Category: Manchester

Manchester Venue 113 – Aviva Studios Festival Square

Every couple of years they hold the Manchester International festival with various events dotted around the city. They do however always have a central hub and in 2023 this was based at the new Manchester Aviva Studios. It has been constructed on the former site of Granada TV studios and is located on Water Street which can be accessed either via Liverpool Road from the Deansgate side or New Quay Street from the Spinningfields side.

The germination of the idea occurred following George Osborne’s Northern Powerhouse announcement in 2014, where £78m was pledged to build a purpose-built cultural space in central Manchester. It was remarkably UK’s biggest investment in a culture project since the Tate Modern in 2000.

Manchester Aviva Studios. Image Credit confidentials.com

It is run by Factory International and Aviva paid £35m for the naming privileges. It subsequently opened in June 23, but was somewhat predictably £130m over budget and 4 years behind schedule. Contained within is a 1600 seat flexible theatre and an open industrial 5000 capacity space.

The opening event was the Yayoi Kusuma psychedelic exhibition You, Me and The Balloons and this was latterly followed by a Matrix style dance event directed by Danny Boyle. They will stage sporadic music events with Underworld already having performed there and Richard Thompson and Adrianne Lenker from Big Thief playing later this year. The Studios have had mixed reviews thus far with accusations as to whether it could be classed as white elephant, but I will let others make their judgement on that potential synopsis.

In an adjoining outdoor space, in the first fortnight of July they set up the Manchester Aviva Studios Festival Square overlooking the River Irwell and the shamefully underused Ordsall Chord (Castlefield Curve) which runs between Oxford Road and Victoria train stations.

There was a stage set up and a choice of food outlets and the first ever beer vending machine I have encountered. There were events all day and as it was less than 10 minutes’ walk from the office I filled my boots with bonus gigs every lunchtime and post-work where I could.

I assisted this approach by changing my commute to the metro, to ensure I could head to the nearby Deansgate station for the tram home. The festival programme coincided with the annual Castlefield Bowl events, and I passed the entrance on a couple of occasions where there were hordes of fans gathering for Pulp and Hozier gigs.

Aviva Studios Festival Square. Image Credit prestigeeventsmagazineblog.com

The first act I saw on the lunchtime on 04/07 was Vulva Voce, who are an all-female string quartet but with added improvisation of folk aspects to the mix. They evolved from the nearby Royal National College Music (RNCM) and they were the winners of Nonclassical’s Battle of the Bands in 2023. On the evening visit that day I witnessed a young R&B singer from Wolverhampton called Karis Jade.

The following lunchtime I saw Mabon Jones, Dan Springate and Carmen Snickersgill who were badged under the local Bothy Project who promote chamber music in Manchester. On the teatime jaunt I met Gill, and we grabbed some food there whilst watching Emer (Fat Out) and a R&B artist called Chyrsalid Homo. The best act was Lavender Rodriguez (or alternatively just Lavender) who was born in Hampshire but now Manchester based who provided a pleasing slab of heavy afro-beat sounds.

Lavender Rodriguez. Image Credit aah-magazine.co.uk

The following week I caught K’in Ensemble, a 15-piece fusion collective again deriving from RNCM who combine classical, pop and jazz musicians from Mexico and many European countries. I also witnessed part of a set from Jenna G. There was then another Bothy Project featuring musicians Jenny Dyson, Lady Lamp and Alice Roberts. Krin was the next act I saw who mashed up West African drums with techno. The final act of the festival for me was Nxdia who born in Cairo in Egypt before moving to the UK at the age of eight. She retains the heritage of her youth by singing in both English and Arabic.

Manchester Venues 110 to 112

When in attendance at the Sounds from the Other City festival (SFTOC) over the years we have found some interesting stops for food because as a Northern chap I view ‘tea breaks’ as hugely important! We have had pastel de nata from Porta Tapas, tasty offerings from Caribbean Flavas and the best ever Chicken Fried Rice and Curry Sauce from the infamous Chungs Chippy. On my first visit in 2012, Uncle George and I headed to a chippy nearby to the Salford Arms, sadly neither the pub nor the chippy are still operational.

As I perched on the windowsill waiting for my food, I started chatting to the lady sat next to me who was also wearing a festival wristband, I looked up and realised I was parlaying with the Salford resident and fine actress Maxine Peake. I have always a lot of respect for our Maxine as in my view she has a sound moral compass and is also a big muso.  She was at the point of time starring in the excellent TV drama Silk and the last I saw that day was her wandering off down the street to the next venue whilst hoovering up a bag of French fries!  

Maxine Peake in Silk. Image Credit BBC.

The venue next door was the Manchester Chapel Street and Hope United Reform Chapel which was built in 1819 and was Class II listed in 1980. I had read recently there are current plans to convert the site into a complex of flats and community centre.

I first visited there in 2012 and you accessed the building around the back before entering the main room. The band on stage was a Brighton duo called Peepholes who created synth led post-punk sounds.

My only other visit was at the 2017 festival where I recall Gill and I first encountered the colourful Cloudwater brewery cans that were on sale. Cult Party are a Manchester collective founded by multi-instrumentalist Leo Robinson and whilst we were watching they announced the next song would be an epic. They were true to the word as 15 minutes later we left the building, and the sprawling track was still meandering its way to its conclusion.

Cloudwater beer can. Image Credit shop.cloudwaterbrew.co.uk

Further down Chapel Street towards the city centre you will find Manchester Black Lion (downstairs venue) pub on the corner with Blackfriars Street, it is located across from the Sacred Trinity Church.  It is a grand old building dating back to 1776.

In 1889, the Van Dwellers Protection Association was formed there with the primary purpose of safeguarding and protecting fairground workers and barge dwellers who were at that stage being targeted by a local evangelist who carried a lot of political clout. This organisation evolved into the Showmans Guild in 1917, which still represents the business to this day. This commendable work was recognised on the centenary in 2017 with the introduction of a plaque on the pub wall.  

Black Lion pub. Image Credit itravelapi.com

In the downstairs area an act called Work Them were playing and in between a DJ set unexpectedly but gloriously played the little heard track ‘I Don’t Want to Be Friends With You’ by the Shop Assistants, containing the brutal line ‘but I don’t want to be civilised, you leave me, and I will scratch your eyes out’.

I went over to congratulate them on this song choice as I have always loved this short lived band, and they remain my favourite C86 combo and the best support act I have ever seen when they surpassed the headliners Jesus and Mary Chain with a stunning shoegazey set at Blackburn King Georges Hall in 1986.  

In that visit in 2012, we attended the other room, Manchester Black Lion (upstairs venue), where we saw a decent three piece shoegaze band from Manchester called The Shinies. They had at that stage only released one single prior to the issue of their one and only album ‘Nothing Like Something Happens Anywhere’ in 2015.