Tag: Electric Fields Festival

Electric Fields Festival – Part 2

This week I shall continue the tale of our attendance at the 2018 Electric Fields Festival in Drumnlarig Castle in Dumfries and Galloway. It was a three-day event, but we decided to head up there for Days 2 and 3 which were the Friday and the Saturday thereby missing Orielles, Ride and James amongst others on the Thursday’s roster.

I now had an extra hour on my journey with the initial leg from Manchester to Preston where I picked up Jez Catlow and Uncle George en route. We then decamped at the Booths Café in Fulwood and nursed a cappuccino whilst awaiting John Dewhurst finishing work. We all then dived into John’s transit van with the additions of his brother’s Paul and Tony who were also in attendance.

Now, fate and timing had dealt us a kind hand due to the fact that Paul’s sister-in-law Bernie had recently opened up a bed and breakfast in Dumfries located centrally near the train station. She generously offered to provide lodgings and fed and watered us for the weekend, a lovely lady she was!   

The Electric Fields ‘Red Stripe’ posse. Image Credit Tony Dewhurst.

On arrival, we had a skelp around some of the town’s hostelries before jumping into a cab down to the festival entrance point. We slid down the hill and it was a green tinged and pretty location, and the weather was thankfully behaving itself.

They had pronounced themselves as being encompassed within the boutique festival category, and the set up reminded me of the Connect Festival I attended at Inverary Castle back in 2007. They also had the huge bonus of a real ale tent which provided a welcome alternative to the frothy Tennents Lager!

It was quite a small site, and the acts played across two areas, the Main Stage and BBC Introducing Stage. I have struggled to find a day bill listing so am going to rely on my memory as to who I think played each day.

First up were Out Lines who are on Mogwai’s Rock Action label and are a collaboration of Kathryn Joseph, producer Marcus Mackay and Twilight Sad’s James Graham and they had recorded their one and only album ‘Conflats’ the year before.

There was then some psych-pop from Hallo Maud, MC rapping from Lady Leshurr, indie rock from Soccer Mommy and ex Coventry University students Feet, hip hop from Edinburgh’s Young Fathers and a perennial festival appearance from The Coral.

I witnessed a decent country folk set from Tracyanne & Danny who were a collaborative project consisting of Tracyanne Campbell from Camera Obscura and Danny Coughlan from Crybaby. There was a fun performance from the old troubadours Idlewild who I was witnessing for the seventh time and then Teenage Fanclub who fitted into the day like your old Arran sweater!

The most enjoyable set of the day was from Public Service Broadcasting. They were in fine form and the best I have seen them, and they had just recently expanded their sound to include sporadic blasts of joyous brass which only enhanced the sonics of their performance. There were then some predictable taxi shenanigans, but we eventually made it back to our digs.   

On the Saturday we attended a couple of pubs on the other side of the river to make it easier for a tax pick up. In one hostelry there were a posse of disgruntled Queen of the South fans, Dumfries football team, who had left the nearby ground in disgust when they were 4-0 down to Ayr at half time!

Idles on stage. Image Credit www.pinterest.com

I saw a portion of the Horrors set and some rock/dance crossover sounds from Makeness which consists of a UK based producer called Kyle Molleson. The latter has recently had his biggest tour so far with a support slot with Unknown Mortal Orchestra. I also caught a noisy performance from Brighton band Black Honey and a couple of tracks from Noel Gallagher & the High Flying Birds on the Main Stage.  

My favourite three acts of the day were on the BBC Introducing Stage with first up being Baxter Dury. He has chiselled out of a music career for himself and moved away from being famous just for the fact that he was Ian’s son. Next on were Sunflower Bean, a three-piece from New York who I thoroughly enjoyed with their swirly sounds, reminding me of Fleetwood Mac and The Orielles.

 The undeniable highlight was Idles who are a proper throwback band with their socially conscious ethos, passion and glorious intensity. They pour everything into each performance and must be absolutely exhausted afterwards. The only downside was that we had already booked a cab for a specific time which resulted in only catching two thirds of their show, and I never yet seen them again!  

The New Bazaar. Image Credit cdlh.co.uk

The day’s music wasn’t finished though as when we landed back in town, we headed to Dumfries New Bazaar. The pub’s main claim to fame was that it was the location of the formation of the aforementioned Queen of the South and there is a plaque to commemorate that first formal meeting on 26th March 1919. On the night we saw a local band called Nearly Not Guilty which wrapped up nicely the weekend’s entertainment.

