongside the obscure indie band I had been to see. I recall catching the 11.30 one time and there was a noisy boisterous lad who made many references to Chorley – pronouncing it  ‘Chaarley’. So much so, when his station was announced and he got up to leave, half the carriage impromptu started chanting ‘Chaarley’ and his face was a picture to behold. On crowd humour, another time I was in a monster beer queue at Old Trafford Cricket ground whilst watching REM and one vociferous lad was on the phone trying to locate his mate and requested he put his hand up to identify himself, which resulted in about 100 people including me putting their hands in the air, prompting a burst of Tourettes from the lad in question!

The 1.20 was generally a reliable train but a couple of times turned into a replacement bus. One time we encounter a whole posse of hearing-impaired folk who were all signing on the bus, which created the quietest form of loud I have encountered. Another time the train ran but stopped at Bolton and when they announced you can go for a smoke if you wanted, the alarm bells were ringing, then when we saw the driver walk past our window, we knew our fate was sealed. The replacement bus never showed, necessitating a taxi back to Preston and then split taxis from the town centre home, the sun was coming up as I landed back at 4.07am, rather jaded next day! Thankfully I have always tended where possible to have the day off after gigs and I think personally a gig bank holiday should be introduced.

A central part of a gig night for me is good beer, so many pubs have been visited pre and post gigs and I can think of well over 150 pubs in Manchester visited in this regard. There are too many to mention but, in a discussion recently we recalled Log 36 and Log 42, the in-house beer of the Lass O Gowrie. Another worthy mention is when we were traversing Oxford Road heading to the Rain Bar and the unmistakeable chords of Foo Fighters ‘Monkey Wrench’ assailed the air. The source of this sound demanded to be located, leading to the discovery of the Temple of Convenience bar.

Bandits were splayed and quiz machines battered (very rarely on both fronts). Give us a Break quiz machines derived from the Dave Lee Travis show on Radio 1 were particularly fun especially in the early days when they were on Version 1 as the questions regularly repeated. We use to play one regularly in The Pickwick Arms on Meadow Street in Preston. Sample question – What year was Gone with the Wind released? – answer 1939 which was always Option D.  

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Give Us A Break quiz machine. Image credit fruitemu.co.uk

I am writing this on 22/03/20 and the world is currently in a tumultuous state so please stay safe and look after each other.

Gig Miscellaneous – Part 2

So, once I had identified a band, how did I go about to listening to them as there was no Spotify in those days. Even though I had never heard one note of the bands I had become interested in, the only option was to buy a plethora of LP’s which involved many enjoyable Saturdays skulking around record shops. Thankfully most of the records were good, but naturally there some duds. Initially these were purchased from John Menzies and Brady’s. I then discovered Action Records, a jewel of an independent record shop, down on Church Street in Preston which has become a staple for me, and the indefatigable owner Gordon Gibson and his loyal staff have provided top customer service for over 35 years.

Action Records in Preston. Image Credit Yell

Having purchased and listened to recorded output from the band, how do you know when and if they are touring? In those days NME was an essential purchase in this regard and on the day of its weekly release (Wednesday) I scoured the upcoming gig list for likely suspects. I managed to catch a very early Strokes gig by being on the ball in this regard. Another source of fruitful information was from On the Wyre, a 3-hour Sunday afternoon programme on Radio Lancashire which played a wide range of obscure material. Also, when I began attending gigs the upcoming lists distributed by the venues were highly useful, the International and Academy in Manchester were especially key players in this.  

Word of mouth information was valuable, especially in relation of local gigs, and I garnered and utilised these communications to catch quite a few gigs. However, it could be erratic, and I recall somewhat annoyingly gigs were missed, namely early Wedding present and Mogwai gigs, at the Caribbean Club and the Adelphi respectively.  

How and where to buy tickets was the next conundrum. For Preston gigs Action Records or even picking them up from the venue box offices was the best option. For further afield, mainly Manchester in the early days I visited House of Records above the market in Preston who for a short spell were an agent for Manchester tickets. However, the main source of Manchester tickets was always Piccadilly Records who in the late 80’s were located on the corner of Mosley Street near Piccadilly Gardens. I used to obtain a suite of tickets from them and I was on first name terms with the lass who issued the tickets and my method of payment was the rather archaic cheques in the post!

Piccadilly Records. Image credit Local Data Company

In latter years, I tend to favour ENTS24 and SEES as reliable ticket agents, I am not a great fan of Ticketmaster and only use them I have no other choice.

Now people who know me will tell you I am generally chilled to the point of horizontal, however over- zealous unnecessary officialdom is a grouse of mine, so I have had the odd mild altercation with unreasonable bouncers.

My chief irritation though is saved for ticket touts. To a degree, I understand their function and accept that unfortunately sometimes they are a necessary evil. What really shakes my tree though is their complete inflexibility and greed. My absolute nadir in that regard was when I had a spare ticket for a  Black Rebel Motorcycle Club gig and the negotiation resulted in them offering me £15 for a face value £25 ticket for a sold out gig and they had the temerity to suggest I was being unreasonable to have the expectation that they would make a higher bid. My reaction was to outline to them unsavoury alternate uses for the ticket rather than them obtaining it! Later in the pub opposite the venue we encountered a girl who needed a single ticket which I sold at face value and it was patently clear she was a fan of the band. She had approached the touts who quoted her a mind bogglingly inflated price of £60. For the touts out there, I would quote a James line ‘You can do better that that’!