Nottingham Venue 30 – The Maze

On Mansfield Road, at the junction where Forest Fields commences sits the Forest Tavern pub. The hostelry is a real ale paradise, and you could happily quaff your way down the drink’s menu in the small front tap room. This was a regular haunt and quite often a last stop prior to stumbling across the dark forest fields on the way back to my brother’s residence.

In the back of the pub was a more spacious gig venue called the Maze. It was always a decent venue with a cracking sound system and was mainly a roots and ska place but did cover other genres. Despite a successful crowdfunding scheme to raise 20K in 2017 to revamp the premises, the venue sadly closed its doors for the final time in 2019 and there are now plans to convert the building into student flats.

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The Forest Tavern with the Maze located in the back of the building. Image Credit flickr.com

My first visit there in August 2009 was for a double bill with Minus Society providing the support. The headliners were a radical leftist punk band with the natty name of Leftover Crack from a squat in Manhattan, New York who produced a vibrant noisy set.

My next foray was in 2011 to see a fairly limp performance by a local band called Kick the Rabbit with Youth in Revolt in support. A couple of years later a dub band from Brighton called the Resonators were in residence and produced a suitable skanky set.  

My final visit there was on 08/05/15. The previous night we had watched North End beat Chesterfield 1-0 in the Play Offs in a pub further down Mansfield Road in the Sherwood area. The gig was originally planned for a café venue in town which I had not attended previously, but for the life of me I cannot recall the name of the place. Anyhoo, they moved it at a late date to the Maze venue.

First band on was Eyre View and the main support was Flyying Colours from Melbourne, Australia who I had totally forgotten I had seen until I checked my notes. I think I see too many bands which I don’t view as a problem, but it can cause bouts of partial amnesia! The reason for my surprise is that I adore this band now and had tickets to see them earlier this year, which was naturally cancelled by the pandemic, but will catch them at their rescheduled date in 2022. I recall enjoying their Slowdive influenced shoegaze heavy set.   

The main band was PinkShinyUltraBlast, a fabulously named shoegaze band hailing from St Petersburg in Russia. Listening to their recorded material beforehand I heard elements of Asobi Seksu, Sereena Maneesh and Cocteau Twins in their sound and they portrayed all that in a live setting. What was so astonishing was the volume, and I mean thunderous white noise pin you to the walls sonic attack type of volume, which was all encompassing in a fun way but did lose a smidge of the subtlety.

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PinkShinyUltraBlast on stage. Image Credit www.godisinthetvzine.co.uk

As a result, I would have to include them in my Top 5 loudest live bands list alongside more recognisable luminaries in this genre of Mogwai, My Bloody Valentine, Swans and Pelican.    

Wickerman Festivals 2 and 3

Despite the first Wickerman festival being sparsely attended it survived through to a second year in 2003. For some reason and for this edition only it was a three-day festival from Friday through Sunday. I cannot recall why but Uncle George and I only attended Day 1 and the Dewhurst boys attended Day 2 also. Thus, none of us have attended all days of the festival but we have attended all the festivals.

This year was the last of the innocent ones before it became more professional thus lighting was a tad dim resulting in a perilous Casualty threatening walk over the tent ropes back to the taxi point. The organisation was also sometimes slightly shambolic in a charming way. It was the first event also too have two stages.  

We were incorrectly advised beforehand that we could take in our own beer to the site but were blocked at the entrance wall so had to sup a couple of quick cans and had no choice but to lose the remaining stash – lesson learned there!

We saw Ozric Tentacles, Second Nature, Anti-Product and AlterNative. The highlight being a stellar set from the Beat featuring Rankin and Rankin Jnr and it was the last time I saw them with Papa Sax still on stage. The DJ excelled himself again with his selection of killer tunes in the Scooter Tent.  

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The Beat. Image Credit Nostalgiacentral.com

The Dewhurst’s have always had a strong affiliation with South West Scotland since their dad attended school in the Dumfries area. This resulted in the family pooling together to purchase a property in the centre of Kirkcudbright which subsequently become known as Dewhurst Towers.

So, from 2004 onwards this became the new residence when we attended the festivals allowing hot showers and a valuable communal gather in the mornings with lashings of Yorkshire Tea! The house was opportunely placed being about 10 yards from the Selkirk Arms pub.

I think the 2004 festival remains my favourite one due in the main to an excellent roster. There were a couple of tribute bands, Counterfeit Clash and Straw Dogs covering Stiff Little Finger tracks who remain my fave punk band. The latter band were excellent and refreshingly loud!

I witnessed the Alpacinos, Scarlet Blue and a cracking set from The Selector with Pauline Black in full flow.  I saw the Core, Kantaro, and Aerogramme, a Scottish post-rock outfit from Glasgow who recorded on Mogwai’s Chemical Underground label.

Castle Douglas’s finest bagpipe combo the Dangleberries were in attendance again and I also saw Last Years Men, Anti-Product, The Sundowns and a decent set from the evergreen Levellers. On the second stage we saw a terrific young indie band called Cherry Falls who looked like they had real potential. However, undertaking a google search displays they had no recordings beyond 2005 so they appear to be another lost gem of a band.

The headliners on the Friday were the Buzzcocks who produced a decent set. The main band after the burning on the Saturday at 12.30am were Spiritualized who were fabulous. They were so uncompromising with Jason Pierce sitting side on and with virtually no crowd interaction which I admired. They suited the stage time on a cold summer’s morning, and they are worthy of inclusion in the list of top 5 Wickerman performances.

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Spiritualised. Image Credit Wikipedia