Month: August 2024

Manchester Venue 135 – Bread Shed

On the opposite side of Grosvenor Street from the Deaf Institute venue you will find the Sand Bar. This is one of the many hostelries within the Oxford Road corridor, but it is a singular Manchester institution and one of my fave places to visit. It came into existence in the mid-90’s and I have been attending there for pre-gig drinks for many years. It is housed in an old industrial mill with an olde world feel and has an unprepossessing and almost hidden entrance. They have always served fine beers and was the first place that I was aware of that stocked continental lagers and was the location of my first sampling of the Bavarian Schneider Weisse wheat beer!  

Manchester Sand Bar. Image Credit flickr.com

On the next corner is another watering hole with the previously very simplistic name of ‘The Pub’. It is housed in a Grade II listed building, and they regularly have quiz nights and open mic nights, this one being more of a sporadically visited hostelry. A recent artistic addition to their side wall in May this year was a large mural of Kurt Cobain. At the back of this pub for many years there was a nightclub called the Zoo, now a singular music venue called Manchester Bread Shed.

I first visited the venue in its Zoo nightclub phase as part of the Dot to Dot festival event in 2013 and the act on stage was Beans on Toast which is the stage name of folk singer Jay McAllister who derives from Braintree in Essex. He is a prolific musician and has recorded fifteen albums since 2005 and has a liking for releasing them on his birthday of 1st December.

The Bread Shed. Image Credit designmynight.com

To be honest, he was not my cup of Yorkshire Tea though there were many punters in there who were lapping up his performance. On a personal front, my day improved dramatically immediately after as I caught a startlingly good Wolf Alice set across the road in the Deaf Institute.

In August 2017 the site rebooted as the Bread Shed and the owners Stonegate Pub Company spent £450k on upgrades. The unusual name derived from the history of the building as in the 1900’s it was the Duncan & Foster bakery site. This was also reflected in the attached pub revising its name to the Flour & Flagon. It was set up as an events space with a 480 capacity and beyond the live music they also reinstated the XS Malarkey comedy night that had for a short period been rehomed at the Comedy Store.   

Prior to attending a Fontaines DC gig at Gorilla in 2019 I cheekily blagged my way into the venue and caught a portion of a pretty woeful Iron Maiden tribute who were at the same low calibre level of the ‘legendary’ Damascus gig (my third ever gig) at Preston Clouds in 1984!   

My next visit was in October 23 where Marcus and Anita attended with Gill and I. Marcus had some ticket issues on the door but managed to negotiate his way in. The band we had come to see was the Boo Radleys who I was witnessing after a 29-year sabbatical as I had not seen them since two gigs in 1994. They were on a rotating joint headline tour and were the support on the night and were in excellent form with the fabulous ‘Lazarus’ being performed towards the end of their set.  

The headliners were Cud who are an electro indie band from Leeds who I had surprisingly never seen before. They formed in 1987, broke up in 1995, but reformed again in 2006. In their first incarnation they undertook a cover of Hot Chocolate’s ‘You Sexy Thing’ which garnered a number 20 position in John Peel’s festive fifty in 1988. Their lead singer is Carl Puttnam who can be marmite to some people, and I honestly didn’t approach them with high expectations. However, these chaps could play and were seriously good fun, reminding me of the vibrancy of Electric Six’s live performances.   

Cud band. Image Credit 3loopmusic.com

My latest visit was in April this year to see the ska/punk sounds of Snuff for the eighth time. Just when I was thinking the audience were very quiet on the first three tracks and not resembling an archetypal Snuff crowd they then played ‘Soul Limbo’ cricket theme, and the place went ballistic! So much so the instantly created moshpit had a kick back and Uncle George was knocked back onto the floor and temporarily flattened, but he is literally made of Teflon so bounced straight back up again! I had a rare foray into the pit myself for a few tracks and as ever thoroughly enjoyed their show!    

