Manchester Venue 102 – Bridgewater Hall

Just down from St Peters Square whilst following the tram line back to Deansgate station you pass the grand building of Manchester Bridgewater Hall on the left-hand side. Nearby down some steps you would find the Piano and Pitcher which we used to occasionally frequent. This has in recent years adopted the contemporary trend by morphing into a large food hall called Society with various vendors and craft beers available, I visited there a couple of months ago and had a rather tidy but overpriced Tiffin Box. Your nearest hostelry on the Deansgate side is the ever reliable and olde-worlde Briton’s Protection.

Britons Protection. Image Credit pinterest.com

The earliest inkling of the concept of the Bridgewater Hall was when repairs were being considered to the nearby Free Trade Hall in the 1950’s following wartime damage. The Free Trade was at that stage home to the city’s Halle Orchestra and hosted concerts, and I visited there just the once in the late 1980’s to see a fabulous gig by 10000 Maniacs.

It was decided that a singular bespoke venue was required, and a site was chosen where the former bus station and car park used to be located. Architects were carefully chosen with the acoustic integrity being high on the requirements list. Construction started on 22 March 1993 with an overall resultant cost of £42million including a £1.2million pipe organ with an astonishing 5500 pipes and at the time of build was the largest instrument to be installed in the UK for over a century.

They adopted unusual building techniques in that it was formed from solid reinforced concrete and is built on around three hundred earthquake proof springs, both initiatives improve the sound and the second one protects the acoustics from all outside noise and vibration. These concepts are beyond my small brain to comprehend but I do know that the resultant impacts are highly effective as I have encountered some of the finest sound quality there of any venue I have visited.  

Image Credit Bridgewater Hall

The first concert there was held on the 11th of September 1996 and was officially opened by the Queen. Within the Hall there are food options in the Charles Halle Restaurant and the Stalls Café Bar, and they also serve ice creams at the intervals sparking childhood memories of Pearl and Dean music in the ABC and Odeon in Preston!  The main auditorium seats 2341 people and has been designed to be tiered in such a way for all attendees to be as close as possible to the stage.

They have around 250 events a year, mainly of a classical inclination but they do also undertake a smaller selection of carefully considered traditional gigs, often where the band’s sound matches the aesthetic of the venue. A friend of mine recently saw the Sparks there, of which I was rather jealous!

My first visit there was in May 2011 when Mercury Rev decided to play in full their timeless ‘Deserter Songs’ album. We were seated up in the balcony trying manfully not to do ‘Waldorf and Statler’ impressions. They played the record in running order even including the wonky ‘Happy End (The Drunk Room)’ track and then we were treated to a few bonus songs on top. The sound literally soared in all directions including vertically upwards to our box and it was a fabulous gig.

Bridgewater Hall. Image Credit meetmeinmanchester.com

My other attendance in 2014 was naturally to see Mogwai and was the 25th time I had witnessed them, this time we were sat in some exceedingly comfy seats at ground level.  I was envious of my pal Dave Dyson as it was his Mogwai debut, and they performed a stellar set with ‘New Paths to Helicon Part 1’ and ‘We’re No Here’ included in their encore.  

Manchester Venues 98 to 101

As I am sure regular readers of this blog can attest, I have always been a huge advocate of attending Manchester venues. This is even though for my first 49 years on this Earth I was living in Preston, which has involved an extraordinary number of train ride commutes, quite often in challenging circumstances due to Northern Train’s incompetence. Don’t even start me on their brazen temerity relating to a staggeringly unjust penalty notice I received from them recently for making the ‘catastrophic’ error of buying two singles instead of the intended purchase of an open return for virtually the same price!   

My first Manchester venue back in the mists of time in 1985 was the Apollo with the 10th being the short-lived Planet K in the Northern Quarter which I first visited in 1999. The 25th followed in 2011 with the Castle and the 50th was the Sound Control downstairs club venue in 2013.

The dramatic spike in numbers of venues visited on the numbers between 25 to 50 was in no small part to my attendance at several multi venue wristband events including Dot to Dot and Sounds from the Other city (SFTOC) festivals and it became a personal mission around then to see how high I could increase the overall number to.

When we relocated to Manchester in 2017, I had at that stage reached 76 venues and I knew the much sought after century was a question of when not if and I have since rolled on to run past over 150 and counting Manchester venues.   

At SFTOC they utilise a central gathering area of the Regent trading Estate located behind Islington Mill where they have drink and food outlets and have acts performing in the Manchester Regent Trading Estate Car Park. In 2017 I saw the local artist Dub Smugglers and the following year witnessed an act called Kiss Me Again.    

Manchester Regent Trading Estate Car Park. Image Credit soundsfromtheothercity.com

In a more recent year, they based the whole festival site around the Regent Estate, I didn’t attend that year, but I saw the feedback was unfavourable as punter’s preference was to have a suite of venues dotted all around, and they have not since repeated that experiment.

The other three venues in the vicinity are very novel as they based in the warehouse units which I am assuming are normally working areas at other times and can imagine they could have been fine sites for Acid House gatherings back in the day!

The first and largest one we visited was Manchester Unit 5 Regent Trading Estate. The first band I saw there was HMLTD, an art punk band from London town whose original moniker was Happy Meal Ltd. They were a vibrant bunch, and their garb embraced the 1980’s New Romantic era. The following year, I witnessed another London jazz infused artist called Laura Misch.        

HMLTD. Image Credit nme.com

When in attendance at the SFTOC 2018 event I reached my 100th Manchester venue which was a big deal for me as it had taken 33 years to achieve that aim, the venue itself was Manchester Unit 2 Regent Trading Estate. I was hoping and praying it would not be a limp act to celebrate this milestone and thankfully the music gods were smiling on me!

The band was an upcoming Australian artist called Hatchie and her backing band and they produced a terrific slab of dream pop which was perfect for the occasion. I attended the festival again this year and we saw an excellent set from the C-86 infused shoegazers The Early Mornings, who turned out to be the band of the day.  

Hatchie. Image Credit vrtxmag.com

The other area was the smallest one on the Reform Radio Stage within Manchester Unit 4 Regents Trading Estate where I have seen Bennett is Coming and a Spanish soul singer with African roots called Femme Fatene.