Tag: Connect Festival

Preston Venue 60 The Ferret – Part 1

The Preston Ferret has been a jewel in the crown for catching live music in the city for many years. It is situated on Fylde Road opposite the University of Central Lancashire Student Union building and for around a decade was a sister act to 53 Degrees when that venue was located across the road.

It opened originally as the Mad Ferret in 2006 by taking over the site of Preston’s first steam powered cotton mill, owned by local businessman John Horrocks way back in 1794. The first owner Frazer Boon introduced live music to take place on most nights including a Tuesday open mic session and the busy schedule of over 200 gigs a year, many of them free of charge, remains to this day. In 2013, a new landlord took over and removed the ‘Mad’ from the name and it simply became the Ferret.

The old Horrocks Mills Centenary building located on New Hall Lane. Image Credit flickr.

It survived the troubling Covid years by staging sit down safe distance gigs. Despite that its very existence was thrown in considerable doubt when it was unexpectedly put up for sale in 2022, however a crowd funding initiative was launched and the sale price of £795k was raised to save the pub. I for one was ecstatic at that news as these small venues remain essential to the lifeblood of the music industry, especially in regularly bypassed backwaters like Preston.  

It is an archetypal grungy and extremely noisy venue and that just makes me revel in it even more, and it was a handy 15-minute walk from where I lived at that stage. For many years, it was my most attended venue as I have visited there 42 times for live music, many other times just for a beer with no music witnessed. That total has just recently been matched by Academy 2 in Manchester, so therefore as of today (01/03/2024) it remains my joint most attended ever venue. Many times, when visiting there I have run into other Preston musos, Rachael Beattie and Nick Godkin spring to mind here.

The Mad Ferret days. Image Credit Ents 24.

Idles and the Orielles have graced the stage there, but I will relay two other tales in relation to the venue. In 2011, the promoter booked in a young Ed Sheeran who in between the announcement and the actual gig released his debut single ‘A Team’ which flew up to No 5 in the charts. Now, I do not personally understand the appeal of Mr Sheeran, but fair play to the lad he honoured the date and crashed at the one of the audience’s house and played them a personal set there.

My biggest missed opportunity was Jason Lytle who played shortly after the breakup of his band Grandaddy, of whom who I am a huge fan. For some inexplicable reason I did not attend and sincerely hope I was doing something very worthwhile instead!  

Jason Lytle cogitating on a new tune. Image Credit YouTube.

My first attendance at the venue was in August 2007, a week before I travelled northwards for my one visit to the excellent Connect Festival at Inverary Castle. Uncle George and I met Gill after a PNE match and visited the noodle bar that was located at the Ringway end of Ormskirk Road where I mentioned a gig at the Ferret I had read about the day before in the Lancashire Evening Post.

Thus, we wandered down to investigate and the band in question was Slippage from Seattle from whom the driving force was Alison Maryatt who has also been in Rocket Surgery and recorded as Allison in Wonderland. They were in the grunge vein and were excellent though I have found that sourcing any of the material today from any of those acts is rather challenging as there are only very sparse outputs available. 

Around a year later I saw a band called Pencil In who supported the headliners Ivan Campo. The main act are a folk trio who formed in 2006 when they met at the University of Central Lancashire. They have had several 6 music sessions and their single ‘The Great Procrastinator’ was featured in the soundtrack of the TV series Skins. 

In 2010, I witnessed Victorian Dad, an upbeat folky band from Wigan whose driving force is David Rybka. They supported singer songwriter Daisy Chapman who reminded me of Jonie Mitchell. She has been an on/off member of prog band Crippled Black Phoenix and has toured with Howie Gelb of Giant Sand, who interestingly have just announced their first British tour for 9 years.

