Nottingham Venues 24 to 25

The Rescue Rooms are located on Goldsmith St nearby Nottingham Trent University. The venue opened in 2003 and consists of two separate rooms, to the left is the bar area and the long thin gig room is on the right with a current capacity of 450. I have witnessed three gigs in total there.

On 05/07/08 we headed there for a local band showcase night. First on stage were Love Ends Disaster! who formed at Loughborough University who were followed by My Accident Captain. O Lovely Lie featuring siblings Gemma and Rich Upton were on next and created a fine wall of sound. The main band were Lo Ego who subsequently broke up later that year.

On 06/04/12 we went to see the legendary Flipper who shamefully prior to the gig had never appeared on my radar. They formed in the Californian punk scene in 1979 and like many bands they been through various break ups and different incarnations. They were unpopular in those early days as they played a version of slowed down punk in direct contrast to the speedier hardcore brand which was more prevalent at that time. They were touted as a major influence on Nirvana resulting in their former bassist Chris Novoselic playing with them in the 2000’s.

They were terrific live and the sludgiest band I have ever seen (in a good way!) and it reminded me of early Stooges material, I am just glad I got the chance to see them once in my lifetime. They were supported by local band Grey Hairs.

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Flipper. Image Credit Discogs

My first visit there on 24/08/06 was to see the Vines from Sydney, Australia. They formed in 1994 and I first picked up on them via their excellent debut album Highly Evolved. I have always quantified them in the garage rock category.

A couple of years earlier it had looked somewhat unlikely that the band would ever tour again because the lead singer Craig Nicholls had been diagnosed with Asperger’s syndrome. Unexpectedly then this tour was announced so we grabbed a ticket for the sold-out gig.

They produced a superb set and they had five or six standout tracks with my favourite being ‘Outtatheway!’ with its crackling intro and gradually building crescendo, it is an archetypal sweaty mosh pit song and I naturally answered the call to arms in that regard!

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The Vines. Image Credit Fanpop

The touted support band was the View who the organisers rather cheekily moved to the next-door venue Stealth to play their set after the Vines had completed theirs. To continue on the cheek angle, they tried to additionally charge us but we blagged our way into the venue.  

Stealth was a rather soulless metallic nightclub with a tiny stage for the band, though in their defence they did play Billy Bragg’s ‘New England’ at immense volume, which sounded fresh as a daisy that night!

It was a very early tour for the Dundee boys and the first time I had witnessed them, and their chaotic stagecraft and indecipherable Scottish brogue was an interesting sight. They attracted a boisterous enthusiastic audience. It had been a long evening so we bailed about halfway through their set but vowed I would endeavour to catch them again at a yet unspecified later date, and I was true to that pledge!

Gigs Abroad – Part 1

I have been very fortunate to visit many foreign climes and witnessed many bands abroad but many of them have been of the on the hoof low quality holiday threshold. In that regard, my first gig abroad was at Majorca Santa Ponsa Square in 1997. In a rather quaint environment of a bandstand in the centre of a tourist square we saw a rather inferior Beatles tribute, but as with many of these gigs the compensation was the glorious sun and a beer in an ice-cold frosted tankard!

However, the second gig is in stark contrast to the first and at a completely different level. In September 1998, I married my ever supportive long-standing girlfriend Gill and we headed off for a few days to Dublin for our honeymoon.

It was a place we had always yearned to visit, and we thoroughly enjoyed our sojourn and we caught the city at a good time as we were in advance of it becoming a stag do destination and subsequent stratospheric prices. It is a very walkable destination and we embraced that approach dually soaking up the culture and visiting many hostelries and rather proudly we did not visit the same venue twice. We also found some fine restaurants dotted around the metropolis.

We headed out on the Dart (the local train) to visit interesting areas on the outskirts either side of the city, passing Ireland’s rugby mecca Lansdowne Road and walking on the pristine sands of Killiney Beach. I really found an affinity with this vibrant cosmopolitan city.

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The Dublin Dart. Image Credit TripSavvy

When I had booked the vacation, I thought it would be worthwhile identifying if there were any likely looking gigs that week and identified one at the Dublin Mean Fiddler. Fortuitously the venue was near the hotel and I recall in a pub next door to the venue on Wexford Road they were having a tribute night to Gene Clark, the founding member of the Byrds, who penned timeless tunes such as ‘Eight Miles High’ and ‘I’ll Feel a Whole Lot Better’.

I had previously visited the sister venue Harlesden Mean Fiddler in 1987 watching the troubadour Townes Van Zandt. The Dublin branch opened in 1995, subsequently closing in 1999 to reboot itself as a new venue called the Village which is still going strong.

It was a small cosy venue with a downstairs bar and an upstairs venue. We arrived quite early allowing us to grab a seat at a table on a gantry overlooking the stage. At that point, it was the first gig I had observed purely in a seated position. The venue capacity is 550 and it was probably about half full that night. The support band was the Nottingham band Six by Seven who were touring on the back of their debut album ‘The Things We Make’, they created a fine racket with the standout track being ‘Something Wild’ and I would badge their performance in the ‘earnest’ category!

The headline act was the underrated Delgado’s from Motherwell who were uniquely named after Tour de France winner Pedro Delgado. They set up their own record label Chemical Underground which initially signed up a very young Mogwai and Arab Strap. They were fronted by the enigmatic Emma Pollard and they cut an engaging entertaining presence.

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The Delgado’s. Image Credit ohmyrockness.com

After the gig, we headed out to the downstairs late bar and gained entry despite my comedy fall at the bottom of the steps due in part to imbibing several bottles of Becks!