Tag: Neil Young

Manchester Venue 191 Gorilla – Part 1

On Whitworth St, directly opposite Manchester Ritz and within a literal stumbling distance from Manchester Oxford Road rail station you will find Manchester Gorilla. The venue is uniquely situated under a railway arch and was previously the arts, theatre and comedy site The Green Room back in the 1980’s. On the comedic front Alan Carr, Steve Coogan and Caroline Aherne graced that stage and James and Doves played early gigs there.

When that business closed the Trof Group took over the running and Gorilla initially opened its doors in 2012. Its future looked extremely perilous during the pandemic, but thankfully a new owner was sourced and that saved the day, and it is now linked to its sister site of Deaf Institute nearby on Oxford Road.

Gorilla. Image Credit discover.ticketmaster.co.uk

There is a tidy little bar at the front of the venue but there is no access from there to the gig space, apart from sometimes being directed by ‘Rock Steady’ to exit gigs through this bar area. The actual entrance is around the corner under the tunnel, and a few stairs brings you into the main room with a 550 capacity. 

It is a well laid out space with a merchandise stall to the left and the extendable/removable stage at the bottom of the room. However, like many other locations it can be arguably too busy when at full capacity, presenting logistical challenges when trying to access the two bars and even move around!  It also has a raised platform at the back of the hall with a smattering of elevated seats.

It generally provides good sound and local lad Johnny Marr talks very warmly about the venue and has actively encouraged his peers to include a touring date there. They have regular club nights with promoters such as Guilty Pleasures and Now Wave.

I have attended eighteen gigs there over the years with my first show being British Sea Power in April 2013. I have now seen them six times in total, and this was my second sighting 11 years after I discovered their unique stagecraft at the Leeds Festival in 2002. I recall them being introduced on stage by 6 music DJ Marc Riley.

Near to the culmination of the set, I nipped to the loos which are positioned behind the stage and encountered a chap dressing up into an eight-foot polar bear outfit. Before you ask, nobody had put anything suspicious in my beer, it was actually a tradition the band had at the stage of their career where a couple of bears would parade around the mosh pit during the encore!   

The bears and the band in action. Image Credit NME.

A month later, I returned as the venue was part of the roster for the sorely missed multi venue Dot to Dot festival. On that particular day I saw the aforementioned Marc Riley faves Teleman. The original germination of the band was the three members Pete Cateermoul and the Sanders brothers, Johnny and Thomas who were part of Pete and the Pirates. After they disbanded, they were joined by drummer Hiro Ama and became Teleman in 2011. I have always thought they have an intriguing sound, and they lived up to that in a live setting.

Also performing were the Wildflowers who were formed in 2012 and based in Brighton and Bristol. The driving force is main songwriter Siddy Bennett and her sister Kit who had an interesting bohemian upbringing via living on boats, caravans or in protest camps. They have a country punk sound and were coined in the early days as ‘Punk Dolly Parton’s’. Their breaking moment was a set they played at South by Southwest festival in Austin Texas that inspired Detroit label Original 1265 Records to sign them up. I could hear diverse elements in their sound ranging from Mamas and Papas to White Stripes.  

Next up was the old troubadours Nada Surf where the gig was completely sold out and they were touring their latest album ‘You Know Who You Are’ and were in as fine form as ever as they have now amassed a quality back catalogue. 

In August 2014 Gill and I headed over to watch Joan As Policewoman, whose stage name was a homage to the 1970’s television cop show called Police Woman starring Angie Dickinson. Her actual name is Joan Wasser who was adopted at a young age and was musically precocious as she had piano lessons at the age of six and violin tutelage at the age of eight. She started her professional musical career in the Boston University Symphony Orchestra.

Joan as Policewoman. Image Credit blogspot.com

Then to paraphrase Neil Young around the time of his commercial peak of recording ‘Harvest’, who was quoted as saying ‘It put me in the middle of the road, travelling there soon became a bore so I headed for the ditch. A rougher ride but I saw more interesting people there’. Joan adopted this ethos literally as she was jaded by the classical structure so did a full U-turn and morphed into being a member of various punk bands.

She suffered personal heartache in May 1997 when her fiancé of three years Jeff Buckley accidentally drowned in Memphis. At the time we saw her, she had just released her fourth solo album ‘The Classic’ but surrounded herself with a touring band for the live dates.

