Contained within Stockport’s £1billion town centre regeneration is the creation of a modern transport hub and one of the key elements of the scheme was to replace the old, dog-eared bus station which was built back in 1981.
So, in 2024 the new Stockport Interchange was opened with eighteen bus stands that can facilitate up to 164 bus departures per hour. There has been space left in the design to accommodate a metro link tram stop if the proposed metro extension to Stockport ever comes to fruition at a later date.
Stockport Interchange. Image Credit alamy.com
It is a fine set up and has walking links to the shopping areas and the nearby train station and cycling links to the River Mersey and onto the Trans Pennine Trail. There is also a 17 storey, 196-unit Build to Rent residential building with two floors of basement parking located adjacent.
Above the Interchange is a two-acre rooftop green space, Stockport Viaduct Park which is also available for community events. The whole site was officially opened on 17/03/24 and the following weekend events were set up as part of the Stockport Town of Culture Weekender.
A local musician called John Unwin had an idea to recruit and set up a Stockport Community Steel band. He is a very experienced steel band player and community teacher within this musical art. He arranged some preliminary sessions for February, and a fledgling band was created with their debut taking place at Viaduct Park on 23/03/24.
Gill and I decided to support this local initiative and there were over 50 free events at over 25 separate locations in the town over the two-day shindig including opening up the Air Raid shelters and the newly refurbished Hat Works Museum. We initially landed into Stockport train station before gravitating over to have a proper look at the impressive park. Unfortunately, it was a brutal ‘brass monkey’ cold kind of day, but it was at least thankfully dry.
Stockport Viaduct Park. Image Credit feeds.bbci.co.uk
There were about 50 band members playing that day and the experienced ones were providing direction to the newer recruits. It was great fun, and they played three extended tracks and perhaps naturally one of them was ‘Soul Limbo’.
That song was originally recorded by Booker T and the MGs in 1968 and features a marimba (similar to a xylophone but with a lower range) solo by Terry Manning who was a renowned recording engineer, record producer and musician across a fifty-year time span working with artists such as Led Zeppelin, Otis Redding, Big Star and Shakira.
It also contained cowbell playing by Isaac Hayes, one of the driving forces behind the Southern soul Stax Records label in the 1960’s alongside writing the musical score for the iconic 1971 film ‘Shaft’ and being the voice of the Chef character in South Park.
There is naturally, as ever a riotous cover version of the ditty by Snuff and the original song derives from the band’s sixth album which also features the title track to ‘Hang Em High’, a Clint Eastwood movie released that very year.
‘Soul Limbo’ is perhaps most famous though for being the recognised theme tune for BBC Television’s cricket coverage and BBC Radio’s Test Match Special. In 1999 the Barmy Army England cricket supporters recorded ‘Come on England’ which was set to the same tune and the sister video featured cricketers Ian Botham and Ronnie Irani, umpire Dickie Bird and somewhat bizarrely Chris Tarrant!
Isaac Hayes. Image Credit dustygroove.com
The steel pan (or drum) derived originally in Trinidad and Tobago in the 1930’s and was built on the template of African drumming. Basically, anything at the musician’s disposal was used to create the sound including metal objects such as dustbins and plant pots.
An important discovery was then made as the addition of convex dents battered into the sides of a 55-gallon oil drum allowed different musical pitches to be created. I adore the tales of those innovations and always muse on the combination of events that results in these breakthroughs!
I have always been a fan of the mournful evocative sound of the pedal steel guitar and first heard it via a key proponent of the instrument, Ben Keith. He learnt his trade in the Nashville country music scene in the 1950’s and 1960’s and his first participation on a hit record was on Patsy Cline’s 1961 track ‘I Fall to Pieces’.
Ben played with Neil Young for over forty years, featuring on his iconic 1972 album ‘Harvest’ and also played the part of Grandpa Green in a film called Greendale which accompanied Neil’s 2003 record with the same name. He was inducted into the Musician’s Hall of Fame and Museum four years after his death in 2014.
