Liverpool Tess Riley’s is a hostelry that is situated on Great Charlotte Street. The history behind the naming of this boozer runs back to prior to the Second World War, so if you are sitting comfortably, I shall begin…
Back in the 1930’s an entrepreneurial lady called Tess Makin developed her initial business acumen when working on her mother’s market second hand clothes stall. On the occasional non-market days, she took it upon herself to travel over to the Wirral to pick up the stock. She became a dab hand at bartering with the affluent traders to obtain the best price before returning to the market and selling on the goods for a tidy profit. In 1947, she marries a chap called Joe Riley and they had four children together. Bear with me, I will get there eventually!
Tess Riley. Image Credit pubsgalore.co.uk
In 1970, when her kids had grown up, she retrained in the pub industry and undertook her apprenticeship at the Pig and Whistle and the Old Mona. She then took over the ropes as The Jester for five years before she bought the freehold of The Beehive in the Mount Pleasant area of the city in 1978.
Her novel approach of installed a free jukebox that only played songs from the 1940’s, 50’s and 60’s captured the zeitgeist of the era and the once quite pub was transformed into one of the busiest places in Liverpool. They also staged live music at quiet periods and on Sundays where Tess herself would step up alongside the resident organist to contribute a couple of ditties. She was reportedly very glamorous, and this provided the launching pad for her retirement on board cruise ships.
Her eldest child Joan also moved in the family trade and ran a couple of successful pubs using the same tried and tested template. In 1996 they purchased a unit in the former Blackler’s building and then decided to name the pub in honour of her mother. It remains a lively place to this day thankfully staying away from karaoke, but they do have live music and on my one visit I saw a local lass called Annie perform there.
Directly above Tess Rileys is the Liverpool Central Sports Bar, which is a very popular wall to wall sports viewing establishment, but they also stage live music, and I once saw a local fella called Edwin play there.
Celtic Corner. Image tripadvisor.co.uk
Nearby to there on the intersection point of Lime Street and Ranelagh Street you would find the Liverpool Celtic Corner. As I am sure you can glean from its moniker, it is another Irish based hostelry. It initially opened in 2017 taking over from the old retail site of the Army and Navy stores. It is a very large establishment with an enormous room downstairs and a function room for hire situated in the upstairs area.
There is an abundance of seating at the front for the sunshine days. It also had a mechanical rodeo bull that kicked into life every Saturday from 3pm but I believe that has been retired and sent to pasture a couple of years ago. There is a sizeable standalone stage, and I saw a decent local singer Lochlan undertaking a gig on that very stage.
Nearer to the main train station on Lime Street is located the Liverpool McHales Irish American Bar. The establishment is a single room bar and when I visited, I saw a singer called Michael perform there. Its history runs back to 1830 and at that point in time it was positioned on the other side of the street. It was initially closely linked to the nearby Empire Theatre and then became a very popular haven for US naval men during the First World War and was known as the American Bar or more colloquially as the ‘Yankee Bar’.
One urban legend is that there was a local prostitute called Maggie May (or Maggie Mae) who used to frequent the bar, and she later featured in a skiffle folk song telling the tale of her robbing a ‘homeward bounder’. The latter term relating to a sailor coming home from a round trip. The song is potentially crafted from a similar 1856 American slave song called ‘Darling Nellie Gray’.
Maggie May songs EP with a picture of the old thriving Liverpool Docks. Image Credit ebay.co.uk
The 1950’s version referenced featured a direct reference to Liverpool in the lines ‘Oh, dirty Maggie Mae, they have taken her away, and she’ll never walk down Lime Street anymore’. The composer Lionel Bart used the tune and back story to devise a musical called Maggie May set in Liverpool Docks, which ran in a London theatre for two years.
The most well-known recorded version was by the Vipers Skiffle Group in 1957, but the BBC decided to ban it because of the lyrics ‘sexual content’. There were also covers by the Searchers, the Spinners and a 40 second edition by the Beatles which serves to curtail Side 1 of their final album ‘Let it Be’. Rod Stewart also stated this song was an inspiration for his No 1 hit of the same name.