Tag: C86

Manchester Venue 82 – The Castle Hotel

The Manchester Castle Hotel located at the top end of Oldham Street was built in the late 18th century and began trading as a public house in 1816 and it is estimated the grand olde world interior complete with Victorian tiles and mosaic floor dates as far back as 1897. It has had many previous monikers including The Crown and Sceptre, The Crown and Anchor and The Clock Face.

Manchester Castle Hotel. Image Credit Flickr.

There has always been a musical ethos within the pub incorporating the involvement of John McBeith who went on to launch the Roadhouse venue, fondly remembered by me as being the first venue I ever saw Mogwai. The Castle was also the site of a famous John Peel interview with Ian Curtis in 1979 and Fall’s Mark E Smith also chose the pub as a meeting point for some of his abrasive monologue interviews.

The pub fell on tough times and closed in 2008, before subsequently being refurbished and reopened with a linkage to its sister pub Gulliver’s across the road and has gone from strength to strength since that date.

Despite being a fairly small hostelry, they have incorporated an eighty-capacity venue off the corridor to the rear of the pub. Facing the small door entrance is the mixing desk and the stage is to the right, and I must say it is one of the most cramped areas I have encountered when a gig is sold out!

I have attended eleven gigs in total with only the first one being where I have paid a singular ticket to see the band, the others being part of other multi wrist band events such as Carefully Planned and Dot to Dot Festivals.

Thus, on 23/10/11 I saw Veronica Falls who were a four-piece formed in London in 2009. They formed from previous bands The Royal We and Sexy Kids and are still active though sadly their drummer Patrick Doyle died in 2018. They first came to my attention via their excellent debut single ‘Love in a Graveyard’ which was a combination of C86 meets the Raveonettes, and they were good fun in a live setting.   

Veronica Falls. Image Credit Clash

Three years later, Space Blood were in town, a two piece slightly jokey instrumental combo from Chicago and I would place them in the math rock vein, and they have a couple of albums on the books. The following year I witnessed bands called Face, Georgio Tuna  and The Stay Aways, an all-female four piece based in Brighton and London. 

In 2017 I saw a young rapper called Tobi Sunmola from Nigeria, who moved from the country of his birth at the age of 17 and is now living in Manchester. The following year I saw Grand Prix and Thyla, the latter being a four-piece dream pop band who all met while attending university in Brighton. When one of their original guitarists departed in 2021, they decided to call it quits and their final ever gig was at the Hope and Ruin in Brighton on 25/05/22.

In May 2019 I saw another four-piece band called SUN SILVA who initially got together whilst at the Royal Academy of Music in London. Six months later I witnessed Winnie and the Rockettes, a funk and soul band who have supported Chaka Khan and Martha Reeves and the Vandellas and have also headlined the famous Ronnie Scott’s Jazz Club. My latest and only post-Covid visit thus far was in April 22 to see a Manchester band called Another Country $$$$.

Manchester Venue 68 and 69 Gullivers NQ – Part 2

I have encountered many free bonus gigs at Gullivers NQ when visiting before and after attending another scheduled gig in the local area, it is also a useful ten-minute easy jaunt from Manchester Piccadilly station for the trains to and from home.

Upstairs via some cramped stairs leads you to Gullivers NQ Ballroom with a capacity of 110.  It is a windowless room with a raised stage at the end and can be very warm and a tad claustrophobic when busy. When less populated a gap on the side walls can be located to lean and sway upon.  I have attended fourteen gigs there in total.

My first visit prior to a gig at the Ruby Lounge on 21/10/10 was to see a local band called Blackjack Boys. Eighteen months later I witnessed Manchester trio the Onions who were in the Talking Heads mould, they garnered some attention in the following couple of years with a suite of 6 music sessions.

I visited three times in 2014, the initial one to watch Young Mountains, a six-piece post-rock band from Atlanta, Georgia who I surmise were named after their compatriots This Will Destroy You’s debut album.

Young Mountains. Image Credit listenherereviews.com

The second was a slightly anomalous one as it was the only time, I have paid for a singular gig there and not as part of a festival. The band in question was History of Apple Pie from London, a shoegaze act in the vein of Pains of Being Pure at Heart who I had seen previously at Salford Arms. They weren’t quite as good as that debut performance as the sound was a bit muddy prior to asking the audience ‘do we need to turn our guitars up?’ which received categoric assent from myself.    

History of Apple Pie. Image Credit NME

The final piece of that trilogy was Walton Hesse, another Manchester band who produced a fine slice of Americana with pleasing harmonies, reminding me of a country version of Nada Surf. Next on the roster was a double bill of London three-piece Mayors of Miyzaki and Personal Best, a punk band from Bristol. The latter acts initial line up having future members of Attack! Vipers! and Caves in their ranks.

At the 2016 edition of the Dot-to-Dot festival I saw the mod band Pleasure Beach, somewhat appropriately deriving from Blackpool formed by two schoolmates from Carr Hill High School in Kirkham. That school bizarrely being the first team we played at football when I was goalkeeper in the fifth year for Cuthbert Mayne High School in Preston.

Next on the list was a post-hardcore band from Leeds called Unwave, who were a very bracing challenging listen. At the tail end of 2017 another Leeds act called Mush were in town, they had an enjoyable off-kilter sound reminiscent of alt-rock luminaries such as Sonic Youth and Pavement. The band are currently about to go on a British tour.

Continuing the Yorkshire theme at the 2018 Dot-to-Dot I saw KAWALA who met originally whilst studying in Leeds but now reside in London, they were a tad limp for my tastes. Later that year I see roots singer Debra Ohalete who had African influences within her music.

Next on the Gullivers roster was Brighton based folk singer Bess Atwell. She was prolific from a tender age and started writing her own songs at the age of thirteen. My penultimate attendance there was to witness local post-punk four-piece Springfield Elementary. They reminded me a little of Stump of C86 fame.

My only post-covid visit thus far in April 22 was at the Fair Play Northern Quarter festival to see YAANG. Originally a Manchester duo called YANG they added a third member Ben White, previously of Working Mens Club during lockdown resulting in adding an extra A to their name. They were difficult to quantify but perhaps an apt description might be an electro doomy Joy Division, am I selling them well?