Electric Fields Festival – Part 1

Previous subscribers to this blog will know that I was a major fan of the Wickerman Festival and had great fun at the 14 annual shindigs that were held. Since the last gathering in 2015, our gig crew have been hunting for a comparable event and the nearest we have achieved since was the Electric Fields Festival we attended in September 2018. With that historical context I thought this would be appropriate content for my 300th blog and as the words flowed it resulted in additionally being my 301st!

The festival slowly built from an initial friend gathering into a fully fledged event in 2016 and the chosen location was Drumnlarig Castle in Thornhill, Dumfries and Galloway, about a 90-minute drive from Glasgow, Edinburgh and Carlisle. It utilised the bonny grounds of the category A listed castle which was built in the late 16th century which carried the name of the ‘Pink Palace’ due to the finely hewed glinting red sandstone exterior.    

Drumnlarig Castle. Image Credit sobt.co.uk

It is apparently very grand and ornate on the interior with the small matter of its 120 rooms, 4 towers and 17 turrets. It also contains the Buccleuch Collection which houses a rare Rembrandt of ‘An Old Woman Reading’ and renowned 17th century French furniture and silver. They did also have a Leonardo Da Vinci painting that was stolen in 2003 but recovered in 2007 from an address in Glasgow.

There is also an old roman fort in the Southeast corner of the grounds which was featured in the Time Team programme, and it has been used as a filming location for the TV series Outlander. The estate is rarely opened to the public, but they did provide permission for the festival to be held there between 2016 and 2018.

The nearest conurbation to the site is the sleepy village of Thornhill with a vast population of around 1500 inhabitants which lies on the edge of the River Nith. It contains a couple of pubs and the seemingly obligatory Chinese takeaway alongside a small cottage hospital.

Famous ‘Thornhillians’ include the explorer Joseph Thomson who has the eminent Thomson’s gazelle named after him, which are also sometimes referred to as a ‘tommie’. Another is ex-professional golfer Andrew Coltart who is now a respected commentator on Sky Sports.

A ‘Tommie’. Image Credit animalcorner.org

Since 2012 the Thornhill Music Festival has been staged there, with the original event being instigated by the long-standing Scottish blues combo The Lewis Hamilton Band (not the Formula 1 driver!). That particular band are still active and are regularly on the road.

The festival is still on the roster and the 2025 version took place on the May Day Bank Holiday at the Farmer Arms in the village. One of the headliners was The Cherry Pinks who I saw in 2024 when they played the Wickerman Fringe event. The pub coincidentally won the Dumfries and Stewarty CAMRA branch pub of the year for 2025.  

Thornhill Music Festival flyer. Image Credit facebook.com

After three successful years in Drumnlarig, Electric Fields organisers made the ill-fated decision to relocate to SWG3 in Glasgow due to logistical challenges and increasing costs. However then due to complaints from attendees and ticketing issues, the festival folded, and the 2019 version never took place, and it has never been rebooted.

I could not attend the 2017 carnival as we were in the process of relocating to Manchester that very weekend. Nevertheless, in my absence the boys headed up there to make a debut appearance with Jesus and Mary Chain, Car Seat Headrest and Pins amongst others on the bill.

They lodged at ‘Dewhurst Towers’ in Kirkcudbright and utilised the old Wickerman nemesis of Mr Allen’s taxis for the commute to and from the site. The one downside they referenced was that it was a long way to travel as it was forty miles and over an hour each leg of the journey.   

I ensured there were no ‘life events’ disbarring me making a pilgrimage up to the 2018 gathering. Travel lessons were learnt from the previous year and lodgings were sought in the vibrant town of Dumfries.   

In 1306, Greyfriars Kirk in Dumfries was the location of Robert the Bruce, the future King of Scots, slaying his rival John Comyn III of Badenoch and during World War II the Norwegian armed forces in exile brigade was based there. Loreburn Hall, known locally as The Drill Hall has held concerts from Big Country, The Proclaimers and Black Sabbath.

Famous ‘Doonhamers’ include in their ranks Henry Duncan, founder of the world’s first commercial savings bank, J.M Barrie, author of Peter Pan, John Lawrie, Private Fraser in Dad’s Army, musicians Ray Wilson, once lead singer of Genesis and Calvin Harris. The final ex-resident is Kirsty Wark, the excellent broadcaster who undertook the heartbreaking interview of my favourite author Iain Banks shortly before his premature passing.