Nottingham Venues 1 to 3

The reason for my initial visit back in 1992 was that we on the Sugar trail. After seeing them in Leicester on the Friday, we had a Nottingham date with them on the Saturday night.  

Fiona was not in attendance at the gig as she had a family wedding. We chilled during the day and then headed to Steve and Steph’s to eat pizza and watch Ghostbusters. Steph was telling us about having a meeting and photo with Bob Mould in a record shop that afternoon.

We jumped on a bus and had a couple of beers in Jacey’s Bar and then headed into Nottingham Trent Polytechnic at 9.15pm just before the band hit the stage. It was a traditional Uni type venue and was the only time I visited there and looking now at the history it doesn’t display any gigs beyond mid-90’s, so I must have been at one at the latter ones. Nirvana and Teenage Fanclub played there in it’s heyday.

Steve was the coat monitor as the remaining three in the party headed to the front. The sound was instantly better than the previous night resulting in a huge moshpit which obviously I dived into, resulting in a stunning bruise on my ribs the next day!

They were thankfully one of these bands that juggled the setlist which always adds variety to the proceedings if you see them more than once on the same tour. Standouts were ‘A Good Idea’ and ‘Fortune Teller’. Five minutes after the set conclusion, Bob wandered past where we were standing.

My brother headed down to London the following night to catch them at the Town and Country Club and I caught them two weeks later at the Boardwalk in Manchester, so we completed pretty good coverage between us on that first tour.

My next musical jaunt was to Nottingham Rock City on 18/10/97 to see Spiritualised supported by Steephill Jack. It turned out to be my only visit to the Main Hall.

Nottingham Rock City. Image Credit Rock City

Rock City is a somewhat fated venue as two other scheduled gigs there didn’t happen for different reasons. One to see Kyuss (forerunners to Queens of the Stone Age) was missed due to illness and Black Rebel Motorcycle Club annoyingly cancelled their show on the day of the gig.

It has always been touted as a much-vaunted venue, but it seemed a fairly unremarkable place and the gig tended to wash over me as well as the chilled Spiritualised vibe didn’t have its tentacles out that night.

See the source image
Spiritualised live on stage. Image Credit giggingni.com

However, the fates turned in our favour as we headed out post-gig and discovered a band mid-set in the Nottingham Rock City Basement Hall. It took a second to recognise who was playing but soon realised it was those incendiary lovable South London scamps Snuff kicking up a storm!

They were jammed into a small hall with a monster sweaty moshpit. The 30 minutes we managed to catch was superb. The highlight was at that particular point in time they were bringing up local punters to the stage to guest vocal, perhaps selected via their fan club. The local talent absolutely nailed a terrific version of Snuff’s cover of ‘I Think Were Alone Now’.

This resulted in turning what had been a slightly tame gig into a very fun bonus encore!

Gig Miscellaneous – Part 2

So, once I had identified a band, how did I go about to listening to them as there was no Spotify in those days. Even though I had never heard one note of the bands I had become interested in, the only option was to buy a plethora of LP’s which involved many enjoyable Saturdays skulking around record shops. Thankfully most of the records were good, but naturally there some duds. Initially these were purchased from John Menzies and Brady’s. I then discovered Action Records, a jewel of an independent record shop, down on Church Street in Preston which has become a staple for me, and the indefatigable owner Gordon Gibson and his loyal staff have provided top customer service for over 35 years.

Action Records in Preston. Image Credit Yell

Having purchased and listened to recorded output from the band, how do you know when and if they are touring? In those days NME was an essential purchase in this regard and on the day of its weekly release (Wednesday) I scoured the upcoming gig list for likely suspects. I managed to catch a very early Strokes gig by being on the ball in this regard. Another source of fruitful information was from On the Wyre, a 3-hour Sunday afternoon programme on Radio Lancashire which played a wide range of obscure material. Also, when I began attending gigs the upcoming lists distributed by the venues were highly useful, the International and Academy in Manchester were especially key players in this.  

Word of mouth information was valuable, especially in relation of local gigs, and I garnered and utilised these communications to catch quite a few gigs. However, it could be erratic, and I recall somewhat annoyingly gigs were missed, namely early Wedding present and Mogwai gigs, at the Caribbean Club and the Adelphi respectively.  

How and where to buy tickets was the next conundrum. For Preston gigs Action Records or even picking them up from the venue box offices was the best option. For further afield, mainly Manchester in the early days I visited House of Records above the market in Preston who for a short spell were an agent for Manchester tickets. However, the main source of Manchester tickets was always Piccadilly Records who in the late 80’s were located on the corner of Mosley Street near Piccadilly Gardens. I used to obtain a suite of tickets from them and I was on first name terms with the lass who issued the tickets and my method of payment was the rather archaic cheques in the post!

Piccadilly Records. Image credit Local Data Company

In latter years, I tend to favour ENTS24 and SEES as reliable ticket agents, I am not a great fan of Ticketmaster and only use them I have no other choice.

Now people who know me will tell you I am generally chilled to the point of horizontal, however over- zealous unnecessary officialdom is a grouse of mine, so I have had the odd mild altercation with unreasonable bouncers.

My chief irritation though is saved for ticket touts. To a degree, I understand their function and accept that unfortunately sometimes they are a necessary evil. What really shakes my tree though is their complete inflexibility and greed. My absolute nadir in that regard was when I had a spare ticket for a  Black Rebel Motorcycle Club gig and the negotiation resulted in them offering me £15 for a face value £25 ticket for a sold out gig and they had the temerity to suggest I was being unreasonable to have the expectation that they would make a higher bid. My reaction was to outline to them unsavoury alternate uses for the ticket rather than them obtaining it! Later in the pub opposite the venue we encountered a girl who needed a single ticket which I sold at face value and it was patently clear she was a fan of the band. She had approached the touts who quoted her a mind bogglingly inflated price of £60. For the touts out there, I would quote a James line ‘You can do better that that’!