Nottingham Venues 9 to 14

For my 50th Blog entry I return to Nottingham. While in attendance at my first Hockley Hustle on 17/06/07 I caught a couple of bands in Dogma. Hockley was a suburb in the centre of town with a swathe of venues within its boundaries. The venue was located on Byard Lane and had three floors with a main ground floor bar and a restaurant located upstairs. The music stage was in the nightclub setting downstairs.   

I have always found venues such as this metallic sparsely populated basement nightclub layout to be in stark contrast to a daytime gig, especially on a sunny June day.

I don’t recall the first band Arias Ashes, but the second band Dust Collectors were a peculiar seven piece infused with Victorian jazz influences.  

The venue closed in 2014 following a stabbing and reopened as a Tapas restaurant called Barasca.

Lee Rosy’s Tea Café was situated on Broad Street. As it was a little café its musical direction was strictly in the acoustic mode. I visited there twice, the first witnessing Ying and Herbidaceous in June 2007.

My other attendance was to see Alun Parry at the 2009 Hustle. He was a traditional folk singer with a social conscious streak in the mould of Woody Guthrie. He was also a community music festival organiser and resided in Liverpool.

The physical café closed in 2018 but the business is still alive and kicking as an online entity.

Nottingham Lee Rosy’s Tea Cafe. Image Credit Yell.

On my second Hustle in 2009, we visited Browns on the corner of Park Row and East Street Circus. It was a rather pretentious brasserie and a bar where the bands were playing. First up were Tasty Morsels with their melancholic keyboard tinged vibe.

We also witnessed Free Control and The Amber Herd. We only caught the final two tracks of the latter, but they had a promising presence about them complimented by lead singer Neil Beard’s soothing vocals. They were at that stage obtaining some decent support slots with The Delays and That Petrol Emotion and appear to be still active.

Escucha on Fletcher Gate was another plush late-night bar and we saw the five-piece Matt Chandler Band who sat strictly in the jazz mode and was a bit too sleepy loungecore for me. Matt Chandler was originally from Derby and appears to be quite renowned in his genre playing regular London gigs and working with luminaries such as Youth from Killing Joke and Polystyrene from X Ray Spex.  The venue now appears to be closed.

Situated right next to Broadway cinema on Broad Street is Shaw’s, a small tapas restaurant and bar. We saw a Nottingham soul singer called Natalie Duncan. A couple of years later she appeared on Jools Holland alongside Muse who she must have impressed to the extent that they asked her to appear in the support slot on their upcoming tour.

At the tail end of the 2009 Hustle we were heading back up Pelham Street towards the tram stop when we heard a cacophonous racket emanating from an upcoming shop doorway. We soon discovered it was the delightfully named local band Ocean Bottom Nightmare who were kicking up the racket in one of the oddest venues I have ever encountered. They were ensconced in a retail unit called 28 Barbers with props such as clippers and trimmers in view behind the drum kit. It was a bracing unusual end to the festival!

Nottingham 28 Barbers. Image Credit Local Data Company.

London Third and Fourth Trip

My brother moved down to London in 1988 to attend university and I headed down for a visit in November of that year. We met at Euston then went to see a film called Lapland before catching a train back to his digs in Woolwich.

That night we headed out to the Woolwich Tramshed right outside Woolwich Arsenal station. We went to the University bar prior to heading to the venue on the main square.

I was very excited to see that they had Boddingtons on draught because you never saw it more than 30 miles from the Strangeways brewery at that point, but upon tasting it I realised why that was the case. You can take a lad out Preston….!

The venue was a small little playhouse with cinema seats and was a quarter full. There was an ok support act who modelled himself a bit too literally on Billy Bragg.

The main act was a Bristol band called Blue Aeroplanes of whom I thought the lead singer resembled David McComb of the Triffids. In the best traditions of Happy Mondays, they had a male dancer gyrating throughout the set, who was an exhausting spectacle. It was quirky intelligent stuff and they were enjoyable.

The venue appears to be still in existence but is a performance theatre only now.

See the source image
The Blue Aeroplanes. Image Credit pennyblackmusic.co.uk

I headed down for another weekend in February 1989. On the Friday we headed out to the Camden Falcon. En route, I called Red Rose Radio from a phone box to discover PNE had lost 2-1 to Southend. On arrival we had a couple of refreshing pints of cold Tennants Extra in the smoky bar.

The Falcon was a large pub with a little corridor leading to the venue, the venue itself consisted of a room painted black with no windows and a very small exit, arguably sitting high on the fire hazard scale. Unsurprisingly I read afterwards that people fainted regularly when the venue was full. Thankfully the venue was at best half full the night we attended.

The main act was an unremarkable band from Chatham in Kent called the Dentists. My overriding memory was for some obscure reason the lead singer kept bashing his head on the microphone. We left before the end of the set and had a couple of more bevies before the midnight train home.

The pub closed in 2002, before conversion into residential use.  

See the source image
Camden Falcon seen better days. Image Credit soundofpen.com

The following day we went to watch a Mike Leigh movie High Hopes in Leicester Square before deciding to head out to Finsbury Library in Islingon. We embarked at Angel tube station which always seemed then to be a cold, dark and windswept location, somewhat Salfordesque at that stage which was appropriate to the music acts we were heading to see.

The large library was built in 1967 and I think we captured one of what were rare musical events within the building.    

Within a boiler room under the library, holding a twice monthly residence were Ewen McColl and Peggy Seeger. Both were seeped in the folk tradition, Ewen who penned ‘Dirty Old Town’ and father of Kirsty and then Peggy renowned protest singer, daughter of Pete who allegedly cut the cable on Dylan when he went electric and was also a link back to dust bowl poet Woody Guthrie.

It was an all seated very informal venue with about 30 punters there and they served Ruddles bitter in cans. The duo played a few folk and American protest songs and played a witty track about what jobs would be available after a nuclear war. They then invited people to come up and play, one punter playing a form of reed pipes.

It was a privilege to catch Ewen as he sadly passed away later that year.  

After an hour they took a break and after purchasing a NUM funding miner’s strike tape we headed off into the dark Islington night.