Connect Festival 2007

Alongside my favourite ever festival, which were always the Wickerman events, I have always endeavoured to attend other festivals in Scotland so was intrigued to hear of a new one called Connect in 2007. We decided to attend the debut event as for us it had a dream bill of four of my favourite ever bands, (if Carlsberg did festivals!) and three of which appropriately were Scottish. Unfortunately, the festival only lasted one more year and was scrapped thereafter due to high running costs, which was a shame as it turned out to be a belting event. 

The setting was the idyllic Inverary Castle, located on the banks of Loch Fyne in Argyll and was badged as the first ever ‘boutique’ festival and was aimed at a more mature audience with the bonus of a real ale tent saving you from the ‘delights’ of Tennents Lager!  

Inverary Castle. Image credit johansens.com

The first conundrum was bagging accommodation and Uncle George played a blinder by finding us some digs above a pub on the main drag in Arrochar. We then decided to undertake the trip by train as we always like to avoid driving if there is a viable alternative. The Preston to Glasgow leg was easy but the second part needing planning as there were very sparse trains onwards to Arrochar.

So, on the Friday, we arrived in good time for the 12.22 from Queen Street to Oban, because the next train was not for another four hours. Once the train traversed through the industrial area north of Glasgow it turned into a very scenic route with a steep uphill section bringing us into our destination of Arrochar and Tarbet. 

The pub owners very graciously picked us from the station as it was a good mile walk into the town. We grabbed some hearty food and a couple of cold ones and then headed to the nearby bus stop for the ‘regular’ buses to the site…

An hour later we were still stood there and there was a small group of us now gathered but no sign of any transport. One of the brethren rang up to complain and astonishingly a taxi arrived which I think was free to take us to our destination.

As we walked up to the entrance, we encountered a young lass with the heaviest most overladen backpack I have ever seen replete with pots and pans (literally the kitchen sink!) who it transpired had travelled in from Manchester. Chivalry kicked in and we took in turns to carry the lead weight into the site, joking afterwards that we could have been inadvertent drug mules!

We watched Aerogramme’s last ever show on the Guitars and Other Machines stage, they were a very decent post-rock band from Glasgow. We also saw Vector Lovers, Baillie and the Fault, Numbers DJ’s and an enjoyable set from electro band Cansei de Ser Sexy (CSS). 

The first of the big hitters on the main stage was Jesus and Mary Chain, who I was seeing for the sixth time, but for first time for nine years since a chaotic Liverpool show on their final tour in 1998. Despite the inclement weather, they were excellent. We also witnessed a little of the headliners Beastie Boys before an infinitely smoother return journey to our digs where we were allowed to take a ‘one for the ditch’ Guinness upstairs at last orders.       

On the Saturday, we managed to pick up a standard bus that dropped us in the small town of Inverary with its two pubs, the George Hotel, and the Anchor Inn. The George particularly was a lovely establishment with lodgings that Gill and I utilised a few years later whilst travelling to Mull. On the way to catching the ferry at Oban, you pass Loch Awe which lives up to its moniker. Mull itself was a beautiful island and we had one of our best meals ever at Café Fish in Tobermory. The restaurant looked like a transport café from the outside, but the food was astoundingly good.

Back to the festival, we arrived early specially to see my new favourite band the Hold Steady who I only caught for the first time a month early in Manchester and they did not disappoint. This time, we only got a truncated thirty-five-minute set, but they were still compelling viewing. We also witnessed Rilo Kiley and a segment of Primal Scream’s headline set.

The two acts prior to the headliners were of infinitely more interest to us, the initial one being the hardy perennials Teenage Fanclub and the latter the ever-magnificent Mogwai. More chaos then ensued at the coach pick up point, but we made it back eventually.

Arrochar and Tarbet station. Image credit geography.org.uk

The Sunday consisted of a leisurely walk back to the station to await the opening train of the day back to Glasgow which landed at 14.09. In the interim we began to hear the distinct sound of a steam train hauling itself up the hill into the station which is always a sight to behold. It then sat on the platform for a spell, and we could see many contented punters being treated to a fine Sunday lunch and accompanying wine.