Manchester Venues 27 to 30

Not to be outflanked by their Manchester counterparts the good folk of Salford set up their own festival in 2010 and uniquely called it Sounds from the Other City (SFTOC) and it took over many diverse venues in and around the A6 near to Salford Central train station. I have counted the following venues under the Manchester banner due to their postcodes.

On our first visit in May 2012, we arrived via Salford Crescent Station as there were more speedy trains to that location. The Crescent station only has two platforms but occasionally there is a delightful occurrence of the station announcer excitedly exclaiming ‘Platform Change, Platform Change’ which only in reality necessitates a step forward or backwards to reach the new location! We had only once previously had a couple of drinks around that area in December 2000 prior to watching AC/DC at the MEN Arena.

I have attended three separate SFOTC’s in total and they have always been superbly run chilled events. The central hub for the tickets has been an old industrial building called Islington Mill which is a gig and arts venue with rehearsal rooms within. There is a specific small gig room which in that first year I saw a band called the ABC Club. On a later visit to SFOTC in 2017 I saw Torn Sail, a psychedelic folk-rock band who had the legendary Mark Lanegan contributing to their debut album.

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Islington Mill. Image Credit Fact.

Outside of the festival, we saw Joanne Gruesome there on 18/09/15. They were a five-piece punky band from Cardiff who had modelled their name somewhat bizarrely on musician Joanne Newsom. They were sporadically excellent live in a very intimate setting and I recall the guitarist always facing away from the stage. We had a commendable sally around the local hostelries pre and post gig including a couple of jars in the New Oxford with its array of real ales and were chatting to a couple of punters who travelled all the way across Manchester every Friday to visit the pub.

Down the corridor from the Club room was the Islington Mill Gallery where in 2018 we saw songwriter Claire Wells perform. Outside the back of the building was a large courtyard area where there was a plethora of food options available including appetising looking pizzas. In the corner was a balcony stage called the Engine House where an acoustic duo with a jolly name of White Death were performing.

Our first venue visited at the festival in 2012 was the outermost venue down the A6 away from town, namely The Crescent public house. It was a proper old-fashioned boozer with a distinctive green frontage and a cracking pint of Barnsley bitter on tap. It had a long heritage as it was built in the 1860’s and was a Grade 2 listing building and featured in the good Beer Guide for a sustained period of 25 years. Allegedly Karl Marx and Frederick Engels used to sup in there as they formulated communist principles in the 19th century. The pub sadly closed about five years ago.  

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The Crescent Pub. Image Credit Salford Star.com

The bands played in a very small dark room at the back of the establishment which couldn’t cope with more than 20 people enclosed within.

The first band on were a local act Heroin Diet who produced a 25-minute bracing slab of amusing hardcore punk.  The set curtailed about 5pm on an extremely sunny day so we walked out with ringing ears and squinting like a vampire, thereby creating an interesting start to the day! We returned later to catch sets by an interesting Manchester post rock outfit Dead Sea Apes and a uniquely named 100% Beefcock and the Titsburster, though I cannot remember anything about them bar their name!

Wickerman Festival 1

There was gang of four of us (John and Tony Dewhurst, Uncle George and me) who attended every one of the 14 Wickerman Festivals. The festival took place in the third weekend of July and the first one took place in 2002. The first couple of years coincided with the British Open golf tournament and that first year we stayed in a B&B in Kirkcudbright.

The site itself was situated off a very quiet country road on farmland midpoint between Kirkcudbright and Dalbeattie, located just after passing through Dundrennan.

At about 5pm on the Friday we landed at a cold and rainy site. Not unusually for us, we headed straight to the beer tent and based on the remarkably attentive reaction from all staff I still contend we were one of the first to purchase a libation in the Festival’s history, the drink obviously being a cold frothy Tennants!

There cannot have been more than 1000 people in attendance, and it did so well to survive those first couple of years as it sure it must have been operating at a loss. It was grey and windswept until the local legendary 10 strong pipe band, including Big Dougie and Wee Dougie, called the Dangleberries stepped on the main stage, the sky cleared, and the sun came out and the Wickerman festival was born. They also played a highly original bagpipe cover of ‘Paranoid’. From that day we have always said the Dangleberries saved Wickerman!

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The Dangleberries on stage. Image Credit dgwgo.com

As the festival was badged in the Ska/Punk category, there was a Scooter Tent located at the top of the hill which looked like a huge Mash tent. The DJ was playing some killer tunes within. There was a suite of cover bands on stage over the weekend, namely Combat Rock (Clash), Surfin Pinheads (Ramones) and Last Year’s Men (Stiff Little Fingers), the last two named were very good fun.

The support act on the Main Stage on Friday were UK Subs with their timeless frontman Charlie Harper. To embody the DIY ethic Charlie was spotted carrying a table over to the side of the stage to set up his merchandise stand. He was later spied nursing a bowl of lentil soup in the one and only food tent on the site. The band themselves crunched out a sparky set, with ‘Warhead’ being the highlight.

I was very excited prior to the headliners SLF playing as I thought it was a such a novel location to witness them. I had only seen them once previously on the comeback tour in 1987 and they met my expectations by producing a stellar set. To add to the merriment, it was the muddiest moshpit I have encountered, to the point where you could barely raise your feet out of the treacly morass!

Other bands we observed over the weekend were Dub Skelper, Misled Youth, Naeem, Druggy and Wilderbeast. The headliners on the Saturday were Spear of Destiny who I had misjudged beforehand as being primarily in the Goth space. However, they surprised me with a stronger more metallic sound and I thoroughly enjoyed their performance.

To mirror the film theme, there was a ritual at every festival at midnight on the Saturday to burn a huge wooden Wickerman. As we were in the Sassenach minority in the audience, we were joking we might be the human sacrifices, but thankfully that didn’t come to pass. It was a suitably warm combustible end to the weekend!

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The Burning of the Wickerman. Image Credit efestivals.