Nottingham Venues 46 to 48

Nearby the Lace Market tram stop at Unit 6 on Warser Street you will found the Lofthouse. The arts space venue is located on the third floor of an industrial unit and they sporadically had gigs and I visited there just the once on 24/10/15.

It was a late gig, so we decided to future proof our entrance by visiting earlier and purchasing tickets but unfortunately the chap did not have a hand stamp available at that point. This nearly burned us later after we returned to the venue after watching the Hooton Tennis Club at the Chameleon, as we had to persuade a different chap on duty that we were honourable gig goers with a valid right of entrance and not a couple of blaggards!

The band in question was a local band called Sunset Nebula. They hit the stage about 11pm and I would place them in the ethereal spacy post-rock bracket (if such a genre exists!), they were excellent and greatly assisted by a terrific sound system which created a crisp as a bell acoustics.

On 14/05/16, the night before my brothers 50th birthday party we somewhat unsurprisingly decided to head out and watch a couple of bands. There was a venue I had been targeting for a while called JT Soar out near Sneinton marketplace. It was previously an ex-fruit and veg warehouse that has been converted into a DIY music and arts space containing a recording studio and rehearsal space frequented in the main by local bands.

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Nottingham JT Soar venue. Image Credit leftlion.co.uk

After visiting a couple of grubby, not grungey nearby hostelries we sallied over to the venue. On first impression it resembled a squat with a battered doorway and settee to the right and a very small stage but in truth it had an undeniable charm. It looked like it had regular punters who frequented each week and you probably couldn’t exceed 100 people in the venue. It was a friendly vibrant place and a perfect example of one of those grassroots venues that absolutely need to survive.

We were notified at the door that it was BYOB, so we skelped off to a local off licence and purchased some Tyskie Polish lager before re-entering. The support band was Throwing Stuff, a hardcore group originally from Manchester in the mould of Black Flag and Minor Threat. They were somewhat erratic but frenetically enjoyable.

The headliners were the Bennies, a lively ska punk band from Melbourne, Australia. They formed in 2009 under the original name of Madonna before predictably encountering legal issues and changing to their current name a couple of years later.

In 2001, we heard about a small, short-lived event called the Treefest Festival which was held at Newstead Common on the outskirts of Nottingham. So, on a sunny Saturday afternoon in July, we decided to drive out take a gander. It was a very low budget affair and we saw two artists, Naomi Hillman and Ana Gracey, a singer/songwriter from London.

The most interesting amusing moment occurred when we were sat on the grass in the sunshine surrounded by young families. The background DJ music was of a decent level, and I think it was a Faith No More track playing, when suddenly the lead singer screamed out ‘MuthaF%#*@r’, the look on some of the kids’ faces was a picture!

That scenario recalled to me an incident at the local Asda in the Sherwood area in Preston when a freshly sacked employee decided to depart in style. He commandeered the tannoy system and proceeded to turn up the volume and play at high volume the non-radio potty mouthed version of Rage Against the Machine’s ‘Killing in the Name Of’. I wish I had been undertaking my weekly shop at that point as I would have flown around with Zack de La Rocha’s strident vocals ringing in my ears!  

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Rage Against the Machine. Image Credit getwallpapers.com

So, this completes my Nottingham story incorporating a grand total of 71 gigs across 48 different venues!     

Nottingham Venues 43 to 45 – Beeston Trip

When my brother purchased his house in Forest Fields in the late 90’s the Nottingham Express Transit (NET) system was still in the early planning stage. It subsequently opened in March 2004 and provided a station stop at the Forest which was five minutes’ walk away from his lodgings.

The line either traversed out one way to terminals at Phoenix Park and Hucknall, I have progressed in this direction as far as the penultimate station Butlers Hill where you can go rambling. The other way took you through the centre of the city and the Lace Market to the main train station, handy for onboard commuting.

For many years there was talk of extending the line out to the suburb of Beeston and this finally came to fruition in April 2015. It resulted in doubling the size of the network to 20 miles and 50 stations. To achieve this, the designers were rather novel and inventive by taking the line over the top instead of through the train station.

Beeston lies 3.5 miles southwest of Nottingham and the national Boots headquarters is located there and the introduction of the metro boosted the town’s status as it added to their existing train station and their hourly trains to London St Pancras.

We had always promised ourselves at trip out when the link was completed so we finally achieved that ambition by taking the 45-minute metro ride out on Friday 2nd December 2016.

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Beeston Centre Tram Stop. Image Credit britishtramsonline.co.uk

Our first port of call was the Crown Inn where an alehouse has stood on the Grade II listed site since 1830. The most recent incarnation is now owned by the Everard’s brewery so any pub that serves Everard Tiger is fine by me. Whilst playing pool we noticed the live game that night was Nottingham Forest v Newcastle, it was a dramatic match as the visitors finished with nine men and Forest recovered to grab a late winner in a 2-1 victory.

Another traditional beamed pub with fireplaces called the Hop Pole was next on the list followed by the obligatory Wetherspoons the Last Post. We had a gig lined up at the end of the evening but were intrigued to see what other musical offerings were available in the meantime.

The next pub Bottle of Slues provided the first answer. In a small thin bottle bar, there was a duo called the Sunday Blues Club playing who comprised of drums and acoustic guitar. If my memory serves me correctly, I am sure they did a very gentle cover of an AC/DC track.

In the Malt and Shovel, there was a grizzled four piece called Airborne on stage. My abiding memory is them playing a methodically slow version of the Eurythmics dark anthem ‘Sweet Dreams’.  

The unhurried style of the track brought my mind the speed settings on my record player when I was growing up. Alongside the standard 33 and 45, it had 78 to play some of my dad’s old records, but it also inexplicably had a 16 setting.

The 16rpm setting was introduced in 1953 and had a very singular market as it was available in very limited formats. The main usage was talking books and speeches and reputably the most popular was a talking bible.  The pro was the longer playing time and they were generally used as elevator music or by restaurants and the con was a poorer song quality as they were often pressed as monaural (one-track) instead of the standard stereo (two-track). The setting was phased out in the early 1970’s.

The scheduled gig was at the Greyhound on 85 High Road, the venue having a reputation as a local live music haunt. To be fair, on our visit the pub was teetering on its last legs and the final show there was a band called Smoking Gun who played there in November 2017 before the pub permanently closed. The band we saw there was the unmemorable Skeleton Crew.  

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Smoking Gun on stage in the Greyhound, possibly the final night. Image Credit tripadvisor.com

We headed off for the metro and travelled all the way back to the Forest and the night as many more before it ended in the legendary Frog and Onion hostelry in Hyson Green.