Preston Venue 27 – The Wheatsheaf

Preston Docks was a thriving metropolis back in the 1960’s and at that point boded well for the future of the town but its luminous period gradually faded and the whole area was regenerated in the 1980’s.

One of the famous spots that appeared in the area around that time was the Manxman, which was original a ferry between Isle of Man and Liverpool before became a floating nightclub which I frequented only the once on a Tuesday night in 1988 at Dave Keane’s 21st. It was also the venue where my pal Tony Dewhurst met his future wife Pam.

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The Manxman making its grand entrance into Preston Dock. Image Credit Flickr and Mrs J Fielding.

It was then towed to Liverpool where it remained as a nightclub in the Trafalgar Dock area before subsequently landing in Sunderland where it was dismantled in 2012. Two lesser-known facts I discovered are that it was used a location for the Barbara Streisand film Yentl and a pre-married Richard and Judy recorded a Granada series called Scramble there.  

I also spent 7 happy years working at Albert Edward House in that area in the 90’s. The building used to have a canteen where for the first time since school I re-encountered the culinary delights of Manchester Tart. They also used to have a pool room where I arranged a couple of large tournaments between work colleagues, I also now and then did a little bit of work!

When we used to venture out at lunch, we walked through a suite of industrial units prior to accessing Strand Road. The end unit was Oyston Mill which for a period in the 80’s/90’s was a band rehearsal space.

My good friend Paul Catterall was in a band at the time and used to frequent the there and a local metal band called Xentrix often occupied the adjacent rehearsal space. The band achieved some short-lived airplay with a Ghostbusters cover.  

The landmark breakthrough Dinosaur Jr track ‘Freak Scene’ was recorded in 1988 and within the wonky video there is a yellow Fisherman statue. I recall this video being played mercilessly at the time by Snub TV, a BBC2 teatime programme devised by Janet Street Porter. The video was recorded in a garden in a West Didsbury house which was rented by John Robb.

However, I have seen incontrovertible video evidence provided by Paul that this statue used to reside in Oyston Mill, though it remains unclear whether this was before or after the recording of the video. 

In those days there was a thriving work social scene, and many Friday lunchtimes were spent in local hostelries, one of the regular boozers was the Ribble Pilot sitting right on the dock side. As you progressed round onto Watery Lane you passed the Ship Inn which I believe used to occasionally have bands playing in their large function room. My one memory of that pub is watching Steve Davis beating Joe Johnson in the World Snooker final in 1987. Behind the Ship was located the West Orange recording studio where reputedly Cornershop recorded some material.  

Further down, you pass the longstanding Curry House King Karai which I frequented regularly in the 1990’s before you then reach Umberto’s chippy which never seemed to be closed. Also, in close proximity was Jing Jing, in my view the best Chinese takeaway in the city.   

Up Tulketh Road lies a little homely pub called the Wellington, a couple of mates have an advantage on me there as they saw local band Deadwood Dog play there.

At the bottom of Tulketh Road are two adjacent pubs. On one side is the Grand Junction, not a regular haunt but I recall a group of us scrambling out from work at lunchtime in 1992 to watch the last few overs of England losing the Cricket World Cup final to Pakistan.

Much preferred is the other boozer The Wheatsheaf. It has also been under the moniker of Last Orders and for a spell a Mighty Muldoons. I have always been fond of this pub as it has a variable clientele of ages ranging from 18 to 80.

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Preston Wheatsheaf public house. Image Credit unspecified.

It was a regular venue for watching football including England in World Cup matches beating Columbia in 1998 and Argentina in 2002 and several PNE matches. I recall also watching an England v Scotland where it was so heavily populated, I had to go out the front door and return in via the back door to reach the loos.

The pub periodically had bands on there and my one occurrence was to see a rather noisy local covers band called Contraband.       

Nottingham Venues 37 and 38

Many of the best venues are buried away down the city centre back streets, a case in point is the Chameleon Arts Café in Newcastle Chambers down Angel Row. It is a small eclectic place with a café downstairs with some quirky beers on sale and a 140-capacity venue upstairs. The venue is embraced by DIY promoters which presents the opportunity to catch some unusual and upcoming bands there.

My one criticism is the slightly cramped nature of the venue especially when busy caused by the small access to the venue but once you find your vantage point everything is ok again in the world! 

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The stage of the Nottingham Chameleon Arts Cafe. Image Credit YouTube

My debut visit on 29/09/12 was to see a roster of bands and the first I encountered was Standard Fare, a decent indie pop trio from Sheffield with a C86 aesthetic and the slightly wonky vocals of Emma Kupa. The second band was Milky Wimpshake, a lo-fi indie trio from Newcastle who first appeared in 1997 and remain on the circuit to this very day. Their original drummer had the terrific name of Ms Joey Ramone and they had a knowing charm about them.

The penultimate act was a five piece from Brighton called Shrag prior to the headliners Anguish Sandwich. The main act was a frenetic garage punk band from Northampton with high pitched vocals from Chris East and remaining in the C86 vein they reminded me of Stump, another band from that era.

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Anguish Sandwich. Image Credit blogspot.com

My second visit a couple of months later was to see the Nottingham stalwarts Grey Hairs for the third time. They were supported by an excellent energetic Spanish instrumental math rock three piece called Iepi. I would describe their sound as a more aggressive version of Leicester band Maybe She Will! Their 2014 album ‘New Wr’ is also well worth bending your ears around. They have supported Black Rebel Motorcycle Club and were the first Spanish band to play the post rock festival ArcTanGent held annually at Fernhill Farm in Somerset, which regretfully I have never yet attended.

My third and final appearance was on 24/10/15. Now I have never been a great fan of bands you might place in the Liverpool category of sound, though quite often having the jangly guitars, many bands from that area in my humble opinion sound too fey and lightweight.

However, that changed when I encountered Hooton Tennis Club in a live setting. I had heard some recorded output before and thought it sounded ok, but they were a revelation live with their diverse and inventive sound. The four-piece hailed from the Wirral and the name is taken from a local tennis court. Their debut album around the time was recorded by Bill Ryder Jones from the Coral and the band are currently on a hiatus.     

Continuing the Spanish theme, they were supported by the Parrots who are a duo from Madrid. Their rootsy wonky charm reminded me of their city counterparts the Hinds.

When my brother first moved to Nottingham, he had a flat off Mansfield Road in Sherwood. Just prior to Christmas in 2016 we took a sally out that way and encountered some non-descript pubs including the Robin Hood, a traditional Greene King hostelry. Whilst there we encountered a local cover band called Little Angels.