Tag: Killing Joke

Clitheroe Gigs

About 20 miles east of Preston down the A59 lies the town of Clitheroe. The name is purported to derive from the Anglo-Saxon for ‘Rocky Hill’ and the Battle of Clitheroe was fought there in 1138 during the Anarchy (a civil war that took place in England and Normandy).

I have always been fond of the place and visited many times and have memories in my youth of climbing up the steep hill to the castle and enjoying the view from the elevated position. I recall a bandstand being located on the slope, and I have probably seen musical acts there, but they were never recorded in the Jimmy annals so would unfortunately drop into the ‘Lost Gigs’ criteria.

Clitheroe Castle. Image Credit www.rvta.co.uk

Similar to travelling to Southport there are somewhat annoyingly no direct trains from Preston, the route requires one change at Blackburn. Clitheroe is the terminus station so the train heads onwards to turn around and come back the other way, though I do believe there is a linkage from there onto the famous Settle to Carlisle line. 

For a lengthy spell, Gill visited a hairdressers in Clitheroe and on occasions I would head over and meet her afterwards and have a sally around the many hostelries in the town. We once broke the routine and grabbed the opportunity to visit the town of Whalley which is a smidge earlier on the same line, and that transpired to be a fine place to spend a few hours at.  

My good friend Tony Dewhurst has for many years lived in a village just outside Clitheroe, and is a huge Killing Joke and music fan and began to become involved with press duties at the Clitheroe Grand.

The Grand’s first function when built in 1873-1874 was as Clitheroe Public Hall, before morphing into the Grand cinema in 1921 and remains now as a Grade II Listed building. In a change of direction in 2005, the Lancashire Foundation purchased the building and re-opened it in 2008 as a community family focused arts venue also including sponsorship of a skate park in the previously mentioned castle grounds.

They also regularly have live music on the roster and the driving force and promotor behind the musical element was a thoroughly decent chap called Matt Evans who suddenly and sadly passed away during covid. Matt was a huge muso, and his personal favourite band was the Chameleons. Amongst others to grace the stage there was Wishbone Ash, John Bramwell and New Model Army. They also reintroduced the annual Ribble Valley Jazz festival in 2010 after a gap of 40 years.

It lived up to its name as a ‘grand’ venue as it had a homely layout with a decent vantage point from all angles. It reminded me of a more inviting version of the old main hall venue at Preston 53 Degrees.

Clitheroe Grand. Image Credit sseaudio.com

I attended two non-music events when a group pf us headed over in 2011 to see a Q&A with two Lancashire cricketers Mark Chilton and Ian Austin as a celebration of the county winning their first County Championship for 77 years. The other was to watch a woeful England draw 0-0 against Algeria in the 2010 World Cup where the best thing about the match was the very fine curry they laid on at half time. I also recall watching us beat Paraguay 1-0 in the 2006 World Cup in the Castle pub in the town centre.    

I have seen a total of three gigs here, the first was on 27/05/11 to witness an AC/DC tribute band called Livewire who featured both Bon Scott and Brian Johnson eras, the band were suitably thunderously loud. I must say have always struggled with the concept of tribute acts and not seen many and in the main when attending festivals. They on one hand serve their purpose, but they cannot feasibly lay a glove on the real band themselves. Having said all that, I saw them the same band there again on 11/03/16 where we subsequently missed the connection home at Blackburn and had to flag a taxi home!   

The other gig was a belter with The Beat in town and Rankin Roger and Junior Rankin in full flow and they topically transplanted the name David into their version of ‘Stand Down Margaret’. It was a very merry evening, and the train journeys home are a tad hazy!  

Preston Venue 23 The Mill – Part 2

For the three-year golden period of 2003 -2005 at the Mill, I was living a handy 15-minute stroll away at Lane Ends, and post gig would happily tumble up Tulketh Brow or Shelley Road in a warm glow after a top night of music.

I had a very noisy double bill of gigs at the tail end of 2003, the first being the old influential stalwarts Killing Joke who formed in Notting Hill in 1979. I was in attendance with super fan Tony Dewhurst who has seen them over 100 times. I recall Tony saying he had a chat with lead singer Jaz Coleman that night and there was a possibility Tony could be hired to write his autobiography, but the interesting offer never reached fruition. They produced a very noisy industrial set.

The second was the Irish punk band Therapy? and I recall them playing their cover of Husker Du’s Diana.

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Therapy? Promo picture. Image Credit conversationabouther.net

In between those two gigs, I saw Brighton band Electric Soft Parade who I had picked up on initially from their stellar debut album ‘Holes in the Wall’ which was nominated for the Mercury Music Prize. They were very accomplished and enjoyable on the night.  

Next up in April 2004 was to see Marky Ramone. Originally born Mark Steven Bell he was originally a drummer for Richard Hell and the Voidoids. When Tommy Ramone stopped drumming to become the manager in 1978, he stepped in as the new drummer and changed his name to Marky Ramone. The show consisted of a slide presentation talk with Q&A which was amusing as had a bone-dry wit and there were many Ramones tales to impart. The second part consisted of playing a selection of Ramone songs drumming behind of UK Subs, which was the weaker portion of the evening’s events.  

In April 2004, I saw a Cardiff post-hardcore band called Mclusky led by Andrew Falkous and they produced an urgent slab of noisy rock. After the band split up Falkous created the bands Jarcrew and Future of the Left, I was a fan of the latter band’s off-kilter sound. The support bands on the night were Papa Boon and My Code Name is Milo.

On a very warm Friday night during Euro 2004 we sauntered down to watch Longview, an indie rock band from Manchester. They had formed in 2002 and honed their craft with many gigs at the Night and Day café. They also had the German musician/record producer Ulrich Schnauss in their ranks from 2005 to 2010. Remarkably despite them being in existence for 12 years they only ever produced one album. I recall they were very melodic in the mould of Nada Surf with House of Love tinted vocals and were a perfect summer night band. Just listening to their music now and it still sounds remarkably fresh.

Five months later I saw Hope of the States, a post rock band from Chichester. They were good value and were supported by The Open. When the headline band subsequently disbanded the members ventured into bands such as The Northwestern and Chapel Club.

In March 2005 a group of us went to a multi punk bill and we saw Mere Dead Men (MDM) and Broken Bones who evolved from the band Discharge. Also, on the bill was the local punk legends Pike, one of seven times I have seen them. I recall they played a rarely heard cover of a Naked Prey track, which I think was ‘Train Whistle Blows’ from their lost gem album ‘Under the Blue Marlin’.  Naked Prey were from Tucson, Arizona and in the desert rock genre and subsequently were members of Green on Red and Giant Sand and you can hear distinct similarities in their sounds.  If I have got the name wrong of the covered track, I am sure Pike’s bassist and music encyclopaedist Jez Catlow will graciously correct me!

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Naked Prey ‘Under the Blue Marlin’. Image Credit Amazon.

In the gap between bands, we headed up to the local pub Moss Cottage, known as the Hogshead for an aperitif before returning to see the headliners Conflict, who formed in Eltham in South London in 1981. They were always combative souls and highlighted issues around animal rights, anarchism and class war. During their gigs in the 80’s in the particularly dark days of Thatcherism they regularly stoked up the crowd leading to riots and disturbances post-gig. Even 25 years on, they still cut an aggressive and spiky presence on stage.