Gigs from Abroad Part 20 – Alicante

Alicante has always been viewed as a strategic military location and a singular key defence mechanism underpinning this is the existence of the impressive Santa Barbara Castle which was built in the 9th century and to this day still towers over the city. I can personally confirm it is a physically exacting trek up the hill to the castle, especially in baking sunshine! The city has an interesting lineage in that they have chronologically been inhabited by Iberian tribes, Phoenicians, Greeks, Romans, Goths (thought they were peaceful!), Moors and latterly the Spaniards.

Santa Barbara Castle. Image Credit tripkay.com

In the 1960’s it began to generate the first inklings of a future tourist destination, and the city was transformed accordingly. Other nearby resorts followed suit, including Benidorm and the success of this new venture was assisted by the closure of the old Rabasa airfield and the corresponding building of the new modern El Altet Airport. Famous people from the city include the tennis players David Ferrer and Alex de Minaur and the black metal band Nahemah.

In 2018, to commemorate our fifty years on this earth, Gill and I decided to undertake two trips around our individual birthdays and on my milestone we decided on a jaunt to Alicante. I took a liking to the city as similar to Malaga it was a bustling modern city with a beach, promenades, marina area and the aforementioned castle.

We found some decent restaurants and a plethora of bars. On my actual birthday we had a leisurely lunch, and wouldn’t you just know it I had lined up a gig for the evening! We headed into what resembled the ‘Northern Quarter’ in the Southern area of the city and our ultimate destination was Alicante Sala Stereo.

On our first pass we thought the venue was closed but Gill reassured me that they would be operating on chilled European hours, and she was absolutely correct as it didn’t open its doors until around 10pm. When there is no live music on, it runs solely as a nightclub and is open between the quite frankly insane hours of 2.30am to 8.30am!   

Sala Stereo. Image Credit youtube.com

I cannot find much history of the venue, but it appears to be still thriving today and on music nights they generally concentrate on homespun acts. It was a homely brightly lit venue with a friendly local crowd. The capacity was 500 and they had the excellent novel touch of beer bottle holders on the side walls to safely house your ice-cold beverage. 

The initial act was a decent singer from Valencia called Sienna followed by a local musician called Olivia. The clock kept ticking and moved into the day after my birthday and still we waited for the main band. They finally pottered on stage around 1am which places it squarely in my latest ever gigs lists alongside Goldblade at Preston Aqualenium and Jesus and Mary Chain at Preston Clouds in 1985, the latter now feels like it was in an earlier lifetime!

The headliners El Mato a Un Policia Motorizado, also known as EMAUPM or El Mato who were created in La Plata in Argentina. Their unusual name derives from a line in a 1987 Spanish movie R.O.T.O.R and translates literally as ‘that boy just killed a motorcycle cop’.  They formed in 2003, and the driving force of the five-piece band is the vocalist Santiago ‘Motorizado’ and they have released five albums with their latest being ‘Super Terror’ in 2023.

El Mato a Un Policia Motorizado. Image Credit diariohoy.net

They were also chosen to contribute a cover of ‘Slippery People’ for a fortieth anniversary tribute album of Talking Heads ‘Stop Making Sense’ alongside artists such as Miley Cyrus, Lorde and Paramore. The record then debuted at the top of the Billboard Compilation Albums chart in August 2024.

The band cite their musical influences as Pixies, Sonic Youth and Velvet Underground amongst others, unfortunately they did not live up to that envisaged sound and to be honest they were a tad limp. Given the late hour I wasn’t too disappointed at this development as after a couple of tracks it allowed us to shuffle out and head back to our digs. On the walk back the town was just beginning to boot up into the busier hours of its nightlife. The following evening, we attended a tapas restaurant called Alicante El Rincon de Alma and saw a local singer called Juan.

