Wickerman Festivals 10 and 11

In 2011, I was astonished to realise that we had reached the 10th anniversary edition of the Wickerman Festival, because there was initial doubt if it would survive past the first event.

There were the usual old timers on that year’s bill including Echo and the Bunnymen, The Damned, Pigeon Detectives, James, King Kurt, and the Coral. There were two enjoyable ska punk bands, Bombskare form Edinburgh and Spunge from Tewkesbury, and we witnessed Department S playing their famous number ‘Is Vic There?’ track released way back in 1980.

See the source image

Department S ‘Is Vic There?’ album cover. Image Credit Discogs.

Also in residence were The Hoosiers, The Moonzie Allstars, The Sundancer, Loose Kites, Rock System, The Hostiles, Katy Carr, Modhan, Discopolis and Homework. There was some ear shattering metal from Glasgow’s Desalvo, dreamy indie from French Wives and 60’s infused sounds from the Noisettes.   

Also playing were Endor Gun, Twin Atlantic, Bioorchestra, The Frues, The Capitols and Jack Townes. The highlight that particular year was a very fine engaging set from Feeder.

I recall there was an article in the local paper, the Dumfries and Galloway Gazette at the time asking for ever present attendees over the last decade, we didn’t put our names forward but the four of us must have been part of a very select crew in that particular club.

Other members of that exclusive crew were a trio of lads who we spotted over the years in various tents and in the Kirkcudbright pubs and we begin chatting with them and gleaned that they travelled up from Mansfield and stayed at Olive’s B&B in the town. They usually travelled without tickets and purchased some on arrival however that particular year the festival for the one time only was surprisingly sold out, thus they lost their ever-present attendance.

One of the newer members of our crew approached them and mentioned Mansfield only for us to discover a huge misconception that we had been wrong all these years and they actually derived from Pontefract! However, despite that geographical anomaly they shall always be known to us as the Mansfield boys!

Wickerman 11 had Skerryvore, Bis, Cast, Levellers, The Cats, The Razorbills, Moon Hey, Parrot, Fat Goth and Anderson McGinty Webster Ward and Fisher on the bill. The daddies of Wickerman, Castle Douglas’s pipe band the Dangleberries made an appearance after 5 years away with Dougie and Wee Dougie still in their extensive line up.

The Sharks, a rock band formed by ex-Free bassist in 1972 were playing alongside the punk contingent of Peter and the Test Tube Babies, The Blockheads and Johnny Robb’s Goldblade. The most woeful act was Newton Faulkner with his faux intimacy even employing a dubious prop of a drink’s cabinet on stage. We muttered ‘ye gods’ before shaking our heads and tromping off in disgust up the Wickerman hill, though there were lots of people singing every word, so what do we know!

See the source image
Newton Faulkner! Image Credit viagogo.co.uk

Also, in residence were The Lafontaines, United Fruit, Xavia, Kassidy, Andi Neate, The Darcy Da Silva Band, Duncan Maitland, Chris Bradley, Pronghorn, Janice Graham Band, Aaron Wright, The Mirror Trap, Martin John Henry, Chris Devotion & The Expectations, and the always entertaining Bad Manners.

As ever, there was a strong contingent of Scottish bands represented including Texas, Brown Bear and the Bandits from Ayrshire, the brilliantly titled Fridge Magnets from Aberdeen, and the ever-irrepressible View from Dundee. The post burning finale set was provided by the glitzy Scissor Sisters.   

Preston Venue 31 – 53 Degrees Main Hall

I have previously covered the Club venue and in this week’s blog I am going to concentrate on the 53 Degrees Main Hall. The venue’s opening in 2005 spelt the death knell to Preston Mill as a gig going concern as there was patently not room in Preston for two such singular locations.

The main hall comprised of a capacity of 1500 and had a sizeable bar facing you on entrance. There was a large, raised area before steps dropping down into a sizeable pit in front of the stage. In their time, they attracted some decent acts here but overall, I always felt it was a golden opportunity missed where they could potentially have attracted better acts, maybe that slightly biased perception gleans from certain fave bands that I thought would have great to see in that setting!

See the source image
53 Degrees Venue. Image Credit 53degrees.net

My first visit there was on 20/05/05 when I went to see Supergrass. They were in good form as they had a commendable back catalogue and played my two cherished tracks of theirs, namely ‘Caught by the Fuzz’ and ‘Late in the Day’. Our group was stood off to the right-hand side of the stage where it felt very draughty, but reasons for that became evident as I had an unpleasant bout of man-flu for about 10 days after. The lurgy nearly denied me the opportunity to watch PNE playing West Ham in the Championship play off final (I wish it had!)

Now I have never warmed at all to Blur, talented musicians, and all that, but for whatever reason their music grates on me. Whilst up in Scotland for Hogmanay we were listening to John Peels festive 50 and they featured a couple of half decent tracks from the bands lead guitarist Graham Coxon. This led to an attendance at one of his gigs in October 2006. Most of his set was based on his Ramones influenced latest album ‘Love Travels at Illegal Speeds’. He had his moments and with the shortness of the tracks swiftly whipped through more than 20 songs.

A couple of years later I saw my standout gig there when the Subways were in town. They had so much energy with lead singer Billy Lunn a whirling dervish on stage and his then girlfriend Charlotte Cooper a perfect ally to his antics. It was arguably one of the most joyous moshpits I have ever encountered when they played ‘Oh Yeah’ off their terrific debut album ‘Young for Eternity’. You could never fault these kids for effort! They were supported by Enjoy Destroy.

See the source image
The Subways in full flight mode. Image Credit buzzbands.la

In October 2010 a group of us headed into town to watch Half Man Half Biscuit, only to discover the gig had been cancelled at the last minute. It was rearranged for six weeks later on a Friday evening clashing with a North End game. We left the match early resulting in missing the first couple of songs of their set. They were very enjoyable, and they have such a devoted following that it always results in a cracking atmosphere.

In 2011, we went to see John Lydon’s combo, Public Image Ltd. I was far from an expert knowledge on their output but appreciated their intelligent songcraft which stood up well in a live environment.

When I was young whippersnapper at the tender age of 14, I went through a short Adam Ant phase and 30 years hence I was persuaded to go and see him again and this was my final gig there.

The place was packed to the rafters and access to the front area was tricky. There was an eejit and bully from my youth in residence who was blocking the accessway who I navigated past but who then somewhat predictably nudged me down the steps, but I maintained my footing and more importantly didn’t spill a drop of my beer! He was and obviously remains someone just not worth bothering with in any format! The gig was also a bit of a limp affair capping off a forgettable night.