Nottingham Venues 39 to 42

On a heady weekend at the end of June 2014 I completed a flurry of 4 gigs in the city of Nottingham. On the Friday night, we headed over to the Guitar Bar on Clumber Avenue, sometimes also known as Hotel Deux. I recall it as a two roomed venue with a stage in the left-hand room and was an intimate venue and very sparsely attended on the night of our visit.

Massey Ferguson were an alt country bar band from Seattle led by the distinctive vocals of Ethan Anderson named after a farm equipment company. They sit in the Springsteen/Tom Petty Americana fold, they were highly accomplished musicians and their songcraft was very evident and were very enjoyable, though I was slightly embarrassed on their behalf by the low turnout.

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Massey Ferguson. Image Credit glidemagazine.com

After watching Brazil beat Chile on penalties in the World Cup, the Saturday night musical entertainment commenced with a trip to the Forresters Inn, a traditional boozer located on Huntingdon Street behind the Victoria Shopping Centre. It is a Victorian corner pub established in 1868 and is currently independently owned. There was particularly limp act playing in the corner with perhaps their most interesting element being their stage name of Pegefoe and Maria Metalie.

En route to the second venue we discovered that Columbia had eliminated Uruguay 2-0 with a wonder strike from James Rodriguez. Delving deep back into my memory I recall that the first ever two pubs I visited in central Nottingham were the famous Ye Olde trip to Jerusalem, with the other being the nearby Ye Olde Salutation Inn located on Hounds Gate. It is a Grade II listed public house with components of it allegedly dating back to 1240 and it is built above Anglo-Saxon caves dating from the 9th century which was at one-point home to a colony of lepers. It is also noted as one of the most haunted pubs in the whole country, with reports of 89 separate apparitions.

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Ye Olde Saluation Inn. Image Credit tripadvisor.co.uk

It is an archetypal heavy rock biker pub and reminds me of the Dog and Partridge pub in Preston where on any given Friday night in the 1980’s there would be a plethora of bikes located outside. Upstairs they have a stage and there was a heavy metal act called Enormity Falls playing that night.

They were already underway and as we traversed up the steps, I could hear an unmistakeable cover version being played, though as I processed it, I was very surprised by their choice. The record itself was a noisy doom-laden version of Electric Six’s ‘Gay Bar’, and it went down a storm with the audience. They were a home-town band who had just released their debut EP ‘Voices’.

We then searched out a pub for a final beverage or should it perhaps be better quantified as the fateful ‘one for the ditch’! As we passed a hostelry we have never previously visited, we could hear the strains of a vibrant noisy local band called Misspent Youth throwing out some decent indie and punk covers.

The pub in question was the Royal Children on Castle Gate, another old pub dating back to the 17th century and is reputedly named after Princess Anne, daughter of King James II who took refuge there in 1688. It appeared everyone in the venue was pie-eyed, including us, but this only served to create a terrific bouncing atmosphere!        

Nottingham Venues 37 and 38

Many of the best venues are buried away down the city centre back streets, a case in point is the Chameleon Arts Café in Newcastle Chambers down Angel Row. It is a small eclectic place with a café downstairs with some quirky beers on sale and a 140-capacity venue upstairs. The venue is embraced by DIY promoters which presents the opportunity to catch some unusual and upcoming bands there.

My one criticism is the slightly cramped nature of the venue especially when busy caused by the small access to the venue but once you find your vantage point everything is ok again in the world! 

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The stage of the Nottingham Chameleon Arts Cafe. Image Credit YouTube

My debut visit on 29/09/12 was to see a roster of bands and the first I encountered was Standard Fare, a decent indie pop trio from Sheffield with a C86 aesthetic and the slightly wonky vocals of Emma Kupa. The second band was Milky Wimpshake, a lo-fi indie trio from Newcastle who first appeared in 1997 and remain on the circuit to this very day. Their original drummer had the terrific name of Ms Joey Ramone and they had a knowing charm about them.

The penultimate act was a five piece from Brighton called Shrag prior to the headliners Anguish Sandwich. The main act was a frenetic garage punk band from Northampton with high pitched vocals from Chris East and remaining in the C86 vein they reminded me of Stump, another band from that era.

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Anguish Sandwich. Image Credit blogspot.com

My second visit a couple of months later was to see the Nottingham stalwarts Grey Hairs for the third time. They were supported by an excellent energetic Spanish instrumental math rock three piece called Iepi. I would describe their sound as a more aggressive version of Leicester band Maybe She Will! Their 2014 album ‘New Wr’ is also well worth bending your ears around. They have supported Black Rebel Motorcycle Club and were the first Spanish band to play the post rock festival ArcTanGent held annually at Fernhill Farm in Somerset, which regretfully I have never yet attended.

My third and final appearance was on 24/10/15. Now I have never been a great fan of bands you might place in the Liverpool category of sound, though quite often having the jangly guitars, many bands from that area in my humble opinion sound too fey and lightweight.

However, that changed when I encountered Hooton Tennis Club in a live setting. I had heard some recorded output before and thought it sounded ok, but they were a revelation live with their diverse and inventive sound. The four-piece hailed from the Wirral and the name is taken from a local tennis court. Their debut album around the time was recorded by Bill Ryder Jones from the Coral and the band are currently on a hiatus.     

Continuing the Spanish theme, they were supported by the Parrots who are a duo from Madrid. Their rootsy wonky charm reminded me of their city counterparts the Hinds.

When my brother first moved to Nottingham, he had a flat off Mansfield Road in Sherwood. Just prior to Christmas in 2016 we took a sally out that way and encountered some non-descript pubs including the Robin Hood, a traditional Greene King hostelry. Whilst there we encountered a local cover band called Little Angels.