In March 2016 I saw Pelican for the second time after their staggeringly loud show a few years before at the Ruby Lounge venue across town. They are classed in the post-metal genre; there is literally a label for everything! They are entirely instrumental and produce long slabs of glorious brutal noise and three of their members are also part of the band Tusk. The show wasn’t as intense as the previous one, but still very good. 

Stockport Venue 12 – Viaduct Park

Contained within Stockport’s £1billion town centre regeneration is the creation of a modern transport hub and one of the key elements of the scheme was to replace the old, dog-eared bus station which was built back in 1981.

So, in 2024 the new Stockport Interchange was opened with eighteen bus stands that can facilitate up to 164 bus departures per hour. There has been space left in the design to accommodate a metro link tram stop if the proposed metro extension to Stockport ever comes to fruition at a later date.  

Stockport Interchange. Image Credit alamy.com

It is a fine set up and has walking links to the shopping areas and the nearby train station and cycling links to the River Mersey and onto the Trans Pennine Trail. There is also a 17 storey, 196-unit Build to Rent residential building with two floors of basement parking located adjacent.

Above the Interchange is a two-acre rooftop green space, Stockport Viaduct Park which is also available for community events. The whole site was officially opened on 17/03/24 and the following weekend events were set up as part of the Stockport Town of Culture Weekender.

A local musician called John Unwin had an idea to recruit and set up a Stockport Community Steel band. He is a very experienced steel band player and community teacher within this musical art. He arranged some preliminary sessions for February, and a fledgling band was created with their debut taking place at Viaduct Park on 23/03/24.

Gill and I decided to support this local initiative and there were over 50 free events at over 25 separate locations in the town over the two-day shindig including opening up the Air Raid shelters and the newly refurbished Hat Works Museum. We initially landed into Stockport train station before gravitating over to have a proper look at the impressive park. Unfortunately, it was a brutal ‘brass monkey’ cold kind of day, but it was at least thankfully dry.  

Stockport Viaduct Park. Image Credit feeds.bbci.co.uk

There were about 50 band members playing that day and the experienced ones were providing direction to the newer recruits. It was great fun, and they played three extended tracks and perhaps naturally one of them was ‘Soul Limbo’.

That song was originally recorded by Booker T and the MGs in 1968 and features a marimba (similar to a xylophone but with a lower range) solo by Terry Manning who was a renowned recording engineer, record producer and musician across a fifty-year time span working with artists such as Led Zeppelin, Otis Redding, Big Star and Shakira.

It also contained cowbell playing by Isaac Hayes, one of the driving forces behind the Southern soul Stax Records label in the 1960’s alongside writing the musical score for the iconic 1971 film ‘Shaft’ and being the voice of the Chef character in South Park.

There is naturally, as ever a riotous cover version of the ditty by Snuff and the original song derives from the band’s sixth album which also features the title track to ‘Hang Em High’, a Clint Eastwood movie released that very year.

‘Soul Limbo’ is perhaps most famous though for being the recognised theme tune for BBC Television’s cricket coverage and BBC Radio’s Test Match Special. In 1999 the Barmy Army England cricket supporters recorded ‘Come on England’ which was set to the same tune and the sister video featured cricketers Ian Botham and Ronnie Irani, umpire Dickie Bird and somewhat bizarrely Chris Tarrant!     

Isaac Hayes. Image Credit dustygroove.com

The steel pan (or drum) derived originally in Trinidad and Tobago in the 1930’s and was built on the template of African drumming. Basically, anything at the musician’s disposal was used to create the sound including metal objects such as dustbins and plant pots.

An important discovery was then made as the addition of convex dents battered into the sides of a 55-gallon oil drum allowed different musical pitches to be created. I adore the tales of those innovations and always muse on the combination of events that results in these breakthroughs!  

I have always been a fan of the mournful evocative sound of the pedal steel guitar and first heard it via a key proponent of the instrument, Ben Keith. He learnt his trade in the Nashville country music scene in the 1950’s and 1960’s and his first participation on a hit record was on Patsy Cline’s 1961 track ‘I Fall to Pieces’.

Ben played with Neil Young for over forty years, featuring on his iconic 1972 album ‘Harvest’ and also played the part of Grandpa Green in a film called Greendale which accompanied Neil’s 2003 record with the same name. He was inducted into the Musician’s Hall of Fame and Museum four years after his death in 2014.