Manchester Venues 38 and 39

Over the years, I have probably spent more time overall at Manchester Oxford Road train station, but I have still had a sustained period also in residence at Manchester Piccadilly station. This would either involve grabbing unwholesome late-night snacks prior to waiting for trains or undertaking a frantic lengthy scramble up the escalator to furthermost Platform 14 for last trains to Preston (many for the 1.24am ghost train!) or more latterly Platform 13 for trains out to our current digs in South Manchester.

One welcome change over the last 5 years is the removal of the annoying financial change for the courtesy of spending a penny! A couple of star spots whilst traversing the platforms there have been Graeme Souness and the Sunday Independent music critic Simon Price identified via his very distinctive hairdo.  

Upon departure from Piccadilly via the main entrance or through the adjacent car park drops you directly into the Northern Quarter. There is an abundant area of back streets and original industrial units and dark satanic mills at your disposal. As a result, it is the perfect backdrop for TV and movie filming with the list including the Crown, Peaky Blinders, Das Boot and the Captain America: The First Avenger film.  

One such street exemplifying the area is Tariff St. Your initial impression would be there is just industrial units but there is in fact a plethora of viable options. At the far end lies the Pen and Pencil which is a decent bar to visit.

At the other end is the Tariff and Dale bar which has been a very useful destination prior to a midnight train as most of the hostelries close to the station shut up shop at 11pm prompt. Next door is the Takk Coffee House which leans heavy on its Icelandic influences.

A further door down is the Kosmonaut bar which opened in 2011 and it merged into the area with its stripped-down floors, urban feel, and a terrific choice of craft ales on tap. It has been taken over in last couple of years by the Northern Monk brewery.  

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Manchester Kosmonaut. Image Credit Zomato.

It gained inclusion to the Dot-to-Dot roster for a couple of years with gigs taking place in the downstairs bar. Thus on 28/05/16 we saw Crosa Rosa, a very heavy local psychedelic three piece who were gathering some attention and featured on a Huw Stephens ‘Best of BBC Introducing’ that year. A couple of years later we saw three to four songs within a noisy chaotic set from another local band called the Threads.

Further down the street is located the Whiskey Jar. The bar has been converted from an old textile mill and we first visited the ground floor prior to a gig at the Soup Kitchen and living up to the Preston peasants that we are, we readily devoured the pies that were on the menu! This bar holds acoustic events, but I have only witnessed acts in the downstairs space.

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Whiskey Bar downstairs venue. Image Credit DesignMyNight.com

I initially visited there as part of the Carefully Planned Festival before it then also became part of the Dot-to-Dot schedule.

The first gig I saw there was with Uncle George and Dave Dyson on 19/10/14 and The Rattle were a very unusual combo consisting entirely of two female drummers. It was an interesting sight and sound initially but soon became a tad monotonous!

In 2016, I saw Bristol based Stevie Parker who provided an ethereal backdrop.  A couple of years later I saw a noisier 4-piece Manchester called Dear Caroline who broke up a year later. The final act I saw there was Sylvette an art rock band also based in Manchester. Google informs me they are still in existence and are playing the mighty Mad Ferret in Preston later this year.

Third T in the Park Festival

My third and final visit to T in the Park was in the summer of 2001. It was the usual crew of Uncle George, John Dewhurst, Gill and I with the addition of a new name in the ranks as one of Gill’s younger sisters Justine made her virgin festival appearance.

We encountered a dramatic start to the weekend’s proceedings as I had a tyre blowout on the M6 near Lancaster necessitating the always challenging spare tyre change on the hard shoulder.

I have always been a big tennis fan, and this 2001 event was in the days when Tim Henman was burdening the British responsibility, a few years before Andy Murray broke the glass ceiling in terms of historic achievements. Thus, we were listening to his Wimbledon semi-final against Goran Ivanisevic in the car and he was in control of the match on the journey up before a cruel and sustained rain delay.

We were back in residence at the tranquil Glenfarg Hotel which was a welcome sight after a long drive. We caught Top of the Pops on TV presented by Gail Porter with what I believe was The Strokes debut performance, their track of choice was ‘New York City Cops’. I had seen a stellar sold-out show by them 16 days earlier at Manchester Hop and Grape.

After dinner, we foolishly decamped to the hotel back bar and started sampling the local single malt which had repercussions the following day! Due to the hotel being full on the first night the ladies were staying in an annex about 10 minutes’ walk away, so we escorted them over there, swaying all the way!

The weather for the weekend was a tad iffy, but obviously no patch on the monsoon apocalypse of the previous year. On the Saturday we headed into Perth for couple of liveners before heading to the site in a cab. The route from the cab drop to the entrance took us past a rather fragrant battery chicken farm.

In the King Tuts Tent I witnessed the gentle sounds of Kurt Wagner’s Lambchop. On the main stage we saw ‘Mr Wobbly Head’ David Gray and a decent headlining set from the Stereophonics. In the NME tent I caught My Vitriol.

The highlight of the day for me though were the Proclaimers though everyone disrespectfully disowned me, and I attended on my own though they patently missed a treat. The tent was packed to the rafters, and I thoroughly enjoyed it. The audience camaraderie was wholly evident exemplified by the fact that when I needed a comfort break, I managed to sneak in and out mid set under the canvas assisted by some generous fellow punters. If I had to return to the main entrance, I would not have gained re-entry!  

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The Proclaimers with David Tennent. Image Credit BBC.

On arrival back at the hotel, I discovered the Henman match had progressed, but further rain delays meant it remained unfinished.

The following day we decided to travel directly from the hotel and prior to lunch saw on a back-room bar portable TV Henman finally lose his 3-day epic battle.  Another plucky British defeat, we have sporting pedigree in that particular pursuit! That said, I am posting this blog on the day of  England playing Italy in the Euro Football final, so hopefully we can lay that curse to bed this evening.  

A gentle lunch and a few sherbets proceeded the taxi ride. Most of my time that day was spent in the NME Stage Tent witnessing Cosmic Rough Riders, Goldfinger, Ash and the headliners JJ72. My favourite act of the day there was a sparkling set from Grandaddy who played a crunchier set than when I had seen them a year earlier.

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Grandaddy. Image Credit nme.com

I caught portions of Toploader and Texas on the main stage. The other highlight was a terrifically noisy set from the laconic Scottish miserabilists Arab Strap.

We then encountered some taxi trauma when initially it did not turn up as scheduled until I gave them a rollicking and the taxi eventually surfaced to take us home and provide an ending to my T in the Park trilogy!  

On an unrelated point I attended my first gig yesterday post pandemic at the Manchester International Festival after a unprecedented break of 487 days and hopefully we can all attend more in the coming months.