Author: jimmyc1968

Liverpool Venues 28 to 30

I am starting this week with a recent addition within the Mathew Street Cavern Quarter, namely Liverpool Temple Tavern. The hostelry initially opened its doors in June 2025 taking over the old Reiss store that was located there previously. They are owned by local independent Pub Invest Group who also hold the reins on forty other sites in the city including the nearby Erics and Rubber Soul.

It is split over two floors with grand interiors and comes complete with outdoor tables for those ‘summer nights’. Music is featured at various points during the week under the banner of Trad sessions and on my one foray I saw a local artist called Steve performing.

Temple Tavern. Image Credit liverpoolecho.co.uk

I now return to the Sounds of the City Festival I attended in May 2025 where our next port of call was the Jacaranda on Slater Street (known locally as the Jac). It was opened in 1958 by a forward thinking geezer called Allan Williams who leased an old watch repair shop and then transformed it into a coffee bar. It provided a stage for fledgling local bands and was a key player in the rise of Merseybeat in the 1960’s.

Four young scamps named John Lennon, Stuart Sutcliffe, George Harrison and Paul McCartney were regular visitors and were called The Silver Beetles. The first two named paid for some rehearsal space by painting murals in the cellar, which unsurprisingly remain to this day.

The venue also hosted the first ever Beatles performance in August 1960 where they played as a five-piece for 2.5 hours with the addition of Pete Best. They had to improvise microphone stands by utilising broom handles held aloft by fans. Their reward was to be paid with beans on toast and Coca-Cola, and they proceeded to deputise for the regular house band the Royal Caribbean Steel Band every Monday night.  

Jacaranda Beatles wall. Image Credit beatlesstory.com

The afore mentioned owner of the establishment secured their first tour to Hamburg also in 1960, where they actually set off from outside the Jacaranda in Mr Wiliiam’s green Austin van. He also introduced them to Richard Starkey (Ringo Starr) who was a club regular and at that stage a drummer for Rory Storm & The Hurricanes.

Cynthia Lennon cites that John completed the lyrics to ‘One After 909’ song in the venue, the song then later reappeared on the Let It Be album. Allan Williams was invited to those album recording sessions, and in the footage, John is heard to say ‘Where do you think you are? The Jacaranda?’ They parted ways after that with Brian Epstein taking over the management reins, and the rest as they say is history.    

Fast forward then to the mid-1990’s and the place was literally on its knees and in a derelict state. The new owner Graham Stanley restored it but in the upgrades was considerate of its history.

In 2018 he also launched two related record shops, coinciding with the 60th anniversary of the original opening. One was based within the original building and the other Jacaranda Baltic located nearer to the waterfront. In one of the branches, he managed to purloin a 1948 voice-o-graph booth, only one of four working versions that exist in the world. Many album launches have taken place there including Foals, Stereophonics, Wunderhorse and The Pretenders.  In 2024 a blue plaque was installed based on its Beatles connection.  

Upon entry you find yourself in the homely Jacaranda Ground Floor Bar where we saw a local singer called Freddie performing. At the top end of the large room there are steps that take you down to the main venue of Liverpool Jacaranda. It has a 400 capacity, and they have live music every night and like Cinderella morphs in another mode at the midnight hour at the weekends, with free live shows, namely Indie Rock Circus on Fridays and Rock N Roll Circus on Saturdays. The festivities are completed with open mic events on the Sunday.

The Jacaranda. Image Credit Liverpool Echo.

However, this is where I discovered one of the key challenges of this festival, even during an early afternoon slot, which was the fact that the small cellar venues were liable to fill out very quickly.

So, I had a new novel position of watching from halfway down the stairs and peering through with my nose against the glass and a muted sound travelling through the pane. But as I would arbitrate in my one man ‘gig VAR’ meetings, they all count! What I could see but only partially hear was some energetic folk sounds from Sair, who I can only obtain sketchy details about, but I think derive from Leeds.

Manchester Venues 201 to 202

This week I will complete the tale of my night in Manchester on Friday 29th August 2025. In a couple of recent blogs, I outlined the five new venues I had sourced and attended, and the evening finished with a sixth by making my debut visit to the Manchester Skate Park (known locally as the pump cage).

In 2001, there was a blanket ban on skateboarding introduced into the public spaces of Manchester. In reaction to this announcement a then 23 year old chap called John Haines co-founded a new venture called Projekts MCR and worked with Manchester City Council to fundraise and take ownership of underused land under the Mancunian Way. They transformed it into a 1400 square metre thriving skate, scooter and BMX park which also doubles as a community hub and is utilised by over 20000 people annually, most under the age of 35 and a quarter being female skaters.

Manchester Skate Park. Image Credit rideukbmx.com

They initially concentrated on the core logistics by obtaining funding for ramps, floodlights, heating and the obligatory café. They persevered for three years to obtain a long term lease and commendably gathered a further £2m in funding from various sources to expand and improve the site. It is now the largest community led skatepark in the UK with a core staff of 26 people.  

In those two intervening decades skateboarding has burgeoned as a sport to the extent of it debuting as an Olympic event at the 2020 Beijing games. The park is in the south of the city and lies five minutes’ walk from Piccadilly train station and it is in my eyes a perfect urban location for such a venture where you can go and embrace your inner Avril Lavigne!   

Around 2022 I initially became aware that they were also starting to stage gigs at the park, the roster concentrating in the main on guitar bands in synch with the backdrop. In March 2023 I endeavoured to make a visit as part of a double gig venture as I was also in attendance at an event at Gullivers that night, but in the end, I couldn’t make it work.  The site was a niche hidden venue until they raised their profile via inclusion on the roster of the Manchester Psych Festival.

 

Avril Lavigne in Sk8er Boi phase. Image Credit tapeciarnia.pl

So, on the night of my visit Marcus and I mulched down to the venue and encountered a very slow moving queue to enter the site. We grabbed an aperitif and encountered our first challenge as to where to position ourselves. An obvious constraint of a skate park is that it contains many peaks, hills and hollows which serve to restrict your viewing capability.  

For the support act we were literally perched on the side of a slope and throughout the evening we were wary as to where we stepped as there were many ‘ankle wrenching’ risk points, especially more so after a couple of scoops!

The first band on stage were Keo for which the main nucleus is the Keogh brothers (Finn and Conor), hence the name, who have music in their bloodstream as the majority of their childhood was spent touring around UK, Ireland and USA with their dad’s one-man music and comedy show. They were in a school band called the Deverills and honed their craft with tireless busking. On the night they provided a decent slab of grunge noise.

In the gap between the acts, we managed to upgrade our position to a raised platform with infinitely better views. The headline band were Gurriers, an act who took their name from the Irish term for a lout or a street urchin. They initially met and formed in Dublin in 2020, but their initial inertia was stalled by the pandemic. However, they continued to remain productive and prepped their material via numerous zoom calls and were thus ready to play their debut gig on Halloween 2021 at Dublin’s Workman’s club. They followed that by releasing their first album ‘Come and See’ in 2024.

Gurriers. Image Credit gurriers.net

I would concede they were not the most original band I have ever seen live, but the counterpoint is that they created some cathartic noise and most certainly had an energetic stage presence illustrated by one of the guitarists at one point perching off the gantry.   

One of the access routes in and out of Piccadilly station is via the busy footbridge which arches over London Road. As you head downwards towards Aytoun and Canal Street you can view to your left Manchester Piccadilly Park Square which is an open area ringed by retail units including the requisite phone repair shop.

When heading that way one evening to catch a train home I noticed they had set up a temporary stage in the square and there was a local artist called Sammy performing in front of a small audience.