Bolton Venues 2 to 7

This week I am concluding the tale of my attendance at the muti-venue Right to Roam festival in Bolton town centre in July 2023. Outside of a side door of the Market Hall brings you to the outdoor Bolton Patio Stage containing its own bar area. Initially we saw Minatore, a stoner duo from Nottingham comprised only of drums and guitar but that did not stop them making a mighty din with their Black Sabbath riffs.

Next up was The Empty Page, a punky band from Manchester who have just released their second album ‘Imploding’ which was recorded at Eve Studios in Stockport. The final act was Dirty Blonde, a Manchester female duo whose grungy sound channelled early Blondie and Yeah Yeah Yeahs, I thoroughly enjoyed their set.  

The Bolton Main Stage was located on the Victoria Square outside the Town Hall, the square being one of the first parts of town to be pedestrianised and they hold an annual Buskers Ball there. It was an area suitable for a large capacity but unfortunately was sparsely attended especially just before A Certain Ratio’s headline set as we noted when walking past later heading back to the station. We caught the Katie West Band performing on the stage, Katie undertook her apprenticeship playing wash tub bass and piano in New Orlean’s French Quarter, then was in a duo called Truckstop Honeymoon before creating her current combo.

Right to Roam. dekyas.com

The intermittent monsoon conditions were a challenge all day, especially when sallying over to the outermost point of the festival, Bolton Northern Monk Brewery. On an outdoor pop-up stage an act called Helle were performing and in a coincidental nod to the brewery’s home in Leeds, the noisy four-piece punk band were also from the same Yorkshire city.

The weather was quite frankly awful by this point, and I had oodles of sympathy for the band on stage in those conditions as most punters were sheltering in or as near as possible to the covered brewery room.

The next venue was Bolton Octagon Theatre. The Octagon was opened in 1967 and the concept of the first flexible professional theatre in the UK was initially the brainchild of five students and their college lecturer Robin Pemberton-Billing.  This included facets of design, music, dance, film, repertory theatre, schools, education and daytime availability.

The Octagon Theatre. Image Credit uk.sports.yahoo.com

It was paid for by a combination of a large public fundraising appeal and a couple of council grants. Since it opened, around 3.5m people have passed through the doors and luminaries such as Danny Boyle and Maxine Peake learnt their trade there. 

We headed up to the small theatre room and the band on stage were called Percy who were formed in York in 1996. They still have two remaining founding members of Colin Howard and Andy Wiles and they also employed ex-Housemartin Hugh Whitaker on drums between 1997 and 2004. They provided some quirky intriguing post-punk and have just released their latest album ‘New Phase’.

Being a Northern lad and following strictly the Lancashire Hotpots advice, a chippy tea is a requisite requirement now and then and we satisfied that craving with a nosh fest at the award-winning Bolton Olympus Fish and Chips Restaurant. Whilst hoovering up my mushy peas, we were treated to a soothing set from the house pianist.

2023 Right to Roam bill. Image Credit righttoroambolton.com

The final venue on the roster was the rock pub Bolton Alma Inn situated on Bradshawgate which is over 170 years old. In 1979, the building was purchased by Burtonwood brewery who then bought out the fine arts shops next door to extend the pub. A large fireplace and range was discovered during this refurbishment which subsequently provided the site with Grade 2 listed status. They have live music on every weekend and Caliban and Raging Speedhorn have played there.

We caught up with the other chaps in attendance who were ensconced in the south facing beer garden where the stage was positioned. First up was local noiseniks Bandit followed by some self-styled ‘cosmic punk’ from Londoners Waco who have garnered support slots with Slaves, Anti-Flag and Juliette Lewis & The Licks.

The final and standout band was Riskee and the Ridicule, who are a vibrant inclusive grime punk band from Kent. They have been in existence since 2011 and recently released their fourth album ‘Platinum Statue’ and are finally receiving some overdue attention. There was a logistical challenge for us as we returned to the Alma from another venue just before their set and could not gain access as it was packed to the rafters. However, there was a novel alternative as we could watch them through a fence at the side of the venue, and thankfully the rains stayed away for the duration of their set.