Manchester Venues 48 and 49 – Yes

In the early days of my Manchester gig going career in the mid to late 1980’s there used to be a requirement for a designated driver on the trips because of the sheer inadequacy of the train timetable. The most visited venue at that stage was my favourite ever Manchester venue International 1.

The route used to take us from the M62 through Prestwich visiting a choice of Holts’s houses the White Horse and the Friendship Inn at the traffic lights, then a couple of Boddingtons pubs The Grove and the Brewers Arms underneath the Boddington’s brewery and adjacent to Strangeways Prison. Once we had traversed through the city and China Town, we could stop for a final drink at either The Garratt on Princess Street or the nearby Lass O Gowrie on Charles Street.

The Lass O Gowrie is a grand old pub in the traditions of other city pubs Peveril and the Peak and Britons Protection. The walls are decked with period pictures of Manchester and it is a real ale haven and they used to serve their own beer called Log 36 and Log 42. There is a decking area at the rear of the pub overlooking the River Medlock originally opened by comedian Johnny Vegas.

For a short period in the 90’s I used to watch Coronation Street and on one anonymous Tuesday night pre-gig we wander in to see the whole cast in the pub. The chap who played Jim McDonald who used to lean on the Rovers Return bar was in the exact same pose thereby encapsulating life imitating art! On that theme I know there have been bands who reference film characters and events. I recall a Japanese death metal band called Keyser Soze named after Kevin Spacey’s enigmatic character from Usual Suspects and another act called 1.21 Gigiwatts from Back to the Future!

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Jim McDonald leaning on the Rovers Return bar. Image Credit The Mirror

In the Corry script they would often say they were going to the new restaurant on the precinct, so in this regard the new venue on the precinct would be on the next corner from the pub! In September 2018 a former auctioneers house and printers press was converted into a four-storey music venue called Yes. Commendable local promoters Now wave were the instigators in this venture.

It houses two gig venues, serves tidy looking pizza in the ground floor bar, and has a roof terrace containing a NASA approved sound system which can be spied from the train running between Oxford Road and Piccadilly stations 

I first visited the 1st floor venue Yes Pink Room on 31/01/19 where the décor matches the name. It has a capacity of 250 and it has a cosy feel to it. The band in question were Swearin who are a lo-fi Philadelphia four piece. They had first crossed my threshold when I picked up their terrific sophomore album Surfing Strange released in 2013, which comes recommended.

The band is led by alternate lead vocals from Kyle Gilbride and Alison Crutchfield, the later also has a solo venture called Waxahatchee, who somewhat confusingly sometimes support Swearin on tour. I thoroughly enjoyed their live performance. My other visit there was to see Art Brut who were not in the same class and were very disappointing fare. 

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Manchester Yes Venue. Image Credit getintothis.co.uk

On the night we saw Swearin they finished quite early, so we headed downstairs to the Yes Basement and managed to negotiate a half price entrance fee to catch the end of soul singer Otto Hardman’s set. It is a decent venue in its own right, more in the lounge core mould and has a smaller capacity of 60.   

Manchester Venue 47 – Ruby Lounge

One of my favourite venues in Manchester was the Ruby Lounge situated on High Street opposite the Arndale Centre and backing onto the Northern Quarter. The venue opened in 2007 and sadly closed in 2018 as it was hoovered up in a £79m city centre development.

It was housed in a somewhat dilapidated seven store block and behind the unprepossessing metal doors were stairs carrying you down to the venue. It was one large room with battered sofas and a games machine to the left, bar facing and a stage to the right. It had a scruffy charm, and the capacity was 375 for live music and 600 for club nights. It had a thin access to view the stage that could be a slight inconvenience when it was busy.

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Entrance to the Ruby Lounge. Image Credit Britannia Hotels.

I attended there nine times in total and they always had a sonic sound system and as a result I have seen some astoundingly loud gigs. A case in point was my first attendance in 2009 to see A Place to Bury Strangers, a noise rock combo from New York. Remarkably the support band Dead Confederate outdid them on the decibel count. They hailed from the birthplace of REM in Athens, Georgia. Prior to the gig I had explored for the first time a selection of the plethora of bars located nearby in the Northern Quarter. Another regular pre-gig pub was the English Lounge which is only 100 yards from the venue.

My second and third visit also continued in that vein, first up were Rock Actions shoe gazers Twilight Sad. The next was to see Pelican, a post rock four piece from Chicago, Illinois. We were chatting to some punters prior to their set who advised us not to leave our beers on the wooden shelfs as the sound check was so loud, they had knocked a couple of glasses off. They were totally instrumental and ear splintering, and I would quantify them in my Top 5 loudest list, and they were also fabulous as it is so good to hear bands as uncompromising as they are!

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Pelican. Image Credit en.wikipedia.org

In 2010 I saw the grungy quartet Dinosaur Pile Up from Leeds. They did not stay long in the memory and it was one of those gigs where their friends and family were in attendance which I always find in equal parts odd but endearing.

In 2014, I saw Pains from Being Pure at Heart for the fourth time and it was by now unfortunately a case of diminishing returns as their output for me gradually depreciated after their stunning debut album. They were not a patch on their electrifying set in Chorlton 5 years earlier which I will cover in a future blog. They were supported by Fear of Men.

Later that year I saw again the perennial London punks Snuff who were in fine fettle and their cover of the Likely Lads propelled me as ever into the mosh pit! The following year I went to see Preston’s Evil Blizzard due primarily to support them on a Manchester date. Despite them putting on a show I couldn’t warm to their musical output. They were supported by Creature Comforts.

My penultimate gig there was a terrific double bill of Ex Hex and Jacuzzi Boys, both bands I had seen before. Jacuzzi Boys are a highly accomplished garage rock band from Miami in Florida. Ex Hex are all female three-piece hailing from Washington DC and are in the mould of the Go-Go’s and had an effervescent presence. My final gig there was on 28/05/16 to see an Australian band called the Rubens as part of the Dot to Dot festival roster.