Liverpool Venues 2 and 3

Liverpool has always been a challenge to access via the train network, so it has not been a regular haunt for gig attending. I must grudgingly concede that the many of the Northern trains are now being improved but the Liverpool routes appear to be at the bottom of the upgrading schedule.

I regularly commute to Liverpool with work thereby having to tolerate the inferior rolling stock. Recently I arrived at Lime Street for a return journey and was astonished to see a new Northern train waiting on the platform, with advanced accessories such as tables, though my joy was short-lived as I realised there were two trains on the platform and sighed when I saw my actual commute of Ivor the Engine was awaiting behind!

I have witnessed Jesus and Mary Chain nine times in total across the years ranging from that infamous show in Preston Clouds in 1985 through to a gig at Manchester Albert Hall a couple of months ago. Many of those shows have been chaotic but their gig at the Lomax takes the biscuit!

Gill, John Dewhurst, and I headed over on a Friday night in 1998, with Gill generously offering to be the designated driver. We scouted around a couple of boozers then headed over to the venue on Cumberland St, off Dale St in the city centre.

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An ultimately unsuccessful gathering to save the Lomax. Image Credit Liverpool Echo.

The club was a three floored iconic site for up-and-coming acts with a 300 capacity. Bands such as Radiohead and Muse had graced the stage there.  It was also known as Foxys and it looks like the venue was permanently closed in 2015 following a police investigation where the owner was jailed for six years for openly selling cocaine on the premises.

It was an intimate venue, but the band were literally falling apart on stage exemplified by continuous acerbic exchanges between Jamie and William Reid and many false starts, Gill was ready to jump on stage and bang their heads together! It was a raggedy set with a far proportion off their latest album ‘Munki’.

The only song that really stood out for me on the night was a rousing version of ‘Reverence’ with its haunting screaming refrain ‘I Wanna Die Just Like Jesus Christ’. Based on that performance it was absolutely no surprise it transpired to be their final tour, prior to their reformation around ten years later.

On five occasions, I have attended gigs on my birthday, Neil Young on my 19th birthday, Against Me on my 32nd, an Alicante gig on my 50th and a King St event on my 51st. They have also generously allocated me an extra bank holiday this year the day after my birthday to attend a Lovely Eggs gig. Rumours that it is due to a Queen Jubilee event are patently untrue!

The fifth occurrence was on 02/06/11, my 43rd birthday. Gill and I had booked a night in Liverpool and after visiting a restaurant in Liverpool One, we dived into a random pub called The Ship & Mitre on the way back to the hotel.

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The Ship & Mitre. Image Credit Liverpool Echo.

It was approaching last orders and we sat quietly in an alcove in the corner and were soon the last punters in the establishment. Then somewhat bizarrely and unprompted one of the bar staff grabbed an acoustic guitar and the other chap called Simon Cities provided the vocals. We watched three to four songs of their sea shanties to not appear impolite before taking our leave, requiring them to unlock the door for us, it was literally a bonus closed door gig!

A postscript is that the documenting of the JAMC gig completes all the gigs I attended in the 20th century, however do not be too perturbed as there are veritable shedloads of 21st century gigs yet to review!

Leeds Festival 2002

After attending one day of the 2001 festival, we decided to go and complete the full Monty of all three days of the 2002 event. As stated previously we have never actually camped at a festival and this time stayed at the Hilton in the city centre. This allowed us to swerve the unrest involving burning down the toilet blocks that occurred at the end of the festival, because of this incident it was the last event to take place at Temple Newsam before moving to its current home of Bramham Park.

Uncle George, Gill and I undertook the three days while John Dewhurst and his then partner attended Day 1 and Day 3 while Tony Dewhurst was at Day 2 and Day 3. After a couple of drinks, we headed out to the site on the Friday and despite it being a large site it was chaotically busy. We encountered School of Rock and his pals who were in residence at the Bacardi Tent.

The first band we focused on was Slipknot who were fourth on the bill on the main stage. We obtained a decent vantage point and as it was the first time I had witnessed them their full circus glory was abundantly fresh and their potty mouthed antics and the ascending rotating drum kit a sight to behold and they created a decent racket to boot. Following them we caught the Prodigy and the Snuff band wannabees the Offspring and their hit ’Pretty Fly for a White Guy’. On other stages we witnessed, And They Shall Know us by the Trail of Dead and Spiritualized.

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Leeds Festival 2002 Line Up. Image Credit pulpwiki.net

The overall headliners that day were Guns N Roses who were playing the Leeds site only. In their inimitable style they were over an hour late hitting the stage, no doubt inflicting migraines on the organisers in relation to time curfews. By this point we were heading for the bus but could hear their bombastic sound in the distance.     

On day 2, we arrived deliberately early for a 4.00pm main stage slot by my band of the weekend the White Stripes. I had missed an opportunity to see them at the tiny Manchester Roadhouse venue the previous year which was a regret so made doubly sure I was there this time and it turned out to be the only time I managed to witness them.

We spent 20 minutes wending our way through the huge crowd right from the top of the hill to about Row 10 in front of the stage. They did not disappoint and were a compelling spectacle and created such an almighty racket for a two-piece. Jack White’s voice was nothing less than astonishing and was reminiscent of a young Frank Black when I initially saw the Pixies at Manchester International 1 in 1988. As we headed away from the stage we heard Sports Report on a radio playing at a burger van which informed us that PNE had won, so all was well in the world, and it was time for another overpriced cool beer!     

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White Stripes on stage. Image Credit guitar.com

We also caught The Vines, Electric Soft Parade, Feeder, Weezer, Pulp, Jane’s Addiction and the first track of the Strokes set with Julian Casablancas hobbling on in a cast after an accident at a recent gig. I wanted to catch the Reindeer Section, a super group consisting of members of Snow Patrol, Mogwai and Arab Strap. However, when we reached the tent, it was evident that their set was cancelled, and we saw a screechy much inferior band called Vendetta Red instead. The numerous white robed members of Polyphonic Spree squeezing onto a very small stage were also an interesting spectacle.   

The following morning in the lounge area of the hotel we encountered Grant Nicholas, so it was a ‘breakfast with Feeder moment’ prior to them setting off to the Reading slot. Other bands I witnessed over the weekend were Dandy Warhols, Ash, Sum 41, Hives, Haven, Jimmy Eat World, Black Rebel Motorcycle Club, Jon Spencer Blues Explosion, Cooper Temple Clause, Rival Schools, Easyworld, Bobby Conn, Princess Superstar, Span, International Noise Conspiracy, Ben Kweller, The Streets, Spunge, No Use For A Name, Face To Face, Lo-Fidelity Allstars and Sick Of It All.     

I saw about 20 minutes of Muse’s grandiose set whilst standing on the hill queuing up for some tea. I made one major discovery when I witnessed the sublime British Sea Power for the first time in one of the side tents. They were in their first World War garb and foliage stage of their career, and they were terrific live, and I have seen them many times since.

The weekend ended with us walking to the transport pick up point and the musical accompaniment en route was the headliners Foo Fighters playing their finest track ‘Monkey Wrench’.