Wickerman Festivals 8 and 9

Wickerman 8 was held in 2009 and had a decent bill. The indefatigable Billy Bragg was in residence and was at that point going through his Woody Guthrie phase. There was some folk rock provided by Meersault from Edinburgh and Celtic folk from the Solus Tent headliners Pearl and the Puppets.

The Dickies belted out ‘Banana Splits’ for the umpteenth time, already thirty years old at that stage. Holding the punk flag were the perennial UK Subs, the Sharks and Penetration, Johnny Robb was in town with Goldblade and there were covers from the Counterfeit Clash.

Also playing were Root System, Mr Kil, Drums of Death, Luva, Anna, The Box, Marc Wilson, Kid British and there was glam rock and tartan attire from Glasgow’s Velcro Quartet. There were very retro performances from Candi Staton and Dreadzone. 

Idlewild, as ever, blasted out a solid set and I was impressed by Edinburgh’s We Were Promised Jetpacks as they were a refreshingly noisy bunch in the vein of Twilight Sad.  The Zutons covered the scouse angle and Magic Numbers are always soothing with their close harmonies and Californian vibe.  The headliners after the burning were the Human League who were very good value.  

The band of the weekend was an utterly joyous set in the scooter tent from Bad Manners. I think Buster Bloodvessel is the only remaining original and he is quite frankly nothing short of certifiable! He is now surrounded by younger band mates and the saxophonist was a revelation and the closing ‘Can-Can’ was riotous.

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The inimitable Buster Bloodvessel. Image Credit brightonsource.co.uk.

On the Saturday we always liked to have a communal bet on the horse racing prior to heading off to the festival. There was at one point in time a bookmaker in Kirkcudbright but now no more. In later years we also had enjoyable afternoons in Castle Douglas and Dalbeattie.

The absolute nadir was one year when it seemed we couldn’t even find the winner in a one-horse race and stacked our hopes on a horse called Tony Tie in the last. It didn’t even depart the stalls as it decided to eject its jockey! On the converse side one year we got the first three winners up in a Lucky 15, a fourth winner would have won us thousands, but the three timer was sufficient to cover the entire festival ticket costs for our five strong crew!

Wickerman 9 in 2010 had its share of slightly wonky legends as Tony Christie, Ed Ten Pole Tudor, The Saw Doctors, The Buzzcocks and The Undertones were in residence. Ocean Colour Scene ploughed their usual furrow; however Go Team provided their usual joyous jaunty set. Also on the bill were the nattily titled Earl Grey and the Loose Leaves, Mitchell Musuem, Midnight Lion, Fenech Soler, Lee Mottram, The Banana Sessions, The String Contingent, The Sex Pistols Experience, GoGoBot and Dr Huxtable.

There was a terrific set of post rock from Glasgow’s There Will Be Fireworks and Teenage Fanclub provided a soothing set with much of the material off their recent ‘Shadows’ release. Completing the Glasgow angle were the rock band Sons and Daughters. Tim Burgess and the Charlatans were in town alongside Sunderland’s Futureheads and 808 State played the main stage after the burning.

At one point we were ensconced in the Acoustic Tent, and I turned around and saw Alex Kapranos of Franz Ferdinand fame standing directly behind me. He later hit the stage to perform some acoustic FF tracks and he went down a storm with the audience.

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Alex Kapranos. Image Credit Zimbio.

Preston Venue 12 – Polytechnic Part 1

The University of Central Lancashire (UCLAN) was founded in 1992 but derived from humbler beginnings. In 1828 the nattily titled Institution for the Diffusion of Useful Knowledge was established. Further iterations of Preston Polytechnic and Lancashire Polytechnic were in place prior to it becoming a fully-fledged university.

UCLAN has through a suite of unusual courses created a niche for itself and is now the 19th largest in the UK in in terms of numbers, many of them foreign students. In my lifetime the University has spread its tentacles far and wide across town in relation to outbuildings and student accommodation.

In the Preston/Lancashire Polytechnic era, a music venue was introduced. It was a decent venue with a capacity of perhaps about 600. Beyond the dancefloor were large wooden blocks for group seating in a similar style to the block layout at the rear of the Deaf Institute. Above that, there was a viewing balcony.

I attended one non-music event there when a friend who was employed by the Poly obtained complimentary tickets for a group of us for a hospitality comedy event. The main act on that night was a pre-famous Peter Kay.

My first gig was Teenage Fanclub on 14/01/92. This was the year after ‘Bandwagonesque’ was released and a couple of years before my fave album of theirs ‘Grand Prix’ saw the light of day.  There was a big group of us in attendance on a cold Tuesday night and after visiting the Lamb and Packet and the Variety we headed into the venue for a sold-out gig.

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Preston Poly looking somewhat dreary back in the day. Image Credit lep.co.uk

Dependant on which tome you perused at the time they had been touted as either the new Nirvana or the new Byrds. I would personally place them nearer the later categorisation with their West Coast sound and pleasing harmonies.

I watched the opening couple of tracks in the balcony before diving (not literally!) into the pit. The band did not seem fully engaged with them muttering after the first track ‘played a crap gig in Newcastle last night, hope we don’t do the same here’ which only served to dampen down expectations for the rest of the set!    

I have seen them several times since and enjoyed them but due to a couple of deliberate false starts and lukewarm set they were disappointing that first time.

In May 2000 I went to see Asian Dub Foundation who were a melting pot of crossover influences including rap, dub, ragga and rock. It was one of the most unenthusiastic crowds I have ever witnessed and despite the bands best efforts the gig failed to ignite.  

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Asian Dub Foundation. Image Credit Louder Than War.

In 1995, an upcoming band called Radiohead booked the venue. I think the tour was supporting the imminent release of their second album ‘The Bends’. They were supported by Marian.  

I didn’t know a lot of their stuff apart from the overplayed ‘Creep’ off their first album ‘Pablo Honey’. We watched the gig from the panoramic vantage of the balcony, and they were enjoyable, and Thom Yorke had a presence about him.

That said, I would not have predicted their stellar rise in the following couple of years and the fact that ‘The Bends’ and ‘OK Computer’ are periodically placed in pundits lists of Top 10 all-time albums!