Manchester Venues 149 to 150 – New Century Hall

Of the four main city centre train stations, Victoria would probably be my least attended as it has always been slightly on the wrong side of the tracks for me! Now if you depart the station down the approach heading alongside the tram tracks towards Shudehill Interchange but deviate marginally to the left down Hanover Street, you reach the Sadler’s Cat public house.

Sadler’s Cat pub. Image Credit secretmanchester.com

The Sadler’s was originally known as the Pilcrow which was purpose built as part of a regeneration programme commitment by the Co-operative Society, following the demolition of the Crown and Cushion pub to make way for a new public road. The current name reflects the commemoration of the very site of the first hot air balloon flight in 1785 and the pilot being one James Sadler who took his feline friend with him on the trip! The pub is contained within the NOMA complex and is now owned by the Cloudwater brewery and is a good basking spot in the summer with a suite of outside tables.

Staying with the Co-op theme, across the square from the hostelry you find the New Century Hall which was built as their 1000 capacity Insurance Society building in 1962 and sits adjacent to New Century House. They had many major acts play there in the 1960’s including Rolling Stones, Tina Turner, Jerry Lee Lewis and the Kinks. There is also an anecdote of the Jimi Hendrix Experience performing there in 1966 and a young John Cooper Clarke being denied entry as he was not wearing the obligatory tie, despite being bedecked in Fred Perry and a striped sports coat, bouncers eh! 

John Cooper Clarke. Image Credit pinterest.com

It is a three-storey building with the basement containing the Access Creative College where you can obtain degrees in music and gaming. The ground floor houses the Manchester New Century Food Hall where I first visited in December 2022 on a Christmas works do where we partook some tucker from one of the many food vendors and watched the England v Wales World Cup match. Where the big screen showing the match was located, there is normally a stage, and I have seen a couple of local singers perform there.

Upstairs from there is the Manchester New Century Hall which on first sight I was instantly impressed by with the wood surrounds and tasteful lighting. Even when busy it remains an accessible venue with ability to scoot down the sides to obtain a spot nearer to the stage. I can see myself in the future checking their listings from a venue viewpoint ahead of many others in the city where they become an almighty scrum when reaching capacity, the Albert Hall being a case in point.

My first attendance was in May 2023 with Gill and our good friends and fellow rabble rousers Jo and Paul. We had a couple of drinks around the Kampus area near Piccadilly and in the Northern Quarter. The band we were going to see was The Beths from Auckland in New Zealand. They were promoting their hugely recommended third album ‘Expert in a Dying Field’ which I have given serious airplay to as I love the upbeat nature of it, and I thoroughly enjoyed their set. Their sound reminds me of a fellow upcoming band called Fortitude Valley.      

Manchester New Century Hall. Image Credit manchestereveningnews.co.uk

My next attendance was with Gill in June 2024 where we only shamefully discovered the Abel Heywood Hydes brewery pub for the first time, but we have rectified that by attending a couple of times since. The band that night was the Lovely Eggs who I didn’t enjoy as much as their previous times I have seen them.  

There then followed two attendances in Sept 2024. The first was remarkably for me to see Ride for the first time, however I had previously seen an individual set by Mark Gardener at Preston Continental back in November 2011 where they also showed a screening of ‘Anyone Can Play Guitar’ which provides a story of the Oxford music scene featuring Ride alongside many other bands.    

For the uninitiated, Ride were prime shoegaze pioneers releasing two highly touted albums on Creation records in the early 1990’s. They broke up in 1996 before reforming in 2014 and were touring their latest album ‘Interplay’. The sound quality was poor early on but once they sorted that out, they were excellent.

My latest visit involved a large group of us including my pals Jason Gill and Barry Jury going to see the Go Team for the fourth time and for my first time for 14 years. They played in full their superb debut album ‘Thunder Lighting Strike’ with other tunes interspersed in their set.           

As a postscript I have managed to obtain some degree of numerical symmetry as New Century Hall was the actual 150th Manchester venue that I had visited.